The pace of fiction: narrative movement and the novel
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2021
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Die Dissertation erschien unter dem Titel "The pace of modern fiction. A history of narrative movement in modernity" Literaturverzeichnis: Seite 181-195 |
| Beschreibung: | 203 Seiten 3 Illustrationen (schwarz-weiß) |
| ISBN: | 9780198858287 |
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Datensatz im Suchindex
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Contents List of Illustrations ix Introduction 1 1. Narrative Discourse, Literary History Scene and Summary Resurrected Traditions Classical and Modem Lens, Loci, Foci, Ellipse Narrative Movement and Modernity 9 9 14 22 26 2. Rise of the Scene-and-Summary Novel Fielding and the Prosai-Comi-Epic Goethe on Epic and Drama The Novel Intersected One Day, the West, and the World 35 35 46 50 57 3. Realist Pace Reality Principle, Reality Effect Senses of Scene Middlemarch In Which the Story Pauses a Little, and Looks Forward 70 70 75 87 105 4. Collapse of the Scenic Method And When I Draw Up the Curtain This Time, Reader Kindly Time The Scenic Method Wandering Steps and Slow 111 111 124 128 139 5. Epiphanie and Everyday Modernisms Interepisodic Epiphany Everyday By the Ocean of Time 152 152 159 173 176 Bibliography Index 181 197
Ђе Pace of Fiction redefines the literary history of the novel by analyzing its most elaborate feature: its pace. It moves from the rise of the novel to realism and modernism. It starts byř tracing the evolution of two narrative units: scenes (“shown'' slowly) and summaries (“told" swiftly). These units emerge from the conflict of epic and drama, gain shape in the commentaries of Fielding and Goethe, and become dynamically opposed in nineteenth-century realism. In Middlemarch. they rotate in regular sequence: summaries move swiftly until scenes slow them down; scenes play out dramatically until summaries sweep them forward; their movement imitates the conflict of fate and free will. Over the course of the nineteenth century, however, scenic impulses overtake summary storytelling. The reader sees the tendency already in Austen's dialogues, Hawthorne's tableaux, or Balzac's battering drama, and finds it in Jane Eyre’s placement of summaries in private scenes. When Flaubert extends scenic vividness to all of his summaries, and when Henry james subordinates his summaries to scenic consciousness, the extreme pressure of scene upon summary brings the opposition of realist pacing to collapse. But other oppositions arise in the modernisms that follow. In the alternation of stasis and kinesis, of drifting thoughts and everyday actions, of stories and acts of storytelling-in Proust, Joyce, Woolf, Mann, Hemingway-pace gathers and creates meaning in new ways. |
| adam_txt |
Contents List of Illustrations ix Introduction 1 1. Narrative Discourse, Literary History Scene and Summary Resurrected Traditions Classical and Modem Lens, Loci, Foci, Ellipse Narrative Movement and Modernity 9 9 14 22 26 2. Rise of the Scene-and-Summary Novel Fielding and the Prosai-Comi-Epic Goethe on Epic and Drama The Novel Intersected One Day, the West, and the World 35 35 46 50 57 3. Realist Pace Reality Principle, Reality Effect Senses of Scene Middlemarch In Which the Story Pauses a Little, and Looks Forward 70 70 75 87 105 4. Collapse of the Scenic Method And When I Draw Up the Curtain This Time, Reader Kindly Time The Scenic Method Wandering Steps and Slow 111 111 124 128 139 5. Epiphanie and Everyday Modernisms Interepisodic Epiphany Everyday By the Ocean of Time 152 152 159 173 176 Bibliography Index 181 197
Ђе Pace of Fiction redefines the literary history of the novel by analyzing its most elaborate feature: its pace. It moves from the rise of the novel to realism and modernism. It starts byř tracing the evolution of two narrative units: scenes (“shown'' slowly) and summaries (“told" swiftly). These units emerge from the conflict of epic and drama, gain shape in the commentaries of Fielding and Goethe, and become dynamically opposed in nineteenth-century realism. In Middlemarch. they rotate in regular sequence: summaries move swiftly until scenes slow them down; scenes play out dramatically until summaries sweep them forward; their movement imitates the conflict of fate and free will. Over the course of the nineteenth century, however, scenic impulses overtake summary storytelling. The reader sees the tendency already in Austen's dialogues, Hawthorne's tableaux, or Balzac's battering drama, and finds it in Jane Eyre’s placement of summaries in private scenes. When Flaubert extends scenic vividness to all of his summaries, and when Henry james subordinates his summaries to scenic consciousness, the extreme pressure of scene upon summary brings the opposition of realist pacing to collapse. But other oppositions arise in the modernisms that follow. In the alternation of stasis and kinesis, of drifting thoughts and everyday actions, of stories and acts of storytelling-in Proust, Joyce, Woolf, Mann, Hemingway-pace gathers and creates meaning in new ways. |
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| spelling | Gingrich, Brian ca. 20./21. Jh. Verfasser (DE-588)1239425953 aut The pace of modern fiction The pace of fiction narrative movement and the novel Brian Gingrich First edition Oxford, United Kingdom Oxford University Press 2021 203 Seiten 3 Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Die Dissertation erschien unter dem Titel "The pace of modern fiction. A history of narrative movement in modernity" Literaturverzeichnis: Seite 181-195 Dissertation Princeton University 2018 Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Roman (DE-588)4050479-7 s Erzähltechnik (DE-588)4124854-5 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032769510&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032769510&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The pace of fiction narrative movement and the novel |
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| title_auth | The pace of fiction narrative movement and the novel |
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| title_full_unstemmed | The pace of fiction narrative movement and the novel Brian Gingrich |
| title_short | The pace of fiction |
| title_sort | the pace of fiction narrative movement and the novel |
| title_sub | narrative movement and the novel |
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