Independent women: from film to television
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 126 Seiten Illustrationen |
| ISBN: | 9781032008981 9781032008998 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Citation Information Notes on Contributors Introduction: independent women: from film to television Claire Perkins and Michele Schreiber 1 2 3 4 5 6 7 vi viii 1 Women s indie television: the intimate feminism of women-centric dramedies Jessica Ford 10 Olive Kitteridge (Lisa Cholodenko, 2014), quality television and difficult women: female discontent in the age of binge-viewing Jodi Brooks 26 Teresa Fernández-Valdés and female-produced TV series in Spain. Cable Oirls/Las chicas del cable as case study Francisco J. López Rodríguez and Irene Raya Bravo 44 Mar Coil s Matar al padre/Killing the Father (Movistar+ 2018): a female Auteur between filmand television in Spain Concepción Cascajosa-Virino 59 Breaking upwards: the creative uncoupling of Desiree Akhavan and Ingrid Jungermann Maria San Filippo 73 Drawn (to) independence: female showrunners in contemporary American TV animation Mihaela Mihailova 91 Sorority flow: the rhetoric of sisterhood in post-network television Elizabeth Alsop 108 Index 125
Independent Women Independent Women: From Film to Television explores the significance for feminism of the increasing representation of women on and behind the screen in television contexts around the world. Independent has functioned throughout film and television history as an important euphemism for feminist . This volume investigates how this connection plays out in a contemporary environment that popular feminist discourse is constructing as a golden age of television for women. The original essays in the volume offer insights into how post-network television is being valued as a new site of independent production for women. They also examine how these connotations of creative control influence percep tions of both female creators and their content as feminist. Together, they provide a com pelling perspective on the feminist consequences of how independence and indie have intensified as cultural sensibilities that coincide and engage with the digital transforma tion of television during the first decades of the 21st century. The chapters in this book were originally published in a special issue of Feminist Media Studies. Claire Perkins is Senior Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is the author of American Smart Cinema (2012) and co-editor of six collections including (with Michele Schreiber and Linda Badley) indie Reframed: Women s Filmmaking and Contemporary American Independent Cinema (2016), Transna tional Television Remakes (2016), and US Independent Film After 1989: Possible Films (2015). Michele Schreiber
is Associate Professor of Film and Media at Emory University, USA. She is the author of American Postfeminist Cinema: Women, Romance and Contemporary Culturel 2014) and co-editor (along with Claire Perkins and Linda Badley) of Indie Reframed: Women s Filmmaking and Contemporary American Independent Cinema (2016).
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Contents Citation Information Notes on Contributors Introduction: independent women: from film to television Claire Perkins and Michele Schreiber 1 2 3 4 5 6 7 vi viii 1 Women's indie television: the intimate feminism of women-centric dramedies Jessica Ford 10 Olive Kitteridge (Lisa Cholodenko, 2014), quality television and difficult women: female discontent in the age of binge-viewing Jodi Brooks 26 Teresa Fernández-Valdés and female-produced TV series in Spain. Cable Oirls/Las chicas del cable as case study Francisco J. López Rodríguez and Irene Raya Bravo 44 Mar Coil's Matar al padre/Killing the Father (Movistar+ 2018): a female Auteur between filmand television in Spain Concepción Cascajosa-Virino 59 Breaking upwards: the creative uncoupling of Desiree Akhavan and Ingrid Jungermann Maria San Filippo 73 Drawn (to) independence: female showrunners in contemporary American TV animation Mihaela Mihailova 91 Sorority flow: the rhetoric of sisterhood in post-network television Elizabeth Alsop 108 Index 125
Independent Women Independent Women: From Film to Television explores the significance for feminism of the increasing representation of women on and behind the screen in television contexts around the world. 'Independent" has functioned throughout film and television history as an important euphemism for "feminist". This volume investigates how this connection plays out in a contemporary environment that popular feminist discourse is constructing as a golden age of television for women. The original essays in the volume offer insights into how post-network television is being valued as a new site of independent production for women. They also examine how these connotations of creative control influence percep tions of both female creators and their content as feminist. Together, they provide a com pelling perspective on the feminist consequences of how independence and "indie" have intensified as cultural sensibilities that coincide and engage with the digital transforma tion of television during the first decades of the 21st century. The chapters in this book were originally published in a special issue of Feminist Media Studies. Claire Perkins is Senior Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is the author of American Smart Cinema (2012) and co-editor of six collections including (with Michele Schreiber and Linda Badley) indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema (2016), Transna tional Television Remakes (2016), and US Independent Film After 1989: Possible Films (2015). Michele Schreiber
is Associate Professor of Film and Media at Emory University, USA. She is the author of American Postfeminist Cinema: Women, Romance and Contemporary Culturel 2014) and co-editor (along with Claire Perkins and Linda Badley) of Indie Reframed: Women's Filmmaking and Contemporary American Independent Cinema (2016). |
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| spelling | Independent women from film to television edited by Claire Perkins and Michele Schreiber London ; New York Routledge 2021 vii, 126 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Feminismus (DE-588)4222126-2 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Fernsehen (DE-588)4016825-6 s Feminismus (DE-588)4222126-2 s DE-604 Perkins, Claire 1978- (DE-588)1036245217 edt Schreiber, Michele (DE-588)1051015146 edt Erscheint auch als Online-Ausgabe 978-1-003-17629-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032776458&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032776458&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Independent women from film to television |
| title_auth | Independent women from film to television |
| title_exact_search | Independent women from film to television |
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| title_full | Independent women from film to television edited by Claire Perkins and Michele Schreiber |
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| title_full_unstemmed | Independent women from film to television edited by Claire Perkins and Michele Schreiber |
| title_short | Independent women |
| title_sort | independent women from film to television |
| title_sub | from film to television |
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