Singing speech and speaking melodies: minor forms of musical theatre in the 18th and 19th century
This volume explores the different minor forms of musical theatre in the 18th and 19th century.0This volume addresses the complex variety of stage works with sung and spoken sections, such as "vaudeville", "singspiel", "opéra-comique", "zarzuela" or "oper...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English Spanish French Italian |
| Veröffentlicht: |
Turnhout
Brepols
2021
|
| Schriftenreihe: | Specvlvm Mvsicae
volume 43 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume explores the different minor forms of musical theatre in the 18th and 19th century.0This volume addresses the complex variety of stage works with sung and spoken sections, such as "vaudeville", "singspiel", "opéra-comique", "zarzuela" or "operetta" in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. |
| Beschreibung: | Includes English abstracts |
| Beschreibung: | xiv, 562 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503595436 |
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| 520 | 3 | |a This volume explores the different minor forms of musical theatre in the 18th and 19th century.0This volume addresses the complex variety of stage works with sung and spoken sections, such as "vaudeville", "singspiel", "opéra-comique", "zarzuela" or "operetta" in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. | |
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Datensatz im Suchindex
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| adam_text | Contents María Encina Cortizo - Michela Niccolai Preface Vaudeville and Opéra-comique Danielle L. Herrington Sensibilité, Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac’s Ideological Diversion Philippe et Georgette (1791) at the Salle Favart Bertrand Porot «Un petit récitatif sans accompagnement»: les vaudevilles à ľopéra֊comique, nouvelles perspectives Roberto Scoccimarro Vopéra-comique come creazione collettiva: La Prisonnière (1799), Bayard à Mézières (1814), La Marquise de Brinvilliers (1831) William Osmond «En Hollandais, s’il vous plaît!»: Singing and Reciting French comédie-vaudeville in Amsterdam (1830s) Singspiel and Operetta Andrea Horz Johann Adam Hiller’s Lottehen am Hofe: Contextualising Singspiel in French Traditions
Marijana Kokanović Markovič - Lada Duraković The Place and Significance of the Opera Kukuska (Tatjana) in Franz Lehár’s Opus Angeliki Kordellou The Contribution of Spiridon-Filiskos Samaras (1861-1917) to the Greek Operetta Zarzuela and Vo c ality in Spain Luis Antonio González Marín ¿Actrices o cantantes? Aspectos de la vocalidad en el teatro musical dejosé de Nebra María Encina Cortizo The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition Ramón Sobrino The Emergence of the revista de actualidades and the sainete lírico: Main Patterns of էհe género chico in the teatro por horas in Spain (1868-1901) Andrea García Torres Discursos literarios sobre el género chico: funcionamiento, recepción y controversias ideológicas entre el contexto local e internacional Zoila Martínez Beltrán The Music of Spain (1918) by Carl Van Vechten Focusing on Spanish Coloratura Singers Portuguese Musical Theatre Catarina Ribeiro Braga The Role of Amateur Societies in the Dissemination of Operetta and Music Theatre in Portugal in the Late Nineteenth Century
David Cranmer Musical Theatre in Portugal and Brazil of the Ancien regime 339 Questions of Genre Jana Franková From a Comedy to an opéra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the i8th-Century Musical Theatre 355 Adela Presas Zarzuela y opereta: formatos dramático-musicales en un acto en la frontera crítica del siglo xviii al xix 383 Trevor Penoyer-Kulin Opérette, opéra-comique, and the Field of Operatic Production 409 Francesc Cortès De Barcelona al Parnaso: traducciones y adaptaciones de óperas bufas y operetas francesas en Barcelona 43 5 Víctor Sánchez Sánchez La zarzuela en las compañías de opereta italiana 457 José Ignacio Suárez García Parodias españolas sobre Tannhaüser (1890) 479 Sylvie Douche L’entre-deux déclamatoire ou le mélodrame français du xixe siècle 521 Abstracts and Biographies 539 Index of Names 553
|
| adam_txt |
Contents María Encina Cortizo - Michela Niccolai Preface Vaudeville and Opéra-comique Danielle L. Herrington Sensibilité, Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac’s Ideological Diversion Philippe et Georgette (1791) at the Salle Favart Bertrand Porot «Un petit récitatif sans accompagnement»: les vaudevilles à ľopéra֊comique, nouvelles perspectives Roberto Scoccimarro Vopéra-comique come creazione collettiva: La Prisonnière (1799), Bayard à Mézières (1814), La Marquise de Brinvilliers (1831) William Osmond «En Hollandais, s’il vous plaît!»: Singing and Reciting French comédie-vaudeville in Amsterdam (1830s) Singspiel and Operetta Andrea Horz Johann Adam Hiller’s Lottehen am Hofe: Contextualising Singspiel in French Traditions
Marijana Kokanović Markovič - Lada Duraković The Place and Significance of the Opera Kukuska (Tatjana) in Franz Lehár’s Opus Angeliki Kordellou The Contribution of Spiridon-Filiskos Samaras (1861-1917) to the Greek Operetta Zarzuela and Vo c ality in Spain Luis Antonio González Marín ¿Actrices o cantantes? Aspectos de la vocalidad en el teatro musical dejosé de Nebra María Encina Cortizo The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition Ramón Sobrino The Emergence of the revista de actualidades and the sainete lírico: Main Patterns of էհe género chico in the teatro por horas in Spain (1868-1901) Andrea García Torres Discursos literarios sobre el género chico: funcionamiento, recepción y controversias ideológicas entre el contexto local e internacional Zoila Martínez Beltrán The Music of Spain (1918) by Carl Van Vechten Focusing on Spanish Coloratura Singers Portuguese Musical Theatre Catarina Ribeiro Braga The Role of Amateur Societies in the Dissemination of Operetta and Music Theatre in Portugal in the Late Nineteenth Century
David Cranmer Musical Theatre in Portugal and Brazil of the Ancien regime 339 Questions of Genre Jana Franková From a Comedy to an opéra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the i8th-Century Musical Theatre 355 Adela Presas Zarzuela y opereta: formatos dramático-musicales en un acto en la frontera crítica del siglo xviii al xix 383 Trevor Penoyer-Kulin Opérette, opéra-comique, and the Field of Operatic Production 409 Francesc Cortès De Barcelona al Parnaso: traducciones y adaptaciones de óperas bufas y operetas francesas en Barcelona 43 5 Víctor Sánchez Sánchez La zarzuela en las compañías de opereta italiana 457 José Ignacio Suárez García Parodias españolas sobre Tannhaüser (1890) 479 Sylvie Douche L’entre-deux déclamatoire ou le mélodrame français du xixe siècle 521 Abstracts and Biographies 539 Index of Names 553 |
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| spelling | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century edited by María Encina Cortizo and Michela Niccolai Turnhout Brepols 2021 xiv, 562 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Specvlvm Mvsicae volume 43 Includes English abstracts This volume explores the different minor forms of musical theatre in the 18th and 19th century.0This volume addresses the complex variety of stage works with sung and spoken sections, such as "vaudeville", "singspiel", "opéra-comique", "zarzuela" or "operetta" in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. 12 English, 6 Spanish, 1 Italian, 2 French contributions Geschichte 1700-1900 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Musiktheater (DE-588)4040874-7 s Geschichte 1700-1900 z DE-604 Encina Cortizo, María 1966- (DE-588)1055784268 edt Niccolai, Michela ca. 20. Jh. (DE-588)1042957592 edt Specvlvm Mvsicae volume 43 (DE-604)BV011188963 43 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032782291&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century |
| title_auth | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century |
| title_exact_search | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century |
| title_exact_search_txtP | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century |
| title_full | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century edited by María Encina Cortizo and Michela Niccolai |
| title_fullStr | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century edited by María Encina Cortizo and Michela Niccolai |
| title_full_unstemmed | Singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century edited by María Encina Cortizo and Michela Niccolai |
| title_short | Singing speech and speaking melodies |
| title_sort | singing speech and speaking melodies minor forms of musical theatre in the 18th and 19th century |
| title_sub | minor forms of musical theatre in the 18th and 19th century |
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