This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employ...

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Bibliographische Detailangaben

1. Verfasser:	Malm, Mats 1964- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge Cambridge University Press 2021
Schlagworte:	Arosenius, Ivar / 1878-1909 Arosenius, Ivar > 1878-1909 Arts and society Cultural property Kulturerbe Selbstdarstellung
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The study first elaborates on the theoretical framework through the aspects of mediation and agency, then explores how the artist was staged after his death. Finally, the artist's own means of staging himself are explored. Swedish painter Ivar Arosenius (1878-1909) is the case studied
Beschreibung:	Title from publisher's bibliographic system (viewed on 31 May 2021)
Beschreibung:	1 Online-Ressource (80 Seiten)
ISBN:	9781108885652
DOI:	10.1017/9781108885652