A semiotic approach to open notations: ambiguity as opportunity
Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed. Composers of what Umberto Eco calls 'open works' often employ intentionally ambiguous music notations. These open notations a...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2021
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Schriftenreihe: | Cambridge elements
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed. Composers of what Umberto Eco calls 'open works' often employ intentionally ambiguous music notations. These open notations ask the performer to play a radical and active role in co-creating the musical work. Scores that feature open notations have been part of the Western classical music landscape since the mid-twentieth century, and continue to have a vibrant community of practitioners today. In this Element, Tristan McKay considers intersections of ambiguity, authority, and identity in works with open notations. He develops a semiotic approach to open notation analysis and puts it into practice with in-depth analyses of openly notated works by Earle Brown, Will Redman, and Leah Asher |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 May 2021) |
Beschreibung: | 1 Online-Ressource (75 Seiten) |
ISBN: | 9781108884389 |
DOI: | 10.1017/9781108884389 |
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spelling | McKay, Tristan ca. 20./21. Jh. (DE-588)1236545478 aut A semiotic approach to open notations ambiguity as opportunity Tristan McKay Cambridge Cambridge University Press 2021 1 Online-Ressource (75 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 05 May 2021) Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed. Composers of what Umberto Eco calls 'open works' often employ intentionally ambiguous music notations. These open notations ask the performer to play a radical and active role in co-creating the musical work. Scores that feature open notations have been part of the Western classical music landscape since the mid-twentieth century, and continue to have a vibrant community of practitioners today. In this Element, Tristan McKay considers intersections of ambiguity, authority, and identity in works with open notations. He develops a semiotic approach to open notation analysis and puts it into practice with in-depth analyses of openly notated works by Earle Brown, Will Redman, and Leah Asher Brown, Earle / 1926-2002 / Criticism and interpretation Redman, Will / Criticism and interpretation Asher, Leah / Criticism and interpretation Geschichte 1945- gnd rswk-swf Musical notation Improvisation (Music) Notenschrift (DE-588)4135339-0 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Graphische Notation (DE-588)4665850-6 gnd rswk-swf Neue Musik (DE-588)4428235-7 s Notenschrift (DE-588)4135339-0 s Graphische Notation (DE-588)4665850-6 s Geschichte 1945- z DE-604 Erscheint auch als Druck-Ausgabe 978-1-108-81332-7 https://doi.org/10.1017/9781108884389 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | McKay, Tristan ca. 20./21. Jh A semiotic approach to open notations ambiguity as opportunity Brown, Earle / 1926-2002 / Criticism and interpretation Redman, Will / Criticism and interpretation Asher, Leah / Criticism and interpretation Musical notation Improvisation (Music) Notenschrift (DE-588)4135339-0 gnd Neue Musik (DE-588)4428235-7 gnd Graphische Notation (DE-588)4665850-6 gnd |
subject_GND | (DE-588)4135339-0 (DE-588)4428235-7 (DE-588)4665850-6 |
title | A semiotic approach to open notations ambiguity as opportunity |
title_auth | A semiotic approach to open notations ambiguity as opportunity |
title_exact_search | A semiotic approach to open notations ambiguity as opportunity |
title_exact_search_txtP | A semiotic approach to open notations ambiguity as opportunity |
title_full | A semiotic approach to open notations ambiguity as opportunity Tristan McKay |
title_fullStr | A semiotic approach to open notations ambiguity as opportunity Tristan McKay |
title_full_unstemmed | A semiotic approach to open notations ambiguity as opportunity Tristan McKay |
title_short | A semiotic approach to open notations |
title_sort | a semiotic approach to open notations ambiguity as opportunity |
title_sub | ambiguity as opportunity |
topic | Brown, Earle / 1926-2002 / Criticism and interpretation Redman, Will / Criticism and interpretation Asher, Leah / Criticism and interpretation Musical notation Improvisation (Music) Notenschrift (DE-588)4135339-0 gnd Neue Musik (DE-588)4428235-7 gnd Graphische Notation (DE-588)4665850-6 gnd |
topic_facet | Brown, Earle / 1926-2002 / Criticism and interpretation Redman, Will / Criticism and interpretation Asher, Leah / Criticism and interpretation Musical notation Improvisation (Music) Notenschrift Neue Musik Graphische Notation |
url | https://doi.org/10.1017/9781108884389 |
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