Aesthetics and modernity: toward a new philosophical functionalization of art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2021]
|
| Schriftenreihe: | Modernity in question
volume 16 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.peterlang.com/view/product/100054?format=HC Inhaltsverzeichnis |
| Beschreibung: | 158 Seiten Illustrationen 21 cm x 14.8 cm, 285 g |
| ISBN: | 9783631845073 3631845073 |
Internformat
MARC
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| 100 | 1 | |a Lorenc, Iwona |e Verfasser |0 (DE-588)103625003 |4 aut | |
| 245 | 1 | 0 | |a Aesthetics and modernity |b toward a new philosophical functionalization of art |c Iwona Lorenc ; edited by Jan Burzyński |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 158 Seiten |b Illustrationen |c 21 cm x 14.8 cm, 285 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Modernity in question |v volume 16 | |
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| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Funktion |0 (DE-588)4195664-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Phänomenologie |0 (DE-588)4045660-2 |2 gnd |9 rswk-swf |
| 653 | |a Aesthetics | ||
| 653 | |a art autonomy | ||
| 653 | |a art phenomenology | ||
| 653 | |a fictionalization of reality | ||
| 653 | |a Functionalization | ||
| 653 | |a landscape phenomenology | ||
| 653 | |a Lorenc | ||
| 653 | |a modern experiencing | ||
| 653 | |a Modernity | ||
| 653 | |a phenomenology of painting | ||
| 653 | |a Philosophical | ||
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 1 | |a Moderne |0 (DE-588)4039827-4 |D s |
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| 700 | 1 | |a Burzyński, Jan |0 (DE-588)1223936066 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1804182616760385536 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
PREFACE
..............................................................................................
9
INTRODUCTION:
TOWARD
A
NEW
PHILOSOPHICAL
FUNCTIONALIZATION
OF
THE
CONCEPT
OF
ART
.................................
11
1.
THE
BLURRING
OF
BOUNDARIES:
FICTION-REALITY
AND
CONTEMPORARY
ART
......................................................................
21
1.
THE
WORLD
EXPERIENCED
AS
FICTION:
ROOTING
OUT
THE
TRUTH
AND
LACK
OF
ITS
SOLID
FOUNDATION
.................................................................
21
2.
RHETORIZATION
OF
CONTEMPORARY
CULTURE
AND
ARTISTIC
GAMES
WITH
FICTIONALIZATION
........................................................................
24
3.
CONCLUSIONS
.................................................................................................
29
2.
SUBVERSIVE
ARTISTIC
STRATEGIES
OF
THE
AVANT-GARDE
AND
THE
CRISIS
OF
MODERN
EXPERIENCE
......................................
35
1.
INTRODUCTION:
THE
GAMBIT
OF
THE
AVANT-GARDE
.......................................
35
2.
TOWARD
NEW
MATERIALITY
.............................................................................
39
3.
PROBLEMATIC
RETURN
TO
REALITY
.....................................................................
41
4.
ONTOLOGY
VERSUS
IDEOLOGY;
THING
VERSUS
MEANING
..................................
43
5.
RHETORIZATION
OF
CULTURAL
REALITY:
IDEOLOGY
VERSUS
POLITICS
.....................
44
6.
TOWARD
A
NEW
SENSE
OF
ARTISTIC
CRITICALITY
.................................................
48
7.
CONCLUSIONS
.................................................................................................
48
3.
AESTHETIC PARTICIPATION
AS
A
REALIZATION
OF
SOCIAL
AND
CULTURAL
POIESIS
...................................................................
53
1.
EMANCIPATION
OF
PARTICIPATORY
AESTHETICS
FROM
THE
IMPERATIVE
OF
AESTHETIC
AUTONOMY
AND
AESTHETIC
DISTANCE
....................................
53
6
TABLE
OF
CONTENTS
2.
PROXEMIC
RELATIONSHIP
AS
A
PREREQUISITE
FOR
THE
MODEL
OF
PARTICIPATORY
AESTHETICS
(MAFFESOLI)
..........................................................
57
3.
ART
AS
PARTICIPATORY
MEANS
OF
SHAPING
SOCIAL
RELATIONS
(BOURRIAUDS
RELATIONAL
AESTHETICS)
.............................................................
61
4.
CONCLUSIONS
..................................................................................................
66
4.
*
THEORETICAL
TURN
*
IN
POST-AVANT-GARDE
ART
AND
THE
AESTHETICS
OF
DE-DIFFERENTIATION
.................................................
71
1.
INTRODUCTION.
AESTHETICIZATION
AND
DE-DIFFERENTIATION
...........................
71
2.
DE-DIFFERENTIATION
........................................................................................
74
3.
INDISTINCTION
AND
DE-DIFFERENTIATION
PHENOMENA
AND
THEIR
MEANING
FOR
THE
PHILOSOPHICAL
REFLECTION
ON
ART
.......................................
77
4.
CONCLUSIONS
..................................................................................................
78
5.
AESTHETIC
RESEARCH
ON
THE
LANDSCAPE
UNDER
THE
LIGHT
OF
THE
TRANSFORMATION
IN
CONTEMPORARY
HUMANITIES.
TOWARD
LANDSCAPE
PHENOMENOLOGY
........................................
81
1.
THE
AESTHETIC
EXPERIENCE
OF
LANDSCAPE
IN
THE
CONTEMPORARY
HUMANITIES
....................................................................................................
81
2.
THE
SIGNIFICANCE
OF
THE
HEIDEGGERIAN
AND
PHENOMENOLOGICAL
VIEWPOINTS
FOR
THE
STUDIES
OF
LANDSCAPE
...................................................
85
3.
FROM
PHENOMENOLOGY
TO
PHILOSOPHICAL
ANTHROPOLOGY
..........................
89
6.
PHENOMENOLOGY
OF
ART
AND
THE
TENSIONS
WITHIN
THE
FIELD
OF
MODERN
EXPERIENCE
................................................
93
1.
INTRODUCTORY
REMARKS
..................................................................................
93
2.
BETWEEN
TRANSCENDENTALISM
AND
HERMENEUTICS:
FROM
HUSSERL
TO
HEIDEGGER
......................................................................................................
94
3.
SELECTED
CRITICISMS
OF
HUSSERL
*
S
DESIGN
OF
GENETIC
PHENOMENOLGY
....
98
TABLE
OF
CONTENTS
7
4.
THE
EXPERIENCE
OF
LIVING
PRESENCE
AND
THE
CULTURAL
OBJECTIVITY
OF
MEANINGS
....................................................................................................
101
5.
BETWEEN
SENSE
AND
MEANING:
POIESIS
(HEIDEGGER)
.................................
103
6.
WHAT
IS
THE
AESTHETIC
IN
MODERN
PHENOMENOLOGY
...............................
108
7.
PAINTING
IN
A
PHENOMENOLOGICAL AND
HERMENEUTICAL
PERSPECTIVE.
EXAMPLES
....................................................................................................
113
7.1.
THE
TRACE
OF
DIZZINESS
-
PAINTINGS
OF
KATARZYNA
FERWORN-HORAWA
....
114
7.2.
OUTSIDE
THE
DEEP-SUPERFICIAL
DYCHOTOMY
-
THE
ART
OF
HENRYK
MUSIALOWICZ
.......................................................................................
118
7.
EXPERIENCE
AND
LANGUAGE.
WITKACY
IN
CONTEMPORARY
INTERPRETIVE
CONTEXTS
..........................................................
129
1.
THE
TRAP
OF
INTERPRETIVE
ANACHRONISM.
WITKACY
-
A
THEORIST
OR
ARTIST?
....
129
2.
BETWEEN
TWO
MODELS
OF
EXPERIENCE
........................................................
132
3.
THE
CRISIS
OF
METAPHYSICAL
CONCEPTS
OF
LANGUAGE
AND
WITKACY
S
FIGURAL
LANGUAGE
.........................................................................................
137
IN
PLACE
OF
CONCLUSION
.........................................................
143
BIBLIOGRAPHY
.............................................................................
149
INDEX
..........................................................................................
155
|
| adam_txt |
TABLE
OF
CONTENTS
PREFACE
.
9
INTRODUCTION:
TOWARD
A
NEW
PHILOSOPHICAL
FUNCTIONALIZATION
OF
THE
CONCEPT
OF
ART
.
11
1.
THE
BLURRING
OF
BOUNDARIES:
FICTION-REALITY
AND
CONTEMPORARY
ART
.
21
1.
THE
WORLD
EXPERIENCED
AS
FICTION:
ROOTING
OUT
THE
TRUTH
AND
LACK
OF
ITS
SOLID
FOUNDATION
.
21
2.
RHETORIZATION
OF
CONTEMPORARY
CULTURE
AND
ARTISTIC
GAMES
WITH
FICTIONALIZATION
.
24
3.
CONCLUSIONS
.
29
2.
SUBVERSIVE
ARTISTIC
STRATEGIES
OF
THE
AVANT-GARDE
AND
THE
CRISIS
OF
MODERN
EXPERIENCE
.
35
1.
INTRODUCTION:
THE
GAMBIT
OF
THE
AVANT-GARDE
.
35
2.
TOWARD
NEW
MATERIALITY
.
39
3.
PROBLEMATIC
RETURN
TO
REALITY
.
41
4.
ONTOLOGY
VERSUS
IDEOLOGY;
THING
VERSUS
MEANING
.
43
5.
RHETORIZATION
OF
CULTURAL
REALITY:
IDEOLOGY
VERSUS
POLITICS
.
44
6.
TOWARD
A
NEW
SENSE
OF
ARTISTIC
CRITICALITY
.
48
7.
CONCLUSIONS
.
48
3.
AESTHETIC PARTICIPATION
AS
A
REALIZATION
OF
SOCIAL
AND
CULTURAL
POIESIS
.
53
1.
EMANCIPATION
OF
PARTICIPATORY
AESTHETICS
FROM
THE
IMPERATIVE
OF
AESTHETIC
AUTONOMY
AND
AESTHETIC
DISTANCE
.
53
6
TABLE
OF
CONTENTS
2.
PROXEMIC
RELATIONSHIP
AS
A
PREREQUISITE
FOR
THE
MODEL
OF
PARTICIPATORY
AESTHETICS
(MAFFESOLI)
.
57
3.
ART
AS
PARTICIPATORY
MEANS
OF
SHAPING
SOCIAL
RELATIONS
(BOURRIAUDS
RELATIONAL
AESTHETICS)
.
61
4.
CONCLUSIONS
.
66
4.
*
THEORETICAL
TURN
*
IN
POST-AVANT-GARDE
ART
AND
THE
AESTHETICS
OF
DE-DIFFERENTIATION
.
71
1.
INTRODUCTION.
AESTHETICIZATION
AND
DE-DIFFERENTIATION
.
71
2.
DE-DIFFERENTIATION
.
74
3.
INDISTINCTION
AND
DE-DIFFERENTIATION
PHENOMENA
AND
THEIR
MEANING
FOR
THE
PHILOSOPHICAL
REFLECTION
ON
ART
.
77
4.
CONCLUSIONS
.
78
5.
AESTHETIC
RESEARCH
ON
THE
LANDSCAPE
UNDER
THE
LIGHT
OF
THE
TRANSFORMATION
IN
CONTEMPORARY
HUMANITIES.
TOWARD
LANDSCAPE
PHENOMENOLOGY
.
81
1.
THE
AESTHETIC
EXPERIENCE
OF
LANDSCAPE
IN
THE
CONTEMPORARY
HUMANITIES
.
81
2.
THE
SIGNIFICANCE
OF
THE
HEIDEGGERIAN
AND
PHENOMENOLOGICAL
VIEWPOINTS
FOR
THE
STUDIES
OF
LANDSCAPE
.
85
3.
FROM
PHENOMENOLOGY
TO
PHILOSOPHICAL
ANTHROPOLOGY
.
89
6.
PHENOMENOLOGY
OF
ART
AND
THE
TENSIONS
WITHIN
THE
FIELD
OF
MODERN
EXPERIENCE
.
93
1.
INTRODUCTORY
REMARKS
.
93
2.
BETWEEN
TRANSCENDENTALISM
AND
HERMENEUTICS:
FROM
HUSSERL
TO
HEIDEGGER
.
94
3.
SELECTED
CRITICISMS
OF
HUSSERL
*
S
DESIGN
OF
GENETIC
PHENOMENOLGY
.
98
TABLE
OF
CONTENTS
7
4.
THE
EXPERIENCE
OF
LIVING
PRESENCE
AND
THE
CULTURAL
OBJECTIVITY
OF
MEANINGS
.
101
5.
BETWEEN
SENSE
AND
MEANING:
POIESIS
(HEIDEGGER)
.
103
6.
WHAT
IS
THE
AESTHETIC
IN
MODERN
PHENOMENOLOGY
.
108
7.
PAINTING
IN
A
PHENOMENOLOGICAL AND
HERMENEUTICAL
PERSPECTIVE.
EXAMPLES
.
113
7.1.
THE
TRACE
OF
DIZZINESS
-
PAINTINGS
OF
KATARZYNA
FERWORN-HORAWA
.
114
7.2.
OUTSIDE
THE
DEEP-SUPERFICIAL
DYCHOTOMY
-
THE
ART
OF
HENRYK
MUSIALOWICZ
.
118
7.
EXPERIENCE
AND
LANGUAGE.
WITKACY
IN
CONTEMPORARY
INTERPRETIVE
CONTEXTS
.
129
1.
THE
TRAP
OF
INTERPRETIVE
ANACHRONISM.
WITKACY
-
A
THEORIST
OR
ARTIST?
.
129
2.
BETWEEN
TWO
MODELS
OF
EXPERIENCE
.
132
3.
THE
CRISIS
OF
METAPHYSICAL
CONCEPTS
OF
LANGUAGE
AND
WITKACY
S
FIGURAL
LANGUAGE
.
137
IN
PLACE
OF
CONCLUSION
.
143
BIBLIOGRAPHY
.
149
INDEX
.
155 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Lorenc, Iwona |
| author2 | Burzyński, Jan |
| author2_role | edt |
| author2_variant | j b jb |
| author_GND | (DE-588)103625003 (DE-588)1223936066 |
| author_facet | Lorenc, Iwona Burzyński, Jan |
| author_role | aut |
| author_sort | Lorenc, Iwona |
| author_variant | i l il |
| building | Verbundindex |
| bvnumber | BV047375258 |
| ctrlnum | (OCoLC)1245388501 (DE-599)DNB1230696350 |
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| id | DE-604.BV047375258 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:46:07Z |
| indexdate | 2024-07-10T09:10:23Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
| isbn | 9783631845073 3631845073 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032776977 |
| oclc_num | 1245388501 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 158 Seiten Illustrationen 21 cm x 14.8 cm, 285 g |
| psigel | BSB_NED_20210804 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Peter Lang |
| record_format | marc |
| series | Modernity in question |
| series2 | Modernity in question |
| spelling | Lorenc, Iwona Verfasser (DE-588)103625003 aut Aesthetics and modernity toward a new philosophical functionalization of art Iwona Lorenc ; edited by Jan Burzyński Berlin ; Bern ; Bruxelles Peter Lang [2021] © 2021 158 Seiten Illustrationen 21 cm x 14.8 cm, 285 g txt rdacontent n rdamedia nc rdacarrier Modernity in question volume 16 Fiktion (DE-588)4192723-0 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Erfahrung (DE-588)4015217-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Funktion (DE-588)4195664-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Aesthetics art autonomy art phenomenology fictionalization of reality Functionalization landscape phenomenology Lorenc modern experiencing Modernity phenomenology of painting Philosophical Ästhetik (DE-588)4000626-8 s Moderne (DE-588)4039827-4 s Kunst (DE-588)4114333-4 s Funktion (DE-588)4195664-3 s Fiktion (DE-588)4192723-0 s Erfahrung (DE-588)4015217-0 s Phänomenologie (DE-588)4045660-2 s DE-604 Burzyński, Jan (DE-588)1223936066 edt Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-84986-6 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-85206-4 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-85207-1 Modernity in question volume 16 (DE-604)BV041968731 16 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=6fd5b07f3c0044d5821c05f21cafd257&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/100054?format=HC DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032776977&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20210329 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Lorenc, Iwona Aesthetics and modernity toward a new philosophical functionalization of art Modernity in question Fiktion (DE-588)4192723-0 gnd Moderne (DE-588)4039827-4 gnd Erfahrung (DE-588)4015217-0 gnd Kunst (DE-588)4114333-4 gnd Funktion (DE-588)4195664-3 gnd Ästhetik (DE-588)4000626-8 gnd Phänomenologie (DE-588)4045660-2 gnd |
| subject_GND | (DE-588)4192723-0 (DE-588)4039827-4 (DE-588)4015217-0 (DE-588)4114333-4 (DE-588)4195664-3 (DE-588)4000626-8 (DE-588)4045660-2 |
| title | Aesthetics and modernity toward a new philosophical functionalization of art |
| title_auth | Aesthetics and modernity toward a new philosophical functionalization of art |
| title_exact_search | Aesthetics and modernity toward a new philosophical functionalization of art |
| title_exact_search_txtP | Aesthetics and modernity toward a new philosophical functionalization of art |
| title_full | Aesthetics and modernity toward a new philosophical functionalization of art Iwona Lorenc ; edited by Jan Burzyński |
| title_fullStr | Aesthetics and modernity toward a new philosophical functionalization of art Iwona Lorenc ; edited by Jan Burzyński |
| title_full_unstemmed | Aesthetics and modernity toward a new philosophical functionalization of art Iwona Lorenc ; edited by Jan Burzyński |
| title_short | Aesthetics and modernity |
| title_sort | aesthetics and modernity toward a new philosophical functionalization of art |
| title_sub | toward a new philosophical functionalization of art |
| topic | Fiktion (DE-588)4192723-0 gnd Moderne (DE-588)4039827-4 gnd Erfahrung (DE-588)4015217-0 gnd Kunst (DE-588)4114333-4 gnd Funktion (DE-588)4195664-3 gnd Ästhetik (DE-588)4000626-8 gnd Phänomenologie (DE-588)4045660-2 gnd |
| topic_facet | Fiktion Moderne Erfahrung Kunst Funktion Ästhetik Phänomenologie |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=6fd5b07f3c0044d5821c05f21cafd257&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/100054?format=HC http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032776977&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV041968731 |
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