Polyrhythmicity in language, music and society: complex time relations in the arts, humanities and social sciences
This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Singapore
Springer
[2021]
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| Schriftenreihe: | Cultural studies and transdisciplinarity in education
volume 12 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience. |
| Beschreibung: | xxi, 168 Seiten |
| ISBN: | 9789811605659 |
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| 505 | 8 | |a 1. Introduction -- 2. The Nature of Multiple- and Poly-rhythms -- 3. Polyrhythmicity in Time: an International Perspective -- 4. Polyrhythmicity in Music -- 5. Polyrhythmicity in Conversation and Speech Prosodies -- 6. Polyrhythmicity in Poetry -- 7. Polyrhythmicity in the Novel -- 8. Polyrhythmicity in Social Situations -- 9. Polyrhythmicity in Contemporary Hybrid Culture -- 10. Polyrhythmicity in the Asia Pacific Region -- 11. Researching Polyrhythmicity -- 12. Polyrhythmicity in Rhetoric, Learning and Education | |
| 520 | 3 | |a This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents 1 Introduction............................................................................................. 1.1 The Problem(s).............................................................................. 1.2 Do We Need a Theory of Rhythm?.............................................. 1.3 What Is Unrhythmic?.................................................................... 1.4 Polyrhythmicity............................................................................ 1.5 Two Axes of Rhythm...................................................................... 1.6 Rhythm as Metaphor?.................................................................. 1.7 Rhythm and Rhetoric.................................................................... 1.8 The Relation Between Fugue, Rhythm and the Social Sciences................................................................ 1.9 Overview of the Book.................................................................. References................................................................................................ 1 1 2 4 5 6 6 8 11 12 14 2 The Nature of Multiple Rhythms and PoJyrhythms.......................... 2.1 Clock Time, Metronomic Time and Rhythm.................................. 2.2 Circadian Rhythms........................................................................ 2.3 Rhythms of Migration.................................................................. 2.4 Rhythms of Anticipation.............................................................. 2.5 Towards a Prosody of Free
Verse.................................................. 2.6 The Constante Rhythmique and the Cadence................................ 2.7 Polyrhythms and Fugue................................................................ 2.8 Musical Analogies........................................................................ References................................................................................................ 17 17 18 19 19 20 24 25 26 28 3 Polyrhythmicity in Time: An International Perspective.................... 3.1 A Philosophical View of Time...................................................... 3.2 Lefebvre and Social Time............................................................. 3.3 Rhythm in Space and Time.......................................................... 3.4 Space and Time in Asian Cultures................................................ 3.5 Prose Writing and Rhythmicity.................................................... 3.6 Time Zones.................................................................................. References................................................................................................ 31 31 33 34 37 38 41 42 xiii
Contents XIV 4 Polyrhythmicity in Music....................................................................... 4.1 Rhythm’s Role in Music............................................................... 4.2 Arrhythmic Music......................................................................... 4.3 Fugue............................................................................................. 4.4 African Polyrhythmicity............................................................... 4.5 More on the Poetics of African Rhythm....................................... 4.6 Rhythm as the Spaces Between Words and Between Sounds .... 4.7 Rhythm as a Principal Driver in Music........................................ References................................................................................................. 43 43 44 46 49 51 52 52 54 5 Polyrhythmicity in Conversation and Speech Prosodies.................... 5.1 African Speech and Music............................................................. 5.2 Rhythms in Speech, Poetry and VocalMusic................................ 5.3 Some Examples............................................................................. 5.4 Further Discussion on Speech, Poetry and Music........................ 5.5 Northern Ewe Music..................................................................... 5.6 Rhythm and Performance............................................................. 5.7 Polyphony and Polyrhythm...........................................................
References................................................................................................. 55 55 55 57 59 62 63 64 68 6 Polyrhythmicity in Poetry..................................................................... 6.1 Types of Rhythm........................................................................... 6.2 Rhythm as the Source of the Poem............................................... 6.3 Rhythm and Metre......................................................................... 6.4 Polyrhythmicity and the Lyric Mode............................................. 6.5 Temporal Poetics and Poetry......................................................... 6.6 Pound’s Cantos as Fugue............................................................... 6.7 Don Paterson’s The Poem: Lyric, Sign, Metre.............................. 6.8 Lombardo’s Translation of Iliad................................................... References................................................................................................. 69 69 71 72 74 76 77 83 86 87 7 Polyrhythmicity in the Novel................................................................. 89 7.1 Frye and Large-Scale Rhythms..................................................... 89 7.2 Time Relations in Narratology...................................................... 91 7.3 Beyond Bakhtin............................................................................. 94 7.4 An Example: The Great Gatsby.................................................... 96 7.5 Narration as a Human
Paradigm?................................................ 99 7.6 ‘Difficult Rhythm’........................................................................ 100 References................................................................................................. 101 8 Polyrhythmicity in Social Situations.................................................... 8.1 Introduction.................................................................................. 8.2 Chronosociology.......................................................................... 8.3 Sociology of Rhythm.................................................................... 8.4 Symphonic Rhythms.................................................................... 103 103 104 106 107
Contents XV 8.5 Dissonance Between Global Time and Local Rhythms................ 8.6 Reflections on Workload Management........................................ 8.7 Work and Rhythm........................................................................ 8.8 Rhythm and Running.................................................................... 8.9 Changes of Rhythm in Soccer/Football........................................ References................................................................................................ 108 108 109 Ill Ill 113 Polyrhythmicity in Contemporary Hybrid Culture............................ 9.1 Stéphane Couturier........................................................................ 9.2 Contemporary Rap Culture and Fugue........................................ 9.3 Diptychs, Triptychs and Polyptiques............................................ 9.4 We Three: Complex Time Relations in aShort Film..................... 9.5 Lightweight Structures and Rhythms............................................ 9.6 ‘Mi vida es una fuga’.................................................................... 9.7 Framing and Multi-levelled Rhythms in the Social Sciences.................................................................... References................................................................................................ 115 115 116 117 121 124 125 10 Polyrhythmicity in the Asia-Pacific Region........................................ 10.1 Postcolonial Issues........................................................................ 10.2 Fenollosa
Revisited...................................................................... 10.3 Reversible Poems.......................................................................... 10.4 Freer Verse in the Chinese Style.................................................. 10.5 Asian Dance Rhythms.................................................................. 10.6 Indian rãg...................................................................................... 10.7 Percussion in the Music of Southeast Asia.................................. References................................................................................................. 127 127 128 129 130 134 135 136 138 11 Researching Polyrhythmicity................................................................ 11.1 Timing.......................................................................................... 11.2 Researching Polyrhythmicity........................................................ 11.3 Some Further Terms for Analysis................................................ 11.4 Rhythmanalysis............................................................................ 11.5 Existing Models for Analysis........................................................ 11.6 A New Model for Polyrhythmic Analysis.................................... 11.7 Macro-level Rhythmicity.............................................................. 11.8 Mezzo-level Rhythmicity.............................................................. 11.9 Micro-level Rhythmicity..............................................................
References................................................................................................. 139 139 140 141 142 143 146 147 149 149 151 12 Polyrhythmicity in Learning and Education...................................... 12.1 Introduction.................................................................................. 12.2 Polyrhythmicity Within a Theory of Rhetoric.............................. 12.3 The Basis of a New Approach to Rhetoric.................................... 12.4 Curriculum and Pedagogic Design.............................................. 153 153 154 156 157 9 125 126
xvi Contents 12.5 Composition and Framing............................................................. 12.6 Text................................................................................................. 12.7 Argumentation............................................................................... 12.8 How Can Rhetoric, Polyrhythmicity and Argumentation Be Better Embedded Within the School Curriculum?................... 12.9 Conclusion..................................................................................... Bibliography............................................................................................. Index 159 160 161 162 165 165 167
|
| adam_txt |
Contents 1 Introduction. 1.1 The Problem(s). 1.2 Do We Need a Theory of Rhythm?. 1.3 What Is Unrhythmic?. 1.4 Polyrhythmicity. 1.5 Two Axes of Rhythm. 1.6 Rhythm as Metaphor?. 1.7 Rhythm and Rhetoric. 1.8 The Relation Between Fugue, Rhythm and the Social Sciences. 1.9 Overview of the Book. References. 1 1 2 4 5 6 6 8 11 12 14 2 The Nature of Multiple Rhythms and PoJyrhythms. 2.1 Clock Time, Metronomic Time and Rhythm. 2.2 Circadian Rhythms. 2.3 Rhythms of Migration. 2.4 Rhythms of Anticipation. 2.5 Towards a Prosody of Free
Verse. 2.6 The Constante Rhythmique and the Cadence. 2.7 Polyrhythms and Fugue. 2.8 Musical Analogies. References. 17 17 18 19 19 20 24 25 26 28 3 Polyrhythmicity in Time: An International Perspective. 3.1 A Philosophical View of Time. 3.2 Lefebvre and Social Time. 3.3 Rhythm in Space and Time. 3.4 Space and Time in Asian Cultures. 3.5 Prose Writing and Rhythmicity. 3.6 Time Zones. References. 31 31 33 34 37 38 41 42 xiii
Contents XIV 4 Polyrhythmicity in Music. 4.1 Rhythm’s Role in Music. 4.2 Arrhythmic Music. 4.3 Fugue. 4.4 African Polyrhythmicity. 4.5 More on the Poetics of African Rhythm. 4.6 Rhythm as the Spaces Between Words and Between Sounds . 4.7 Rhythm as a Principal Driver in Music. References. 43 43 44 46 49 51 52 52 54 5 Polyrhythmicity in Conversation and Speech Prosodies. 5.1 African Speech and Music. 5.2 Rhythms in Speech, Poetry and VocalMusic. 5.3 Some Examples. 5.4 Further Discussion on Speech, Poetry and Music. 5.5 Northern Ewe Music. 5.6 Rhythm and Performance. 5.7 Polyphony and Polyrhythm.
References. 55 55 55 57 59 62 63 64 68 6 Polyrhythmicity in Poetry. 6.1 Types of Rhythm. 6.2 Rhythm as the Source of the Poem. 6.3 Rhythm and Metre. 6.4 Polyrhythmicity and the Lyric Mode. 6.5 Temporal Poetics and Poetry. 6.6 Pound’s Cantos as Fugue. 6.7 Don Paterson’s The Poem: Lyric, Sign, Metre. 6.8 Lombardo’s Translation of Iliad. References. 69 69 71 72 74 76 77 83 86 87 7 Polyrhythmicity in the Novel. 89 7.1 Frye and Large-Scale Rhythms. 89 7.2 Time Relations in Narratology. 91 7.3 Beyond Bakhtin. 94 7.4 An Example: The Great Gatsby. 96 7.5 Narration as a Human
Paradigm?. 99 7.6 ‘Difficult Rhythm’. 100 References. 101 8 Polyrhythmicity in Social Situations. 8.1 Introduction. 8.2 Chronosociology. 8.3 Sociology of Rhythm. 8.4 Symphonic Rhythms. 103 103 104 106 107
Contents XV 8.5 Dissonance Between Global Time and Local Rhythms. 8.6 Reflections on Workload Management. 8.7 Work and Rhythm. 8.8 Rhythm and Running. 8.9 Changes of Rhythm in Soccer/Football. References. 108 108 109 Ill Ill 113 Polyrhythmicity in Contemporary Hybrid Culture. 9.1 Stéphane Couturier. 9.2 Contemporary Rap Culture and Fugue. 9.3 Diptychs, Triptychs and Polyptiques. 9.4 We Three: Complex Time Relations in aShort Film. 9.5 Lightweight Structures and Rhythms. 9.6 ‘Mi vida es una fuga’. 9.7 Framing and Multi-levelled Rhythms in the Social Sciences. References. 115 115 116 117 121 124 125 10 Polyrhythmicity in the Asia-Pacific Region. 10.1 Postcolonial Issues. 10.2 Fenollosa
Revisited. 10.3 Reversible Poems. 10.4 Freer Verse in the Chinese Style. 10.5 Asian Dance Rhythms. 10.6 Indian rãg. 10.7 Percussion in the Music of Southeast Asia. References. 127 127 128 129 130 134 135 136 138 11 Researching Polyrhythmicity. 11.1 Timing. 11.2 Researching Polyrhythmicity. 11.3 Some Further Terms for Analysis. 11.4 Rhythmanalysis. 11.5 Existing Models for Analysis. 11.6 A New Model for Polyrhythmic Analysis. 11.7 Macro-level Rhythmicity. 11.8 Mezzo-level Rhythmicity. 11.9 Micro-level Rhythmicity.
References. 139 139 140 141 142 143 146 147 149 149 151 12 Polyrhythmicity in Learning and Education. 12.1 Introduction. 12.2 Polyrhythmicity Within a Theory of Rhetoric. 12.3 The Basis of a New Approach to Rhetoric. 12.4 Curriculum and Pedagogic Design. 153 153 154 156 157 9 125 126
xvi Contents 12.5 Composition and Framing. 12.6 Text. 12.7 Argumentation. 12.8 How Can Rhetoric, Polyrhythmicity and Argumentation Be Better Embedded Within the School Curriculum?. 12.9 Conclusion. Bibliography. Index 159 160 161 162 165 165 167 |
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| contents | 1. Introduction -- 2. The Nature of Multiple- and Poly-rhythms -- 3. Polyrhythmicity in Time: an International Perspective -- 4. Polyrhythmicity in Music -- 5. Polyrhythmicity in Conversation and Speech Prosodies -- 6. Polyrhythmicity in Poetry -- 7. Polyrhythmicity in the Novel -- 8. Polyrhythmicity in Social Situations -- 9. Polyrhythmicity in Contemporary Hybrid Culture -- 10. Polyrhythmicity in the Asia Pacific Region -- 11. Researching Polyrhythmicity -- 12. Polyrhythmicity in Rhetoric, Learning and Education |
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| index_date | 2024-07-03T17:44:11Z |
| indexdate | 2024-07-10T09:10:13Z |
| institution | BVB |
| isbn | 9789811605659 |
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| series | Cultural studies and transdisciplinarity in education |
| series2 | Cultural studies and transdisciplinarity in education |
| spelling | Andrews, Richard 1953- Verfasser (DE-588)142418862 aut Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences Richard Andrews Singapore Springer [2021] © 2021 xxi, 168 Seiten txt rdacontent n rdamedia nc rdacarrier Cultural studies and transdisciplinarity in education volume 12 1. Introduction -- 2. The Nature of Multiple- and Poly-rhythms -- 3. Polyrhythmicity in Time: an International Perspective -- 4. Polyrhythmicity in Music -- 5. Polyrhythmicity in Conversation and Speech Prosodies -- 6. Polyrhythmicity in Poetry -- 7. Polyrhythmicity in the Novel -- 8. Polyrhythmicity in Social Situations -- 9. Polyrhythmicity in Contemporary Hybrid Culture -- 10. Polyrhythmicity in the Asia Pacific Region -- 11. Researching Polyrhythmicity -- 12. Polyrhythmicity in Rhetoric, Learning and Education This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience. Polyrhythmus (DE-588)4792216-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Soziokultur (DE-588)4299677-6 gnd rswk-swf Prosodic analysis (Linguistics) Polyrhythm Language and languages / Rhythm Polyrhythmus (DE-588)4792216-3 s Musik (DE-588)4040802-4 s Sprache (DE-588)4056449-6 s Soziokultur (DE-588)4299677-6 s DE-604 Erscheint auch als Online-Ausgabe 9789811605666 Cultural studies and transdisciplinarity in education volume 12 (DE-604)BV042034809 12 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032771103&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Andrews, Richard 1953- Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences Cultural studies and transdisciplinarity in education 1. Introduction -- 2. The Nature of Multiple- and Poly-rhythms -- 3. Polyrhythmicity in Time: an International Perspective -- 4. Polyrhythmicity in Music -- 5. Polyrhythmicity in Conversation and Speech Prosodies -- 6. Polyrhythmicity in Poetry -- 7. Polyrhythmicity in the Novel -- 8. Polyrhythmicity in Social Situations -- 9. Polyrhythmicity in Contemporary Hybrid Culture -- 10. Polyrhythmicity in the Asia Pacific Region -- 11. Researching Polyrhythmicity -- 12. Polyrhythmicity in Rhetoric, Learning and Education Polyrhythmus (DE-588)4792216-3 gnd Musik (DE-588)4040802-4 gnd Sprache (DE-588)4056449-6 gnd Soziokultur (DE-588)4299677-6 gnd |
| subject_GND | (DE-588)4792216-3 (DE-588)4040802-4 (DE-588)4056449-6 (DE-588)4299677-6 |
| title | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences |
| title_auth | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences |
| title_exact_search | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences |
| title_exact_search_txtP | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences |
| title_full | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences Richard Andrews |
| title_fullStr | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences Richard Andrews |
| title_full_unstemmed | Polyrhythmicity in language, music and society complex time relations in the arts, humanities and social sciences Richard Andrews |
| title_short | Polyrhythmicity in language, music and society |
| title_sort | polyrhythmicity in language music and society complex time relations in the arts humanities and social sciences |
| title_sub | complex time relations in the arts, humanities and social sciences |
| topic | Polyrhythmus (DE-588)4792216-3 gnd Musik (DE-588)4040802-4 gnd Sprache (DE-588)4056449-6 gnd Soziokultur (DE-588)4299677-6 gnd |
| topic_facet | Polyrhythmus Musik Sprache Soziokultur |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032771103&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042034809 |
| work_keys_str_mv | AT andrewsrichard polyrhythmicityinlanguagemusicandsocietycomplextimerelationsintheartshumanitiesandsocialsciences |