Formal functions in perspective: essays on musical form from Haydn to Adorno
Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, wr...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Rochester, NY
University of Rochester Press
2015
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Schriftenreihe: | Eastman studies in music
127 |
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saëns's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklärte Nacht. Running through all of these essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, François de Médicis, Christoph Neidhöfer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan |
Beschreibung: | Title from publisher's bibliographic system (viewed on 28 May 2021) "Functial formanality" : twisted formal functions in Joseph Haydn's symphonies - L. Poundie Burstein -- - Mozart's sonata-form arias - Nathan John Martin -- - Formal type and formal function in the postclassical piano concerto - Julian Horton -- - Saint-Saëns's cyclic forms - Andrew Deruchie -- - Schubert's "deflected-cadence" transitions and the classical style - Brian Black -- - "Heavenly length" in Schubert's instrumental music - François de Médicis -- - Sentences in the Lieder of Robert Schumann : the relation to the text - Harald Krebs -- - Parlante talk : texture and formal function in the operas of Verdi - Steven Huebner -- - Discipline and punish among the winds in the first movement of Beethoven's first symphony - Henry Klumpenhouwer -- - Laborious homecomings : the "ongoing reprise" from Clementi to Brahms - Giorgio Sanguinetti -- - Dominant tunnels, form, and program in Schoenberg's Verklärte Nacht - Julie Pedneault-Deslauriers -- - Form and serial function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph Neidhöfer and Peter Schubert -- - The philosopher as theorist : Adorno's "materiale Formenlehre" - Steven Vande Moortele |
Beschreibung: | 1 Online-Ressource (vi, 456 Seiten) |
ISBN: | 9781782045977 |
DOI: | 10.1017/9781782045977 |
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520 | |a Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saëns's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklärte Nacht. Running through all of these essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, François de Médicis, Christoph Neidhöfer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan | ||
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spelling | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin Rochester, NY University of Rochester Press 2015 1 Online-Ressource (vi, 456 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music 127 Title from publisher's bibliographic system (viewed on 28 May 2021) "Functial formanality" : twisted formal functions in Joseph Haydn's symphonies - L. Poundie Burstein -- - Mozart's sonata-form arias - Nathan John Martin -- - Formal type and formal function in the postclassical piano concerto - Julian Horton -- - Saint-Saëns's cyclic forms - Andrew Deruchie -- - Schubert's "deflected-cadence" transitions and the classical style - Brian Black -- - "Heavenly length" in Schubert's instrumental music - François de Médicis -- - Sentences in the Lieder of Robert Schumann : the relation to the text - Harald Krebs -- - Parlante talk : texture and formal function in the operas of Verdi - Steven Huebner -- - Discipline and punish among the winds in the first movement of Beethoven's first symphony - Henry Klumpenhouwer -- - Laborious homecomings : the "ongoing reprise" from Clementi to Brahms - Giorgio Sanguinetti -- - Dominant tunnels, form, and program in Schoenberg's Verklärte Nacht - Julie Pedneault-Deslauriers -- - Form and serial function in Leibowitz's Trois poèmes de Pierre Reverdy - Christoph Neidhöfer and Peter Schubert -- - The philosopher as theorist : Adorno's "materiale Formenlehre" - Steven Vande Moortele Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saëns's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklärte Nacht. Running through all of these essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, François de Médicis, Christoph Neidhöfer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan Geschichte gnd rswk-swf Musical form Musikalische Form (DE-588)4040821-8 gnd rswk-swf Musikalische Formenlehre (DE-588)4170802-7 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Klassische Musik (DE-588)4164043-3 s Musikalische Form (DE-588)4040821-8 s Musikalische Formenlehre (DE-588)4170802-7 s Geschichte z DE-604 Vande Moortele, Steven (DE-588)1041338287 edt Martin, Nathan John (DE-588)1037339215 edt Pedneault-Deslauriers, Julie (DE-588)1076987273 edt Erscheint auch als Druck-Ausgabe 978-1-58046-518-2 https://doi.org/10.1017/9781782045977 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Formal functions in perspective essays on musical form from Haydn to Adorno Musical form Musikalische Form (DE-588)4040821-8 gnd Musikalische Formenlehre (DE-588)4170802-7 gnd Klassische Musik (DE-588)4164043-3 gnd |
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title | Formal functions in perspective essays on musical form from Haydn to Adorno |
title_auth | Formal functions in perspective essays on musical form from Haydn to Adorno |
title_exact_search | Formal functions in perspective essays on musical form from Haydn to Adorno |
title_exact_search_txtP | Formal functions in perspective essays on musical form from Haydn to Adorno |
title_full | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
title_fullStr | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
title_full_unstemmed | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
title_short | Formal functions in perspective |
title_sort | formal functions in perspective essays on musical form from haydn to adorno |
title_sub | essays on musical form from Haydn to Adorno |
topic | Musical form Musikalische Form (DE-588)4040821-8 gnd Musikalische Formenlehre (DE-588)4170802-7 gnd Klassische Musik (DE-588)4164043-3 gnd |
topic_facet | Musical form Musikalische Form Musikalische Formenlehre Klassische Musik Aufsatzsammlung |
url | https://doi.org/10.1017/9781782045977 |
work_keys_str_mv | AT vandemoortelesteven formalfunctionsinperspectiveessaysonmusicalformfromhaydntoadorno AT martinnathanjohn formalfunctionsinperspectiveessaysonmusicalformfromhaydntoadorno AT pedneaultdeslauriersjulie formalfunctionsinperspectiveessaysonmusicalformfromhaydntoadorno |