Framing the sex scene: a new take on Israeli film history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2021]
|
| Schriftenreihe: | Cinepoetics
volume 8 |
| Schlagworte: | |
| Online-Zugang: | Unbekannt Inhaltsverzeichnis |
| Beschreibung: | Titel der Dissertation: The comical figure, the victim and the child |
| Beschreibung: | XIV, 283 Seiten Illustrationen |
| ISBN: | 9783110693621 |
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| 100 | 1 | |a Rolef, Naomi |e Verfasser |0 (DE-588)1230492569 |4 aut | |
| 240 | 1 | 0 | |a The comical figure, the victim and the child |
| 245 | 1 | 0 | |a Framing the sex scene |b a new take on Israeli film history |c Naomi Rolef |
| 264 | 1 | |a Berlin ; Boston |b De Gruyter |c [2021] | |
| 300 | |a XIV, 283 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Cinepoetics |v volume 8 | |
| 500 | |a Titel der Dissertation: The comical figure, the victim and the child | ||
| 502 | |b Dissertation |c Freie Universität Berlin |d 2018 | ||
| 648 | 7 | |a Geschichte 1960-1980 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Sexualverhalten |g Motiv |0 (DE-588)1147792143 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erotik |g Motiv |0 (DE-588)4123157-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Israel |0 (DE-588)4027808-6 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
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| 689 | 0 | 2 | |a Sexualverhalten |g Motiv |0 (DE-588)1147792143 |D s |
| 689 | 0 | 3 | |a Geschichte 1960-1980 |A z |
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| 689 | 1 | 3 | |a Geschichte 1960-1980 |A z |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |a Rolef, Naomi |t Framing the sex scene |z 978-3-11-069479-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |a Rolef, Naomi |t Framing the sex scene |z 978-3-11-069474-1 |
| 830 | 0 | |a Cinepoetics |v volume 8 |w (DE-604)BV044926894 |9 8 | |
| 856 | 4 | 2 | |m X:MVB |u https://www.degruyter.com/books/9783110693621 |v 2020-05-27 |x Verlag |3 Unbekannt |
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Datensatz im Suchindex
| _version_ | 1804182597100634112 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS
*
VII
PROLOGUE
*
XIII
PART
I:
SETTING
THE
STAGE:
THE
SEX
SCENE
AND
THE
SEARCH
FOR
AN
ALTERNATIVE
HISTORIOGRAPHY
1
QU
*
EST-CE
QUE
LA
SEXUALITE?
*
3
2
THE
SEX
SCENE
*
8
3
REFLECTION
ON
A
REFLECTION:
EARLIER
DISCUSSIONS
OF
ISRAELI
SEX
SCENES
*
14
4
THESIS
AND
ANTITHESIS
*
24
5
THE
HYPOTHESIS
OF
REPRESSION
*
37
6
CONTRARIWISE:
THE
APPLICATIONS
AND
IMPLICATIONS
OF
OTHERNESS
AND
ALTERITY
*
44
6.1
THE
JEWISH
POSITION:
SANDER
GILMAN
*
44
6.2
THE
POSITION
OF
RESISTANCE:
JUDITH
BUTLER
-----
50
7
THE
FILM
VIEWED
-----
59
7.1
.
NO
ROOM
OF
THEIR
OWN:
THE
DISRUPTION
OF
SPACE
-----
61
7.2
FIGURE
THIS
-----
68
THE
EARNESTNESS
OF
BEING
IMPORTANT:
THE
COMIC
FIGURE
*
69
HOW
THE
MIGHTY
ARE
FALLEN:
THE
VICTIM
*
80
*
WHOSE
SON
IS
THIS
YOUTH? :
THE
CHILD
-----
87
7.3
WHERE
IS
MY
JOHN
WAYNE?
WHERE
IS
MY
MUSCLE
JEW?
-----92
8
CONCLUDING
WORDS
*
95
PART
II:
THE
1960S:
COMEDY,
VICTIMHOOD
AND
PARADISE
LOST
9
THE
INTRODUCTION
OF
SEX
THROUGH
THE
PRISM
OF
THE
TYPE
FIGURE
*
99
X
*
*
CONTENTS
10
*
WE
HAVE
A
LITTLE
SISTER
AND
SHE
HATH
NO
BREASTS
*
:
THE
COMIC
FIGURE
AND
THE
DETERIORATION
OF
EROTICISM
IN
M
OTIVE
TO
M
URDER
*
101
10.1
M
OTIVE
TO
M
URDER
*
101
THROUGH
THE
ENTRANCE
HALL:
THE
DISRUPTED
SPACE
*
102
THE
PODIUM:
COMEDY
*
103
THE
BOUDOIR:
EROS
DISARMED
AND
THE
QUESTION
OF
FEMALE
PROMISCUITY
*
106
THE
BEDCHAMBER:
SEX
SCENES
*
107
ON
THE
VERANDA:
THE
MEANING
OF
A
DAMAGED
PRIVATE
SPHERE
*
114
11
*
WE
ARE
BOTH
CRIPPLED
*
:
VICTIMHOOD,
STATUS,
AND
SEX
IN
DRAMAS
AND
MELODRAMAS
*
116
11.1
T
HE
D
YBBUK
AND
F
ORTUNA
-
ME
AGAINST
US:
VICTIMS
OF
THE
COMMUNITY
*
116
11.2
IS
T
EL
A
VIV
B
URNING
?
AND
E
VERY
B
ASTARD
A
K
ING
-
US
AGAINST
IT:
THE
VICTIM
IN
THE
COMMUNITY
*
119
11.3
E
LDORADO
*
121
NO
PLACE
FOR
ME:
SPACE
AND
INTRUSION
*
121
IT
*
S
ALL
ABOUT
ME:
MALE
SPECTACLE
*
122
POOR
ME:
VICTIMHOOD
STARDOM
*
125
GAIN
AND
LOSS:
THE
SEX
SCENES
*
126
11.4
H
E
W
ALKED
T
HROUGH
THE
F
IELDS
-
ME
TOO:
FOLLOWING
SHERMAN
*
S
FOOTSTEPS
*
131
11.5
T
HE
H
ERO
*
S
W
IFE
*
134
I
AM
IN
PIECES:
THE
FRAGMENTED
INDIVIDUAL
*
134
ME,
NOT
US:
EROTICISM
REBELS
-----
138
IT
*
S
NOT
YOU,
IT
*
S
US:
YOSEF
AND
THE
UNATTRACTIVENESS
OF
COMMUNITY
-----
139
THE
THIRD
RIVAL:
CASUALTIES
OF
WAR
*
141
WAR
TIME:
THE
SYNCHRONISATION
OF
THE
COMMUNAL
BODY
*
142
FINALLY
IN
THE
FRAME:
SEXUAL
CLIMAX
*
143
BACK
TO
LIFE:
THE
RETURN
TO
DEMOCRATIC
SPACE
*
144
11.6
SHINING
THROUGH:
CONCLUSION
AND
COMMENTARY
*
R-
146
12
WHERE
IS
THE
CHILD?
WHERE
IS
THE
ADULT?
THE
CHILD
ENTERS
THE
SEX
SCENE
IN
A
N
IGHT
IN
T
IBERIAS
,
N
OT
M
INE
TO
L
OVE
,
AND
I
RIS
*
148
12.1
A
N
IGHT
IN
T
IBERIAS
-
PARADISE
LOST:
THE
CLASH
BETWEEN
CHILDHOOD
AND
ADULTHOOD
-----
149
12.2
N
OT
M
INE
TO
L
OVE
*
152
CONTENTS
*
XI
JERUSALEM
PERSONIFIED:
INTERNAL
AND
EXTERNAL
CITYSCAPES
*
152
THORNY
ROUTINE:
ELI
*
S
PERFORATED
WORLD
-----
153
THE
MEMORY
OF
THE
MOTHER,
THE
PRESENCE
OF
THE
SON:
ABSENCE
OF
SOVEREIGNTY
*
155
MISCHIEF,
GUILT,
AND
MENACE:
UNSOVEREIGN
AFFAIRS
*
157
ONCE
UPON
A
TIME:
THE
RECOLLECTION
OF
YOUTH
*
159
DYSFUNCTIONALITY:
THE
NON-SOVEREIGN
MURDERER
AND
UNREDEEMED
RESCUER
*
162
SEE
ME,
FEEL
ME:
MALE
ANTI-SPECTACLE
-----
163
12.3
IRIS
------
165
PAST
PRESENT:
UNTIMELINESS
*
165
THE
WINTER
OF
OUR
CONTENT:
THE
ABHORRENCE
OF
THE
PRESENT
AND
THE
CELEBRATION
OF
THE
PAST
*
167
*
I
ONCE
LOOKED
AFTER
HIM
...
A
LITTLE
*
:
YOEL
*
S
MISOGYNY,
LACK
OF
MASTERY,
AND
SEXUAL
SURRENDER
*
169
ICON
AND
SPECTRE:
THE
SPECTACLE
OF
GIRLHOOD
*
170
VIOLENCE
AND
CONFUSION:
THE
TURBULENT
END
*
174
12.4
CHILDREN
IN
DANGER,
MEN
IN
CRISIS:
CONCLUSION
AND
COMMENTARY
*
178
PART
III:
THE
1970S:
WAR,
PROTEST
AND
YOUTH
13
SAME
SAME,
BUT
DIFFERENT:
THE
POLITICS
OF
SEX
AND
IDENTITY
*
183
14
PAST/PRESENT/FUTURE:
THE
YOM
KIPPUR
WAR
IN
MELODRAMAS
*
188
14.1
T
HREE
AND
O
NE
AND
J
UDGEMENT
D
AY
*
189
CRY,
THE
BELOVED
COUNTRY:
THE
POLITICAL
DEPLOYMENT
OF
MELODRAMA
*
189
COMMON
GROUND:
FAMILY
CRISIS,
INTERGENERATIONAL
DIFFERENCE,
AND
MEN
BEHAVING
BADLY
*
192
DIFFERENCES:
CIRCULAR
VS.
LINEAR
PROGRESSION,
EXTERIOR
VS.
INTERIOR
SPACE,
DESPERATION
VS.
HEALING
*
195
TENDERNESS
VS.
VIOLENCE:
SEXUAL
ECONOMIES
AND
THE
DISSIPATION
OF
THE
VICTIM
*
S
SENSUALITY
*
200
15
*
THEY
*
RE
NOT
NICE
GUYS
*
:
ORIENTAL
JEWISH
IDENTITY
ENTERS
THE
POLITICAL
ARENA
IN
THE
1970S
*
207
15.1
FROM
HISTORY
TO
THEORY:
ORIENTAL
JEWISH
IDENTITY
IN
ISRAELI
FILM
THEORY
*
208
XII
*
*
CONTENTS
15.2
L
ITTLE
M
AN
AND
H
IGHWAY
Q
UEEN
*
211
*
HE
WHO
FUCKS
ALONE,
DIES
ALONE
*
:
LIBERATION
FROM
COMEDY
*
211
*
IT
*
S
WRITTEN
ALL
OVER
YOUR
FACE
*
:
ELEVATION
AND
DEGRADATION
*
217
SOCIAL
OPPRESSION
AND
THE
STRUGGLE
FOR
SOVEREIGNTY
*
228
16
WE
ARE
YOUNG,
WE
*
RE
NOT
FREE:
THE
FACE
OF
A
NEW
GENERATION
IN
YOUTH
FILMS
------
229
16.1
L
EMON
P
OPSICLE
2:
G
OING
S
TEADY
*
233
*
C
*
MON
EVERYBODY
*
:
THE
PERPETUAL
IMPERTINENCE
OF
THE
GANG
-----
233
*
I
*
M
SINGIN
*
IN
THE
RAIN
*
:
THE
BRAZEN
ACT
OF
SELF-ASSERTION
AND
THE
FRAGILITY
OF
TOGETHERNESS
*
238
*
LET
*
S
TWIST
AGAIN
*
:
THE
TEENAGE
CLIQUE
AS
A
RECEPTIVE
NETWORK
-----
241
16.2
DIZENGOFF
99
-----
243
*
TELL
ME
YOU
LOVE
ME
...
JUST
FOR
FUN
*
:
THE
CRYSTALLISATION
OF
THE
GROUP
AND
THE
PHANTOM
OF
THE
ROMANTIC
COUPLE
*
243
*
DID
YOU
GET
MANY
RESPONSES
TO
YOUR
AD
IN
THE
PAPER?
*
:
THE
SWINGING
SCENE
-----
247
*
THE
MOST
NATURAL
THING
IN
THE
WORLD
*
:
THE
THREESOME
*
249
*
DON
*
T
YOU
SEE
YOU
*
RE
RUINING
YOUR
LIFE?
*
:
CINEMATIC
SELF-REFLECTION
*
253
16.3
TEL
AVIV,
SEX,
1979:
CONCLUSION
AND
COMMENTARY
*
255
EPILOGUE
-----
257
BIBLIOGRAPHY
*
259
FILMOGRAPHY
*
269
NAME
INDEX
*
273
FILM
INDEX
*
277
SUBJECT
INDEX
*
279
|
| adam_txt |
CONTENTS
ACKNOWLEDGEMENTS
*
VII
PROLOGUE
*
XIII
PART
I:
SETTING
THE
STAGE:
THE
SEX
SCENE
AND
THE
SEARCH
FOR
AN
ALTERNATIVE
HISTORIOGRAPHY
1
QU
*
EST-CE
QUE
LA
SEXUALITE?
*
3
2
THE
SEX
SCENE
*
8
3
REFLECTION
ON
A
REFLECTION:
EARLIER
DISCUSSIONS
OF
ISRAELI
SEX
SCENES
*
14
4
THESIS
AND
ANTITHESIS
*
24
5
THE
HYPOTHESIS
OF
REPRESSION
*
37
6
CONTRARIWISE:
THE
APPLICATIONS
AND
IMPLICATIONS
OF
OTHERNESS
AND
ALTERITY
*
44
6.1
THE
JEWISH
POSITION:
SANDER
GILMAN
*
44
6.2
THE
POSITION
OF
RESISTANCE:
JUDITH
BUTLER
-----
50
7
THE
FILM
VIEWED
-----
59
7.1
.
NO
ROOM
OF
THEIR
OWN:
THE
DISRUPTION
OF
SPACE
-----
61
7.2
FIGURE
THIS
-----
68
THE
EARNESTNESS
OF
BEING
IMPORTANT:
THE
COMIC
FIGURE
*
69
HOW
THE
MIGHTY
ARE
FALLEN:
THE
VICTIM
*
80
*
WHOSE
SON
IS
THIS
YOUTH?":
THE
CHILD
-----
87
7.3
WHERE
IS
MY
JOHN
WAYNE?
WHERE
IS
MY
MUSCLE
JEW?
-----92
8
CONCLUDING
WORDS
*
95
PART
II:
THE
1960S:
COMEDY,
VICTIMHOOD
AND
PARADISE
LOST
9
THE
INTRODUCTION
OF
SEX
THROUGH
THE
PRISM
OF
THE
TYPE
FIGURE
*
99
X
*
*
CONTENTS
10
*
WE
HAVE
A
LITTLE
SISTER
AND
SHE
HATH
NO
BREASTS
*
:
THE
COMIC
FIGURE
AND
THE
DETERIORATION
OF
EROTICISM
IN
M
OTIVE
TO
M
URDER
*
101
10.1
M
OTIVE
TO
M
URDER
*
101
THROUGH
THE
ENTRANCE
HALL:
THE
DISRUPTED
SPACE
*
102
THE
PODIUM:
COMEDY
*
103
THE
BOUDOIR:
EROS
DISARMED
AND
THE
QUESTION
OF
FEMALE
PROMISCUITY
*
106
THE
BEDCHAMBER:
SEX
SCENES
*
107
ON
THE
VERANDA:
THE
MEANING
OF
A
DAMAGED
PRIVATE
SPHERE
*
114
11
*
WE
ARE
BOTH
CRIPPLED
*
:
VICTIMHOOD,
STATUS,
AND
SEX
IN
DRAMAS
AND
MELODRAMAS
*
116
11.1
T
HE
D
YBBUK
AND
F
ORTUNA
-
ME
AGAINST
US:
VICTIMS
OF
THE
COMMUNITY
*
116
11.2
IS
T
EL
A
VIV
B
URNING
?
AND
E
VERY
B
ASTARD
A
K
ING
-
US
AGAINST
IT:
THE
VICTIM
IN
THE
COMMUNITY
*
119
11.3
E
LDORADO
*
121
NO
PLACE
FOR
ME:
SPACE
AND
INTRUSION
*
121
IT
*
S
ALL
ABOUT
ME:
MALE
SPECTACLE
*
122
POOR
ME:
VICTIMHOOD
STARDOM
*
125
GAIN
AND
LOSS:
THE
SEX
SCENES
*
126
11.4
H
E
W
ALKED
T
HROUGH
THE
F
IELDS
-
ME
TOO:
FOLLOWING
SHERMAN
*
S
FOOTSTEPS
*
131
11.5
T
HE
H
ERO
*
S
W
IFE
*
134
I
AM
IN
PIECES:
THE
FRAGMENTED
INDIVIDUAL
*
134
ME,
NOT
US:
EROTICISM
REBELS
-----
138
IT
*
S
NOT
YOU,
IT
*
S
US:
YOSEF
AND
THE
UNATTRACTIVENESS
OF
COMMUNITY
-----
139
THE
THIRD
RIVAL:
CASUALTIES
OF
WAR
*
141
WAR
TIME:
THE
SYNCHRONISATION
OF
THE
COMMUNAL
BODY
*
142
FINALLY
IN
THE
FRAME:
SEXUAL
CLIMAX
*
143
BACK
TO
LIFE:
THE
RETURN
TO
DEMOCRATIC
SPACE
*
144
11.6
SHINING
THROUGH:
CONCLUSION
AND
COMMENTARY
*
R-
146
12
WHERE
IS
THE
CHILD?
WHERE
IS
THE
ADULT?
THE
CHILD
ENTERS
THE
SEX
SCENE
IN
A
N
IGHT
IN
T
IBERIAS
,
N
OT
M
INE
TO
L
OVE
,
AND
I
RIS
*
148
12.1
A
N
IGHT
IN
T
IBERIAS
-
PARADISE
LOST:
THE
CLASH
BETWEEN
CHILDHOOD
AND
ADULTHOOD
-----
149
12.2
N
OT
M
INE
TO
L
OVE
*
152
CONTENTS
*
XI
JERUSALEM
PERSONIFIED:
INTERNAL
AND
EXTERNAL
CITYSCAPES
*
152
THORNY
ROUTINE:
ELI
*
S
PERFORATED
WORLD
-----
153
THE
MEMORY
OF
THE
MOTHER,
THE
PRESENCE
OF
THE
SON:
ABSENCE
OF
SOVEREIGNTY
*
155
MISCHIEF,
GUILT,
AND
MENACE:
UNSOVEREIGN
AFFAIRS
*
157
ONCE
UPON
A
TIME:
THE
RECOLLECTION
OF
YOUTH
*
159
DYSFUNCTIONALITY:
THE
NON-SOVEREIGN
MURDERER
AND
UNREDEEMED
RESCUER
*
162
SEE
ME,
FEEL
ME:
MALE
ANTI-SPECTACLE
-----
163
12.3
IRIS
------
165
PAST
PRESENT:
UNTIMELINESS
*
165
THE
WINTER
OF
OUR
CONTENT:
THE
ABHORRENCE
OF
THE
PRESENT
AND
THE
CELEBRATION
OF
THE
PAST
*
167
*
I
ONCE
LOOKED
AFTER
HIM
.
A
LITTLE
*
:
YOEL
*
S
MISOGYNY,
LACK
OF
MASTERY,
AND
SEXUAL
SURRENDER
*
169
ICON
AND
SPECTRE:
THE
SPECTACLE
OF
GIRLHOOD
*
170
VIOLENCE
AND
CONFUSION:
THE
TURBULENT
END
*
174
12.4
CHILDREN
IN
DANGER,
MEN
IN
CRISIS:
CONCLUSION
AND
COMMENTARY
*
178
PART
III:
THE
1970S:
WAR,
PROTEST
AND
YOUTH
13
SAME
SAME,
BUT
DIFFERENT:
THE
POLITICS
OF
SEX
AND
IDENTITY
*
183
14
PAST/PRESENT/FUTURE:
THE
YOM
KIPPUR
WAR
IN
MELODRAMAS
*
188
14.1
T
HREE
AND
O
NE
AND
J
UDGEMENT
D
AY
*
189
CRY,
THE
BELOVED
COUNTRY:
THE
POLITICAL
DEPLOYMENT
OF
MELODRAMA
*
189
COMMON
GROUND:
FAMILY
CRISIS,
INTERGENERATIONAL
DIFFERENCE,
AND
MEN
BEHAVING
BADLY
*
192
DIFFERENCES:
CIRCULAR
VS.
LINEAR
PROGRESSION,
EXTERIOR
VS.
INTERIOR
SPACE,
DESPERATION
VS.
HEALING
*
195
TENDERNESS
VS.
VIOLENCE:
SEXUAL
ECONOMIES
AND
THE
DISSIPATION
OF
THE
VICTIM
*
S
SENSUALITY
*
200
15
*
THEY
*
RE
NOT
NICE
GUYS
*
:
ORIENTAL
JEWISH
IDENTITY
ENTERS
THE
POLITICAL
ARENA
IN
THE
1970S
*
207
15.1
FROM
HISTORY
TO
THEORY:
ORIENTAL
JEWISH
IDENTITY
IN
ISRAELI
FILM
THEORY
*
208
XII
*
*
CONTENTS
15.2
L
ITTLE
M
AN
AND
H
IGHWAY
Q
UEEN
*
211
*
HE
WHO
FUCKS
ALONE,
DIES
ALONE
*
:
LIBERATION
FROM
COMEDY
*
211
*
IT
*
S
WRITTEN
ALL
OVER
YOUR
FACE
*
:
ELEVATION
AND
DEGRADATION
*
217
SOCIAL
OPPRESSION
AND
THE
STRUGGLE
FOR
SOVEREIGNTY
*
228
16
WE
ARE
YOUNG,
WE
*
RE
NOT
FREE:
THE
FACE
OF
A
NEW
GENERATION
IN
YOUTH
FILMS
------
229
16.1
L
EMON
P
OPSICLE
2:
G
OING
S
TEADY
*
233
*
C
*
MON
EVERYBODY
*
:
THE
PERPETUAL
IMPERTINENCE
OF
THE
GANG
-----
233
*
I
*
M
SINGIN
*
IN
THE
RAIN
*
:
THE
BRAZEN
ACT
OF
SELF-ASSERTION
AND
THE
FRAGILITY
OF
TOGETHERNESS
*
238
*
LET
*
S
TWIST
AGAIN
*
:
THE
TEENAGE
CLIQUE
AS
A
RECEPTIVE
NETWORK
-----
241
16.2
DIZENGOFF
99
-----
243
*
TELL
ME
YOU
LOVE
ME
.
JUST
FOR
FUN
*
:
THE
CRYSTALLISATION
OF
THE
GROUP
AND
THE
PHANTOM
OF
THE
ROMANTIC
COUPLE
*
243
*
DID
YOU
GET
MANY
RESPONSES
TO
YOUR
AD
IN
THE
PAPER?
*
:
THE
SWINGING
SCENE
-----
247
*
THE
MOST
NATURAL
THING
IN
THE
WORLD
*
:
THE
THREESOME
*
249
*
DON
*
T
YOU
SEE
YOU
*
RE
RUINING
YOUR
LIFE?
*
:
CINEMATIC
SELF-REFLECTION
*
253
16.3
TEL
AVIV,
SEX,
1979:
CONCLUSION
AND
COMMENTARY
*
255
EPILOGUE
-----
257
BIBLIOGRAPHY
*
259
FILMOGRAPHY
*
269
NAME
INDEX
*
273
FILM
INDEX
*
277
SUBJECT
INDEX
*
279 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Rolef, Naomi |
| author_GND | (DE-588)1230492569 |
| author_facet | Rolef, Naomi |
| author_role | aut |
| author_sort | Rolef, Naomi |
| author_variant | n r nr |
| building | Verbundindex |
| bvnumber | BV047363798 |
| classification_rvk | AP 44967 |
| ctrlnum | (OCoLC)1242110045 (DE-599)DNB1210716143 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1960-1980 gnd |
| era_facet | Geschichte 1960-1980 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Israel (DE-588)4027808-6 gnd |
| geographic_facet | Israel |
| id | DE-604.BV047363798 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:42:04Z |
| indexdate | 2024-07-10T09:10:04Z |
| institution | BVB |
| isbn | 9783110693621 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032765723 |
| oclc_num | 1242110045 |
| open_access_boolean | |
| owner | DE-188 DE-Po75 |
| owner_facet | DE-188 DE-Po75 |
| physical | XIV, 283 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | De Gruyter |
| record_format | marc |
| series | Cinepoetics |
| series2 | Cinepoetics |
| spelling | Rolef, Naomi Verfasser (DE-588)1230492569 aut The comical figure, the victim and the child Framing the sex scene a new take on Israeli film history Naomi Rolef Berlin ; Boston De Gruyter [2021] XIV, 283 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cinepoetics volume 8 Titel der Dissertation: The comical figure, the victim and the child Dissertation Freie Universität Berlin 2018 Geschichte 1960-1980 gnd rswk-swf Sexualverhalten Motiv (DE-588)1147792143 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Israel (DE-588)4027808-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Israel (DE-588)4027808-6 g Film (DE-588)4017102-4 s Sexualverhalten Motiv (DE-588)1147792143 s Geschichte 1960-1980 z DE-604 Erotik Motiv (DE-588)4123157-0 s Berlin (DE-588)4005728-8 gnd uvp Erscheint auch als Online-Ausgabe, EPUB Rolef, Naomi Framing the sex scene 978-3-11-069479-6 Erscheint auch als Online-Ausgabe, PDF Rolef, Naomi Framing the sex scene 978-3-11-069474-1 Cinepoetics volume 8 (DE-604)BV044926894 8 X:MVB https://www.degruyter.com/books/9783110693621 2020-05-27 Verlag Unbekannt DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032765723&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rolef, Naomi Framing the sex scene a new take on Israeli film history Cinepoetics Sexualverhalten Motiv (DE-588)1147792143 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)1147792143 (DE-588)4123157-0 (DE-588)4017102-4 (DE-588)4027808-6 (DE-588)4113937-9 |
| title | Framing the sex scene a new take on Israeli film history |
| title_alt | The comical figure, the victim and the child |
| title_auth | Framing the sex scene a new take on Israeli film history |
| title_exact_search | Framing the sex scene a new take on Israeli film history |
| title_exact_search_txtP | Framing the sex scene a new take on Israeli film history |
| title_full | Framing the sex scene a new take on Israeli film history Naomi Rolef |
| title_fullStr | Framing the sex scene a new take on Israeli film history Naomi Rolef |
| title_full_unstemmed | Framing the sex scene a new take on Israeli film history Naomi Rolef |
| title_short | Framing the sex scene |
| title_sort | framing the sex scene a new take on israeli film history |
| title_sub | a new take on Israeli film history |
| topic | Sexualverhalten Motiv (DE-588)1147792143 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Sexualverhalten Motiv Erotik Motiv Film Israel Hochschulschrift |
| url | https://www.degruyter.com/books/9783110693621 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032765723&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044926894 |
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