Technológos in being: radical media archaeology and the computational machine
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schriftenreihe: | Thinking media
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xi, 211 Seiten 10 Illustrationen (schwarz-weiß) |
| ISBN: | 9781501362293 |
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Datensatz im Suchindex
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| adam_text | Contents List of figures ix Preface x Acknowledgements 1 xii Introduction: Radical media archaeology 1 Media Arche: Locating primary scenes of technology 1 A remark on techno-mathematical competence 8 Part One Radical media archaeology as a method of media science, and as techno-logical practice 2 3 Towards a more radical understanding of media as technology and logotechnics 15 Thinking media from within 15 Rethinking ‘technology’ beyond Heidegger 18 Techno-mathematical implementations: Disembodied lògos 21 Arche and lògos of electronic media 22 Materialist media archaeology 25 Radical technoanalysis: Theory and method 28 The hands of logos: ‘Digitality’, literally 30 Relieving the optical signal from human subjectivity: Case study photography 30 Beyond anthropocentrism in the ‘hands on media’ approach: ‘Manipulation’, and technology Typewriting: The de-coupled relation of the hand to writing 4 33 34 When lògos encounters the machine: The discretizing keyboard 36 Digitality instead of the whole ‘hand’: Fingers and numbers 37 Human performance vs. technical operation: Mechanically informed music from the past 39 Automatic invariance: Baroque music machines 39 Audio -technical ‘archiving’ of musical presence 41 Phono-graphical analysis vs. hermeneutic interpretation 42 Techno-logical tradition of media music 45
Contents VI 5 (Re)enactments of technoíógos 48 Analytic media diagrammatics 48 Techno-scenic knowledge: Media theatre 49 Re-enacting the technological past 50 Manual experimentation of time with machines 51 Symbolical re-enactment of machines: From Yugo back to Babbage 6 Technical logification of the optical image 53 57 Logifiction of the image: The oxymoron of the analogue ‘picture element’ 7 57 Escaping the control of lògos: Video as a material memory medium 59 Digital logification of the video image 60 Video compression 63 Human and/or machine ‘vision’: Computer graphics 64 Is there a lògos within technical images? Machine vision 68 Discretely addressing media artefacts 70 ‘Post-digital’ nostalgia for materiality? Towards a redefinition of the ‘archaeological’ artefact 70 Archaeologizing the present: The alógos of video noise, and digital sound compression 71 Object and agency of media archaeology: The Restauration of early television recordings 73 Έ.Τ.’ as topic of computer (game) archaeology, and microprocessor ageing Really ‘forensic’ media archivology: Reading a ROM Part Two 75 78 Radical media archaeology in close alliance with operative logotechnics (computing) 8 Technológus from action: The matter of computation and the (with)inhuman symbolic machine 83 Machine operations: Redefining the ‘human’ from within 83 Mechanization of the calculating mind: Karsakov 1832 84 The calculating human as a computational machine ‘it’self 86 Where algorithmic reasoning actually takes place: Technomathematical computing 90
Contents 9 vii Algorithmic computation in media archaeological perspective 93 How close can computing come to the material world? 99 Time-discrete computing as articulation of techno/ogos 104 Listening to computational time 104 Challenging the ‘time’ axis: Computation 105 Lògos in technical being: Actual computing 105 Counting (and) time 106 Time-discrete technical procedures: Cinematography, computing 107 10 A new kind of ‘love for logos : Material media philology as a more radical understanding of software 110 Media philology as critical enquiry of digital humanities practice 110 Operative encounters of lògos and matter: Algorithms as ‘software’ 111 11 The unexpected behaviour of code 113 ‘Text’ in the age of computer-based literacy: Software 114 Second-order logosi The literary code comment 116 Digital anachronism 117 Experimental technologos: Humanities of the digital 118 ‘Digital humanities’ avant la Lettre: Archaeology proper and techno-mathematical reason 118 Counting by numbers instead of story-telling: The logos of Markov chains in information aesthetics 119 ‘Hermeneutics’ after Shannon: Algorithmic experimentation of text and speech Rooting digital humanities: Techno-mathematics 120 122 New methods of content retrieval: Algorithmic data identification 123 ‘Active archives’ 125 The self-organizing archive 127 Media archivology: Kittier s case 127 12 Informatized matter: Computing for and as architecture 129 Architectural matter and informational logos 129 The cybernetization of architecture 130 Architecture in terms of information aesthetics 132 Opening/dosing
‘gates’: The flip-flop 132 Towards an archaeology of digital architectures from within 133
Contents viii Algorithmicized architectures 13 5 Architecturally embedded lògos vs. autonomous algorithmic thought 136 Computational vs. computing ‘architectures’ 137 Resubstantiation of code into matter: 3D printing 139 13 There is no ‘memory’ for technologes: Digital storage beyond the ‘memory’ metaphor, and its return in/as machine learning 140 Only in quotation marks: Digital ‘memory’ from a technological view 140 Not yet memory, or ‘memory’ no more? Intermediary storage, delay lines 143 Neural ‘memory’, reformulated in technical terms 145 The return of ‘memory’ in artificial intelligence 147 A media archaeological prototype of machine learning: The‘perceptron’ 150 Human and/or nonhuman sorting of images by association: Pockets Full of Memories 153 14 Against metaphysics in artificial intelligence: A reminder of its technological ground 156 The neocybernetic model and its electro-technical a priori 156 ‘From’ machine analysis ‘to’ statistical AI? Neural nets and/or the aigorithmic approach to intefiigence 160 How ‘deep’ is machine intelligence? ‘Emergent’ artificial knowledge and the metaphysical risk 163 When the human voice is revealed as technológus: The anthropomorphic allure of machine ‘learning’ 166 15 Preliminary conclusions from the question concerning technologes 171 Arché-lógos, technically revealed from matter itself 171 Does technoíógos still matter? Discussing the limits of technological analysis 173 Techno/ógos within the Anthropocene 176 For a techno-logically renewed media materialism 179 References 183 Index 204
|
| adam_txt |
Contents List of figures ix Preface x Acknowledgements 1 xii Introduction: Radical media archaeology 1 Media Arche: Locating primary scenes of technology 1 A remark on techno-mathematical competence 8 Part One Radical media archaeology as a method of media science, and as techno-logical practice 2 3 Towards a more radical understanding of media as technology and logotechnics 15 Thinking media from within 15 Rethinking ‘technology’ beyond Heidegger 18 Techno-mathematical implementations: Disembodied lògos 21 Arche and lògos of electronic media 22 Materialist media archaeology 25 Radical technoanalysis: Theory and method 28 The hands of logos: ‘Digitality’, literally 30 Relieving the optical signal from human subjectivity: Case study photography 30 Beyond anthropocentrism in the ‘hands on media’ approach: ‘Manipulation’, and technology Typewriting: The de-coupled relation of the hand to writing 4 33 34 When lògos encounters the machine: The discretizing keyboard 36 Digitality instead of the whole ‘hand’: Fingers and numbers 37 Human performance vs. technical operation: Mechanically informed music from the past 39 Automatic invariance: Baroque music machines 39 Audio -technical ‘archiving’ of musical presence 41 Phono-graphical analysis vs. hermeneutic interpretation 42 Techno-logical tradition of media music 45
Contents VI 5 (Re)enactments of technoíógos 48 Analytic media diagrammatics 48 Techno-scenic knowledge: Media theatre 49 Re-enacting the technological past 50 Manual experimentation of time with machines 51 Symbolical re-enactment of machines: From Yugo back to Babbage 6 Technical logification of the optical image 53 57 Logifiction of the image: The oxymoron of the analogue ‘picture element’ 7 57 Escaping the control of lògos: Video as a material memory medium 59 Digital logification of the video image 60 Video compression 63 Human and/or machine ‘vision’: Computer graphics 64 Is there a lògos within technical images? Machine vision 68 Discretely addressing media artefacts 70 ‘Post-digital’ nostalgia for materiality? Towards a redefinition of the ‘archaeological’ artefact 70 Archaeologizing the present: The alógos of video noise, and digital sound compression 71 Object and agency of media archaeology: The Restauration of early television recordings 73 Έ.Τ.’ as topic of computer (game) archaeology, and microprocessor ageing Really ‘forensic’ media archivology: Reading a ROM Part Two 75 78 Radical media archaeology in close alliance with operative logotechnics (computing) 8 Technológus from action: The matter of computation and the (with)inhuman symbolic machine 83 Machine operations: Redefining the ‘human’ from within 83 Mechanization of the calculating mind: Karsakov 1832 84 The calculating human as a computational machine ‘it’self 86 Where algorithmic reasoning actually takes place: Technomathematical computing 90
Contents 9 vii Algorithmic computation in media archaeological perspective 93 How close can computing come to the material world? 99 Time-discrete computing as articulation of techno/ogos 104 Listening to computational time 104 Challenging the ‘time’ axis: Computation 105 Lògos in technical being: Actual computing 105 Counting (and) time 106 Time-discrete technical procedures: Cinematography, computing 107 10 A new kind of ‘love for logos': Material media philology as a more radical understanding of software 110 Media philology as critical enquiry of digital humanities practice 110 Operative encounters of lògos and matter: Algorithms as ‘software’ 111 11 The unexpected behaviour of code 113 ‘Text’ in the age of computer-based literacy: Software 114 Second-order logosi The literary code comment 116 Digital anachronism 117 Experimental technologos: Humanities of the digital 118 ‘Digital humanities’ avant la Lettre: Archaeology proper and techno-mathematical reason 118 Counting by numbers instead of story-telling: The logos of Markov chains in information aesthetics 119 ‘Hermeneutics’ after Shannon: Algorithmic experimentation of text and speech Rooting digital humanities: Techno-mathematics 120 122 New methods of content retrieval: Algorithmic data identification 123 ‘Active archives’ 125 The self-organizing archive 127 Media archivology: Kittier s case 127 12 Informatized matter: Computing for and as architecture 129 Architectural matter and informational logos 129 The cybernetization of architecture 130 Architecture in terms of information aesthetics 132 Opening/dosing
‘gates’: The flip-flop 132 Towards an archaeology of digital architectures from within 133
Contents viii Algorithmicized architectures 13 5 Architecturally embedded lògos vs. autonomous algorithmic thought 136 Computational vs. computing ‘architectures’ 137 Resubstantiation of code into matter: 3D printing 139 13 There is no ‘memory’ for technologes: Digital storage beyond the ‘memory’ metaphor, and its return in/as machine learning 140 Only in quotation marks: Digital ‘memory’ from a technological view 140 Not yet memory, or ‘memory’ no more? Intermediary storage, delay lines 143 Neural ‘memory’, reformulated in technical terms 145 The return of ‘memory’ in artificial intelligence 147 A media archaeological prototype of machine learning: The‘perceptron’ 150 Human and/or nonhuman sorting of images by association: Pockets Full of Memories 153 14 Against metaphysics in artificial intelligence: A reminder of its technological ground 156 The neocybernetic model and its electro-technical a priori 156 ‘From’ machine analysis ‘to’ statistical AI? Neural nets and/or the aigorithmic approach to intefiigence 160 How ‘deep’ is machine intelligence? ‘Emergent’ artificial knowledge and the metaphysical risk 163 When the human voice is revealed as technológus: The anthropomorphic allure of machine ‘learning’ 166 15 Preliminary conclusions from the question concerning technologes 171 Arché-lógos, technically revealed from matter itself 171 Does technoíógos still matter? Discussing the limits of technological analysis 173 Techno/ógos within the Anthropocene 176 For a techno-logically renewed media materialism 179 References 183 Index 204 |
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| spelling | Ernst, Wolfgang 1959- Verfasser (DE-588)128967080 aut Technológos in being radical media archaeology and the computational machine Wolfgang Ernst New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xi, 211 Seiten 10 Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Thinking media Medientechnik (DE-588)4794555-2 gnd rswk-swf Medienarchäologie (DE-588)1208730770 gnd rswk-swf Medienarchäologie (DE-588)1208730770 s Medientechnik (DE-588)4794555-2 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-6227-9 Erscheint auch als Online-Ausgabe 978-1-50136228-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032776475&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Technológos in being radical media archaeology and the computational machine |
| title_auth | Technológos in being radical media archaeology and the computational machine |
| title_exact_search | Technológos in being radical media archaeology and the computational machine |
| title_exact_search_txtP | Technológos in being radical media archaeology and the computational machine |
| title_full | Technológos in being radical media archaeology and the computational machine Wolfgang Ernst |
| title_fullStr | Technológos in being radical media archaeology and the computational machine Wolfgang Ernst |
| title_full_unstemmed | Technológos in being radical media archaeology and the computational machine Wolfgang Ernst |
| title_short | Technológos in being |
| title_sort | technologos in being radical media archaeology and the computational machine |
| title_sub | radical media archaeology and the computational machine |
| topic | Medientechnik (DE-588)4794555-2 gnd Medienarchäologie (DE-588)1208730770 gnd |
| topic_facet | Medientechnik Medienarchäologie |
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