Notes on the new American cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2002
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| Beschreibung: | Part one: historical perspective -- Helen Levitt, James Agee, Sidney Meyers: from the Studios into the streets -- Morris Engel: the low-budget feature -- Lionel Rogosin: social engagement -- Cassavetes: the improvisation -- Sidney Meyers: the naked camera eye -- Ricky Leacock: new documentary frontiers - revolution of the camera -- Leacock's camera and the dramatic feature -- Dan Drasin: Burton Brothers -- After seeing sunday -- Robert Frank, Alfred Leslie: furhter explorations of improvisation -- Shirley Clarke: the connectino -- Guns of the trees: elimination of the plot, film as an emotional statement -- Vanderbeek, Preston: social-political satire - protest films -- Brakhage, Breer, Menken: the pure poets of cinema -- Ron Rice, Vernon Zimmerman: the poetry of the absurd -- Ode to the eye -- The Others -- Part two: a few statements on the new American Artist as a Man -- Part three: summing up - connecting the style with the Man -- A side note on the morality of the new -- A note on Improvisation -- A note on the "Shaky Camera" -- The second note on improvisation -- On Acting -- Closing remarks Part one. Origins of the American avant-garde cinema, 1920-1959 |
| ISBN: | 0-415-27786-8 |
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| 500 | |a Part one: historical perspective -- Helen Levitt, James Agee, Sidney Meyers: from the Studios into the streets -- Morris Engel: the low-budget feature -- Lionel Rogosin: social engagement -- Cassavetes: the improvisation -- Sidney Meyers: the naked camera eye -- Ricky Leacock: new documentary frontiers - revolution of the camera -- Leacock's camera and the dramatic feature -- Dan Drasin: Burton Brothers -- After seeing sunday -- Robert Frank, Alfred Leslie: furhter explorations of improvisation -- Shirley Clarke: the connectino -- Guns of the trees: elimination of the plot, film as an emotional statement -- Vanderbeek, Preston: social-political satire - protest films -- Brakhage, Breer, Menken: the pure poets of cinema -- Ron Rice, Vernon Zimmerman: the poetry of the absurd -- Ode to the eye -- The Others -- Part two: a few statements on the new American Artist as a Man -- Part three: summing up - connecting the style with the Man -- A side note on the morality of the new -- A note on Improvisation -- A note on the "Shaky Camera" -- The second note on improvisation -- On Acting -- Closing remarks | ||
| 500 | |a Part one. Origins of the American avant-garde cinema, 1920-1959 | ||
| 773 | 1 | 8 | |g pages:53-70 |
| 773 | 0 | 8 | |t Experimental cinema / ed. by Wheeler Winston Dixon ... |b 1. publ. |d London u.a., 2002 |g Seite 53-70 |k in Focus |w (DE-604)BV014901568 |z 0-415-27786-8 |
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| spelling | Mekas, Jonas 1922-2019 (DE-588)11909293X aut Notes on the new American cinema Jonas Mekas 2002 txt rdacontent n rdamedia nc rdacarrier Part one: historical perspective -- Helen Levitt, James Agee, Sidney Meyers: from the Studios into the streets -- Morris Engel: the low-budget feature -- Lionel Rogosin: social engagement -- Cassavetes: the improvisation -- Sidney Meyers: the naked camera eye -- Ricky Leacock: new documentary frontiers - revolution of the camera -- Leacock's camera and the dramatic feature -- Dan Drasin: Burton Brothers -- After seeing sunday -- Robert Frank, Alfred Leslie: furhter explorations of improvisation -- Shirley Clarke: the connectino -- Guns of the trees: elimination of the plot, film as an emotional statement -- Vanderbeek, Preston: social-political satire - protest films -- Brakhage, Breer, Menken: the pure poets of cinema -- Ron Rice, Vernon Zimmerman: the poetry of the absurd -- Ode to the eye -- The Others -- Part two: a few statements on the new American Artist as a Man -- Part three: summing up - connecting the style with the Man -- A side note on the morality of the new -- A note on Improvisation -- A note on the "Shaky Camera" -- The second note on improvisation -- On Acting -- Closing remarks Part one. Origins of the American avant-garde cinema, 1920-1959 pages:53-70 Experimental cinema / ed. by Wheeler Winston Dixon ... 1. publ. London u.a., 2002 Seite 53-70 in Focus (DE-604)BV014901568 0-415-27786-8 |
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| title | Notes on the new American cinema |
| title_auth | Notes on the new American cinema |
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| title_full | Notes on the new American cinema Jonas Mekas |
| title_fullStr | Notes on the new American cinema Jonas Mekas |
| title_full_unstemmed | Notes on the new American cinema Jonas Mekas |
| title_short | Notes on the new American cinema |
| title_sort | notes on the new american cinema |
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