Erik Satie: a Parisian composer and his world
Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional com...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk
Boydell Press
2016
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 21 May 2021) Satie in Montmartre : mechanical music in the belle époque -- Futurism, the new avant-garde, and mechanical music -- Satie's texted piano works -- Repetition and furniture music -- Science, society, and politics in Satie's life -- The provocative Satie and the Dada connection -- Satie's death and musical legacy |
| Beschreibung: | 1 Online-Ressource (xxxiv, 269 Seiten) |
| ISBN: | 9781782046486 |
| DOI: | 10.1017/9781782046486 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047368963 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210713s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9781782046486 |c Online |9 978-1-78204-648-6 | ||
| 024 | 7 | |a 10.1017/9781782046486 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781782046486 | ||
| 035 | |a (OCoLC)1261747818 | ||
| 035 | |a (DE-599)BVBBV047368963 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 780.92 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LP 65530 |0 (DE-625)107734: |2 rvk | ||
| 100 | 1 | |a Potter, Caroline |d 19XX- |0 (DE-588)1046921657 |4 aut | |
| 245 | 1 | 0 | |a Erik Satie |b a Parisian composer and his world |c Caroline Potter |
| 264 | 1 | |a Woodbridge, Suffolk |b Boydell Press |c 2016 | |
| 300 | |a 1 Online-Ressource (xxxiv, 269 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 21 May 2021) | ||
| 500 | |a Satie in Montmartre : mechanical music in the belle époque -- Futurism, the new avant-garde, and mechanical music -- Satie's texted piano works -- Repetition and furniture music -- Science, society, and politics in Satie's life -- The provocative Satie and the Dada connection -- Satie's death and musical legacy | ||
| 520 | |a Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season | ||
| 600 | 1 | 4 | |a Satie, Erik / 1866-1925 |
| 600 | 1 | 7 | |a Satie, Erik |d 1866-1925 |0 (DE-588)118605690 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Composers / France / Biography | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 689 | 0 | 0 | |a Satie, Erik |d 1866-1925 |0 (DE-588)118605690 |D p |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-78327-083-5 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781782046486 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032770788 | ||
| 966 | e | |u https://doi.org/10.1017/9781782046486 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781782046486 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182605946421248 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Potter, Caroline 19XX- |
| author_GND | (DE-588)1046921657 |
| author_facet | Potter, Caroline 19XX- |
| author_role | aut |
| author_sort | Potter, Caroline 19XX- |
| author_variant | c p cp |
| building | Verbundindex |
| bvnumber | BV047368963 |
| classification_rvk | LP 65530 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781782046486 (OCoLC)1261747818 (DE-599)BVBBV047368963 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1017/9781782046486 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03957nmm a2200481zc 4500</leader><controlfield tag="001">BV047368963</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210713s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781782046486</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-78204-648-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781782046486</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781782046486</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1261747818</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047368963</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.92</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 65530</subfield><subfield code="0">(DE-625)107734:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Potter, Caroline</subfield><subfield code="d">19XX-</subfield><subfield code="0">(DE-588)1046921657</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Erik Satie</subfield><subfield code="b">a Parisian composer and his world</subfield><subfield code="c">Caroline Potter</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Woodbridge, Suffolk</subfield><subfield code="b">Boydell Press</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xxxiv, 269 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 21 May 2021)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Satie in Montmartre : mechanical music in the belle époque -- Futurism, the new avant-garde, and mechanical music -- Satie's texted piano works -- Repetition and furniture music -- Science, society, and politics in Satie's life -- The provocative Satie and the Dada connection -- Satie's death and musical legacy</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Satie, Erik / 1866-1925</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Satie, Erik</subfield><subfield code="d">1866-1925</subfield><subfield code="0">(DE-588)118605690</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composers / France / Biography</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Satie, Erik</subfield><subfield code="d">1866-1925</subfield><subfield code="0">(DE-588)118605690</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-78327-083-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781782046486</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032770788</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781782046486</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781782046486</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| id | DE-604.BV047368963 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:44:08Z |
| indexdate | 2024-07-10T09:10:13Z |
| institution | BVB |
| isbn | 9781782046486 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032770788 |
| oclc_num | 1261747818 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xxxiv, 269 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2016 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Boydell Press |
| record_format | marc |
| spelling | Potter, Caroline 19XX- (DE-588)1046921657 aut Erik Satie a Parisian composer and his world Caroline Potter Woodbridge, Suffolk Boydell Press 2016 1 Online-Ressource (xxxiv, 269 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 21 May 2021) Satie in Montmartre : mechanical music in the belle époque -- Futurism, the new avant-garde, and mechanical music -- Satie's texted piano works -- Repetition and furniture music -- Science, society, and politics in Satie's life -- The provocative Satie and the Dada connection -- Satie's death and musical legacy Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season Satie, Erik / 1866-1925 Satie, Erik 1866-1925 (DE-588)118605690 gnd rswk-swf Composers / France / Biography (DE-588)4006804-3 Biografie gnd-content Satie, Erik 1866-1925 (DE-588)118605690 p DE-604 Erscheint auch als Druck-Ausgabe 978-1-78327-083-5 https://doi.org/10.1017/9781782046486 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Potter, Caroline 19XX- Erik Satie a Parisian composer and his world Satie, Erik / 1866-1925 Satie, Erik 1866-1925 (DE-588)118605690 gnd Composers / France / Biography |
| subject_GND | (DE-588)118605690 (DE-588)4006804-3 |
| title | Erik Satie a Parisian composer and his world |
| title_auth | Erik Satie a Parisian composer and his world |
| title_exact_search | Erik Satie a Parisian composer and his world |
| title_exact_search_txtP | Erik Satie a Parisian composer and his world |
| title_full | Erik Satie a Parisian composer and his world Caroline Potter |
| title_fullStr | Erik Satie a Parisian composer and his world Caroline Potter |
| title_full_unstemmed | Erik Satie a Parisian composer and his world Caroline Potter |
| title_short | Erik Satie |
| title_sort | erik satie a parisian composer and his world |
| title_sub | a Parisian composer and his world |
| topic | Satie, Erik / 1866-1925 Satie, Erik 1866-1925 (DE-588)118605690 gnd Composers / France / Biography |
| topic_facet | Satie, Erik / 1866-1925 Satie, Erik 1866-1925 Composers / France / Biography Biografie |
| url | https://doi.org/10.1017/9781782046486 |
| work_keys_str_mv | AT pottercaroline eriksatieaparisiancomposerandhisworld |