Copyright Africa: how intellectual property, media and markets transform immaterial cultural goods
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Canon Pyon
Sean Kingston Publishing
2019
|
Ausgabe: | Paperback edition |
Schlagworte: | |
Beschreibung: | Enthält Literaturangaben |
Beschreibung: | xiv, 393 Seiten Illustrationen 24 cm |
ISBN: | 9781912385041 |
Internformat
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264 | 4 | |c © 2016 | |
300 | |a xiv, 393 Seiten |b Illustrationen |c 24 cm | ||
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500 | |a Enthält Literaturangaben | ||
505 | 8 | 0 | |t <<The>> Colonial legacy of the international copyright system |r Alexander Peukert |t Whose text is it? : writing the oral |r Elisabeth Mudimbe-Boyi |t Lion's share : intellectual property rights and the South African music industry |r Veit Erlmann |t Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland |r Karin Barber |t In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria |r Patrick Oloko |t Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse |r Caroline Mose |t "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon |r Ute Röschenthaler |t From communal practice to intellectual property : the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa |r Neo Musangi |t Breaking the contract? : handling intangible cultural goods among different generations in Mali |r Mamadou Diawara |t Music for everyone : the dynamics of piracy in Cameroon |r Alexie Tcheuyap |t Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat |r Alessandro Jedlowski |t Between transnational and local aesthetic standards : beauty pageants in Mali |r Dorothea E. Schulz |t Wrestling, the media and marketing : when folklore meets show business |r Ibrahima Wane |t Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa |r Matthias Gruber |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Röschenthaler, Ute 1960-2024 Diawara, Mamadou 1954- |
author2 | Röschenthaler, Ute 1960-2024 Diawara, Mamadou 1954- |
author2_role | edt edt |
author2_variant | u r ur m d md |
author_GND | (DE-588)113539185 (DE-588)111785049 |
author_additional | Alexander Peukert Elisabeth Mudimbe-Boyi Veit Erlmann Karin Barber Patrick Oloko Caroline Mose Ute Röschenthaler Neo Musangi Mamadou Diawara Alexie Tcheuyap Alessandro Jedlowski Dorothea E. Schulz Ibrahima Wane Matthias Gruber |
author_facet | Röschenthaler, Ute 1960-2024 Diawara, Mamadou 1954- Röschenthaler, Ute 1960-2024 Diawara, Mamadou 1954- |
author_role | aut aut |
author_sort | Röschenthaler, Ute 1960-2024 |
author_variant | u r ur m d md |
building | Verbundindex |
bvnumber | BV047378393 |
classification_rvk | LB 79465 LC 10465 PE 745 |
contents | <<The>> Colonial legacy of the international copyright system Whose text is it? : writing the oral Lion's share : intellectual property rights and the South African music industry Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon From communal practice to intellectual property : the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa Breaking the contract? : handling intangible cultural goods among different generations in Mali Music for everyone : the dynamics of piracy in Cameroon Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat Between transnational and local aesthetic standards : beauty pageants in Mali Wrestling, the media and marketing : when folklore meets show business Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa |
ctrlnum | (OCoLC)1229156920 (DE-599)OBVAC15735915 |
discipline | Rechtswissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
discipline_str_mv | Rechtswissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
edition | Paperback edition |
format | Book |
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illustrated | Illustrated |
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spelling | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods edited by Ute Röschenthaler and Mamadou Diawara Paperback edition Canon Pyon Sean Kingston Publishing 2019 © 2016 xiv, 393 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Enthält Literaturangaben <<The>> Colonial legacy of the international copyright system Alexander Peukert Whose text is it? : writing the oral Elisabeth Mudimbe-Boyi Lion's share : intellectual property rights and the South African music industry Veit Erlmann Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland Karin Barber In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria Patrick Oloko Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse Caroline Mose "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon Ute Röschenthaler From communal practice to intellectual property : the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa Neo Musangi Breaking the contract? : handling intangible cultural goods among different generations in Mali Mamadou Diawara Music for everyone : the dynamics of piracy in Cameroon Alexie Tcheuyap Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat Alessandro Jedlowski Between transnational and local aesthetic standards : beauty pageants in Mali Dorothea E. Schulz Wrestling, the media and marketing : when folklore meets show business Ibrahima Wane Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa Matthias Gruber Copyright Africa Immaterielles Kulturerbe (DE-588)7677036-9 gnd rswk-swf Geistiges Eigentum (DE-588)4136832-0 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Afrika (DE-588)4000695-5 g Geistiges Eigentum (DE-588)4136832-0 s Immaterielles Kulturerbe (DE-588)7677036-9 s DE-604 Röschenthaler, Ute 1960-2024 (DE-588)113539185 edt aut win Diawara, Mamadou 1954- (DE-588)111785049 edt aut win |
spellingShingle | Röschenthaler, Ute 1960-2024 Diawara, Mamadou 1954- Copyright Africa how intellectual property, media and markets transform immaterial cultural goods <<The>> Colonial legacy of the international copyright system Whose text is it? : writing the oral Lion's share : intellectual property rights and the South African music industry Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon From communal practice to intellectual property : the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa Breaking the contract? : handling intangible cultural goods among different generations in Mali Music for everyone : the dynamics of piracy in Cameroon Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat Between transnational and local aesthetic standards : beauty pageants in Mali Wrestling, the media and marketing : when folklore meets show business Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa Copyright Africa Immaterielles Kulturerbe (DE-588)7677036-9 gnd Geistiges Eigentum (DE-588)4136832-0 gnd |
subject_GND | (DE-588)7677036-9 (DE-588)4136832-0 (DE-588)4000695-5 (DE-588)4143413-4 |
title | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods |
title_alt | <<The>> Colonial legacy of the international copyright system Whose text is it? : writing the oral Lion's share : intellectual property rights and the South African music industry Authorship, copyright and quotation in oral and print spheres in early colonial Yorubaland In whose image or likeness? : publishing and the literary order in early post-colonial Nigeria Covers, remixes and mash-ups : locating African hip-hop in intellectual property rights discourse "Be faster than the pirates" : copyright and the revival of "traditional dances" in south-west Cameroon From communal practice to intellectual property : the Ngqoko Cultural Group, political claim-making and the judicialization of performance in South Africa Breaking the contract? : handling intangible cultural goods among different generations in Mali Music for everyone : the dynamics of piracy in Cameroon Regulating mobility, reshaping accessibility : Nollywood and the piracy scapegoat Between transnational and local aesthetic standards : beauty pageants in Mali Wrestling, the media and marketing : when folklore meets show business Who owns the vuvuzela? : local interests, intellectual property and the football World Cup in South Africa |
title_auth | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods |
title_exact_search | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods |
title_exact_search_txtP | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods |
title_full | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods edited by Ute Röschenthaler and Mamadou Diawara |
title_fullStr | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods edited by Ute Röschenthaler and Mamadou Diawara |
title_full_unstemmed | Copyright Africa how intellectual property, media and markets transform immaterial cultural goods edited by Ute Röschenthaler and Mamadou Diawara |
title_short | Copyright Africa |
title_sort | copyright africa how intellectual property media and markets transform immaterial cultural goods |
title_sub | how intellectual property, media and markets transform immaterial cultural goods |
topic | Copyright Africa Immaterielles Kulturerbe (DE-588)7677036-9 gnd Geistiges Eigentum (DE-588)4136832-0 gnd |
topic_facet | Copyright Africa Immaterielles Kulturerbe Geistiges Eigentum Afrika Aufsatzsammlung |
work_keys_str_mv | AT roschenthalerute copyrightafricahowintellectualpropertymediaandmarketstransformimmaterialculturalgoods AT diawaramamadou copyrightafricahowintellectualpropertymediaandmarketstransformimmaterialculturalgoods |