Motherhood and meaning in medieval sculpture: representations from France, c. 1100-1500
What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. On...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk
The Boydell Press
2017
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| Schriftenreihe: | Boydell studies in medieval art and architecture
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University |
| Beschreibung: | 1 Online-Ressource (xii, 199 Seiten) Illustrationen |
| ISBN: | 9781787440821 |
| DOI: | 10.1017/9781787440821 |
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| author | Bleeke, Marian ca. 20./21. Jh |
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| dewey-search | 730.9/02 |
| dewey-sort | 3730.9 12 |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1017/9781787440821 |
| era | Geschichte 1100-1500 gnd |
| era_facet | Geschichte 1100-1500 |
| format | Electronic eBook |
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| geographic | Kathedrale Reims Reims (DE-588)4193375-8 gnd Kathedrale Autun Autun (DE-588)4069037-4 gnd Frankreich (DE-588)4018145-5 gnd Saint-Pierre Moissac (DE-588)4474721-4 gnd |
| geographic_facet | Kathedrale Reims Reims Kathedrale Autun Autun Frankreich Saint-Pierre Moissac |
| id | DE-604.BV047368320 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:43:56Z |
| indexdate | 2024-07-10T09:10:12Z |
| institution | BVB |
| isbn | 9781787440821 |
| language | English |
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| physical | 1 Online-Ressource (xii, 199 Seiten) Illustrationen |
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| publishDateSearch | 2021 |
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| spelling | Bleeke, Marian ca. 20./21. Jh. Verfasser (DE-588)188353674 aut Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 Marian Bleeke Woodbridge, Suffolk The Boydell Press 2017 1 Online-Ressource (xii, 199 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Boydell studies in medieval art and architecture What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University Geschichte 1100-1500 gnd rswk-swf Sculpture, Medieval / France / Themes, motives Motherhood / France / History / To 1500 Women in art Mothers in art Westfassade (DE-588)4338334-8 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Südportal (DE-588)4482974-7 gnd rswk-swf Mutterschaft Motiv (DE-588)4170902-0 gnd rswk-swf Kathedrale Reims Reims (DE-588)4193375-8 gnd rswk-swf Kathedrale Autun Autun (DE-588)4069037-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Saint-Pierre Moissac (DE-588)4474721-4 gnd rswk-swf Frankreich (DE-588)4018145-5 g Plastik (DE-588)4046277-8 s Mutterschaft Motiv (DE-588)4170902-0 s Geschichte 1100-1500 z DE-604 Kathedrale Reims Reims (DE-588)4193375-8 g Westfassade (DE-588)4338334-8 s Saint-Pierre Moissac (DE-588)4474721-4 g Südportal (DE-588)4482974-7 s Kathedrale Autun Autun (DE-588)4069037-4 g Erscheint auch als Druck-Ausgabe 978-1-78327-250-1 https://doi.org/10.1017/9781787440821 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bleeke, Marian ca. 20./21. Jh Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 Sculpture, Medieval / France / Themes, motives Motherhood / France / History / To 1500 Women in art Mothers in art Westfassade (DE-588)4338334-8 gnd Plastik (DE-588)4046277-8 gnd Südportal (DE-588)4482974-7 gnd Mutterschaft Motiv (DE-588)4170902-0 gnd |
| subject_GND | (DE-588)4338334-8 (DE-588)4046277-8 (DE-588)4482974-7 (DE-588)4170902-0 (DE-588)4193375-8 (DE-588)4069037-4 (DE-588)4018145-5 (DE-588)4474721-4 |
| title | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 |
| title_auth | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 |
| title_exact_search | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 |
| title_exact_search_txtP | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 |
| title_full | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 Marian Bleeke |
| title_fullStr | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 Marian Bleeke |
| title_full_unstemmed | Motherhood and meaning in medieval sculpture representations from France, c. 1100-1500 Marian Bleeke |
| title_short | Motherhood and meaning in medieval sculpture |
| title_sort | motherhood and meaning in medieval sculpture representations from france c 1100 1500 |
| title_sub | representations from France, c. 1100-1500 |
| topic | Sculpture, Medieval / France / Themes, motives Motherhood / France / History / To 1500 Women in art Mothers in art Westfassade (DE-588)4338334-8 gnd Plastik (DE-588)4046277-8 gnd Südportal (DE-588)4482974-7 gnd Mutterschaft Motiv (DE-588)4170902-0 gnd |
| topic_facet | Sculpture, Medieval / France / Themes, motives Motherhood / France / History / To 1500 Women in art Mothers in art Westfassade Plastik Südportal Mutterschaft Motiv Kathedrale Reims Reims Kathedrale Autun Autun Frankreich Saint-Pierre Moissac |
| url | https://doi.org/10.1017/9781787440821 |
| work_keys_str_mv | AT bleekemarian motherhoodandmeaninginmedievalsculpturerepresentationsfromfrancec11001500 |