W cieniu Tamary:
Tamara Łempicka (Tamara de Lempicka) created her own legend, modelling the history of her family to nurture the narrative meant to demonstrate how unusual she was, how exotic her life had been. Her biography generally accepted for publications disseminating unverified information continues to concea...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | Polish |
Veröffentlicht: |
2020
|
Schlagworte: | |
Zusammenfassung: | Tamara Łempicka (Tamara de Lempicka) created her own legend, modelling the history of her family to nurture the narrative meant to demonstrate how unusual she was, how exotic her life had been. Her biography generally accepted for publications disseminating unverified information continues to conceal many secrets which, as much as not actually having significant impact on Łempicka’s oeuvre, tell us much about the artist’s personality. Tamara meticulously hid the Jewish descent of her mother Malwina Dekler, inventing the story of a rich Polish family with typical intelligentsia fondness for high-profile music, living in Warsaw from the times of Napoleon. Meanwhile, the Deklers were a typical middle-class family professing Judaism, bonded with Warsaw for at least two generations. Among the family it was Tamara’s mother’s brother Zygmunt (?-1919) who was a particularly interesting individual: pioneer of motoring and aviation in Poland, an engineer, publisher, pilot, and a soldier of the First Legions Infantry Division, he most likely perished in the Polish-Soviet War. His grave is to be found in the Jewish Cemetery in Warsaw’s Okopowa Street. Thanks to him at least a part of Tamara’s family’s history has been revealed. In the legend created by Tamara a special role was played by her first husband Tadeusz Łempicki, whose personality was totally overshadowed by the artist. Meanwhile, both himself, but possibly first of all his family as typical representatives of Polish intelligentsia living in St Petersburg, deserve more attention. All the new findings related to Tamara Łempicka should become the basis for further research into the artist’s phenomenon. |
Beschreibung: | Illustrationen |
ISSN: | 0006-3967 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV047356318 | ||
003 | DE-604 | ||
005 | 20210722 | ||
007 | t | ||
008 | 210705s2020 a||| |||| 00||| pol d | ||
035 | |a (OCoLC)1260139145 | ||
035 | |a (DE-599)BVBBV047356318 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a pol | |
049 | |a DE-255 | ||
100 | 1 | |a Sosnowska, Joanna |d 1953- |e Verfasser |0 (DE-588)1043797408 |4 aut | |
245 | 1 | 0 | |a W cieniu Tamary |c Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk |
246 | 1 | 3 | |a Overshadowed by Tamara |
264 | 1 | |c 2020 | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | |a Tamara Łempicka (Tamara de Lempicka) created her own legend, modelling the history of her family to nurture the narrative meant to demonstrate how unusual she was, how exotic her life had been. Her biography generally accepted for publications disseminating unverified information continues to conceal many secrets which, as much as not actually having significant impact on Łempicka’s oeuvre, tell us much about the artist’s personality. Tamara meticulously hid the Jewish descent of her mother Malwina Dekler, inventing the story of a rich Polish family with typical intelligentsia fondness for high-profile music, living in Warsaw from the times of Napoleon. Meanwhile, the Deklers were a typical middle-class family professing Judaism, bonded with Warsaw for at least two generations. Among the family it was Tamara’s mother’s brother Zygmunt (?-1919) who was a particularly interesting individual: pioneer of motoring and aviation in Poland, an engineer, publisher, pilot, and a soldier of the First Legions Infantry Division, he most likely perished in the Polish-Soviet War. His grave is to be found in the Jewish Cemetery in Warsaw’s Okopowa Street. Thanks to him at least a part of Tamara’s family’s history has been revealed. In the legend created by Tamara a special role was played by her first husband Tadeusz Łempicki, whose personality was totally overshadowed by the artist. Meanwhile, both himself, but possibly first of all his family as typical representatives of Polish intelligentsia living in St Petersburg, deserve more attention. All the new findings related to Tamara Łempicka should become the basis for further research into the artist’s phenomenon. | ||
546 | |a Text polnisch, Zusammenfassung englisch: Overshadowed by Tamara | ||
600 | 1 | 7 | |a De Lempicka, Tamara |d 1898-1980 |0 (DE-588)118571494 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Familie |0 (DE-588)4016397-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Biografie |0 (DE-588)4006804-3 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a De Lempicka, Tamara |d 1898-1980 |0 (DE-588)118571494 |D p |
689 | 0 | 1 | |a Familie |0 (DE-588)4016397-0 |D s |
689 | 0 | 2 | |a Biografie |0 (DE-588)4006804-3 |D s |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:82 |g number:4 |g year:2020 |g pages:643-658 |
773 | 0 | 8 | |t Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki |d Warszawa, 2020 |g Rok 82, nr 4 (2020), Seite 643-658 |w (DE-604)BV002698928 |x 0006-3967 |o (DE-600)127366-8 |
940 | 1 | |n oeaufsaetze | |
940 | 1 | |q oeaufsaetze_KUBA2 | |
940 | 1 | |q BSB_NED_20210705 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032758415 | ||
941 | |b 82 |h 4 |j 2020 |s 643-658 | ||
942 | 1 | 1 | |c 709 |e 22/bsb |f 0904 |g 438 |
Datensatz im Suchindex
_version_ | 1804182583765893120 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV002698928 |
author | Sosnowska, Joanna 1953- |
author_GND | (DE-588)1043797408 |
author_facet | Sosnowska, Joanna 1953- |
author_role | aut |
author_sort | Sosnowska, Joanna 1953- |
author_variant | j s js |
building | Verbundindex |
bvnumber | BV047356318 |
ctrlnum | (OCoLC)1260139145 (DE-599)BVBBV047356318 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03348naa a2200445 c 4500</leader><controlfield tag="001">BV047356318</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210722 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210705s2020 a||| |||| 00||| pol d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1260139145</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047356318</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">pol</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sosnowska, Joanna</subfield><subfield code="d">1953-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1043797408</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">W cieniu Tamary</subfield><subfield code="c">Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Overshadowed by Tamara</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Tamara Łempicka (Tamara de Lempicka) created her own legend, modelling the history of her family to nurture the narrative meant to demonstrate how unusual she was, how exotic her life had been. Her biography generally accepted for publications disseminating unverified information continues to conceal many secrets which, as much as not actually having significant impact on Łempicka’s oeuvre, tell us much about the artist’s personality. Tamara meticulously hid the Jewish descent of her mother Malwina Dekler, inventing the story of a rich Polish family with typical intelligentsia fondness for high-profile music, living in Warsaw from the times of Napoleon. Meanwhile, the Deklers were a typical middle-class family professing Judaism, bonded with Warsaw for at least two generations. Among the family it was Tamara’s mother’s brother Zygmunt (?-1919) who was a particularly interesting individual: pioneer of motoring and aviation in Poland, an engineer, publisher, pilot, and a soldier of the First Legions Infantry Division, he most likely perished in the Polish-Soviet War. His grave is to be found in the Jewish Cemetery in Warsaw’s Okopowa Street. Thanks to him at least a part of Tamara’s family’s history has been revealed. In the legend created by Tamara a special role was played by her first husband Tadeusz Łempicki, whose personality was totally overshadowed by the artist. Meanwhile, both himself, but possibly first of all his family as typical representatives of Polish intelligentsia living in St Petersburg, deserve more attention. All the new findings related to Tamara Łempicka should become the basis for further research into the artist’s phenomenon.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text polnisch, Zusammenfassung englisch: Overshadowed by Tamara</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">De Lempicka, Tamara</subfield><subfield code="d">1898-1980</subfield><subfield code="0">(DE-588)118571494</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Familie</subfield><subfield code="0">(DE-588)4016397-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Biografie</subfield><subfield code="0">(DE-588)4006804-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">De Lempicka, Tamara</subfield><subfield code="d">1898-1980</subfield><subfield code="0">(DE-588)118571494</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Familie</subfield><subfield code="0">(DE-588)4016397-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Biografie</subfield><subfield code="0">(DE-588)4006804-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:82</subfield><subfield code="g">number:4</subfield><subfield code="g">year:2020</subfield><subfield code="g">pages:643-658</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki</subfield><subfield code="d">Warszawa, 2020</subfield><subfield code="g">Rok 82, nr 4 (2020), Seite 643-658</subfield><subfield code="w">(DE-604)BV002698928</subfield><subfield code="x">0006-3967</subfield><subfield code="o">(DE-600)127366-8</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oeaufsaetze</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">oeaufsaetze_KUBA2</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210705</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032758415</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">82</subfield><subfield code="h">4</subfield><subfield code="j">2020</subfield><subfield code="s">643-658</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">438</subfield></datafield></record></collection> |
id | DE-604.BV047356318 |
illustrated | Illustrated |
index_date | 2024-07-03T17:39:44Z |
indexdate | 2024-07-10T09:09:52Z |
institution | BVB |
issn | 0006-3967 |
language | Polish |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032758415 |
oclc_num | 1260139145 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | Illustrationen |
psigel | oeaufsaetze_KUBA2 BSB_NED_20210705 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
record_format | marc |
spelling | Sosnowska, Joanna 1953- Verfasser (DE-588)1043797408 aut W cieniu Tamary Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk Overshadowed by Tamara 2020 Illustrationen txt rdacontent n rdamedia nc rdacarrier Tamara Łempicka (Tamara de Lempicka) created her own legend, modelling the history of her family to nurture the narrative meant to demonstrate how unusual she was, how exotic her life had been. Her biography generally accepted for publications disseminating unverified information continues to conceal many secrets which, as much as not actually having significant impact on Łempicka’s oeuvre, tell us much about the artist’s personality. Tamara meticulously hid the Jewish descent of her mother Malwina Dekler, inventing the story of a rich Polish family with typical intelligentsia fondness for high-profile music, living in Warsaw from the times of Napoleon. Meanwhile, the Deklers were a typical middle-class family professing Judaism, bonded with Warsaw for at least two generations. Among the family it was Tamara’s mother’s brother Zygmunt (?-1919) who was a particularly interesting individual: pioneer of motoring and aviation in Poland, an engineer, publisher, pilot, and a soldier of the First Legions Infantry Division, he most likely perished in the Polish-Soviet War. His grave is to be found in the Jewish Cemetery in Warsaw’s Okopowa Street. Thanks to him at least a part of Tamara’s family’s history has been revealed. In the legend created by Tamara a special role was played by her first husband Tadeusz Łempicki, whose personality was totally overshadowed by the artist. Meanwhile, both himself, but possibly first of all his family as typical representatives of Polish intelligentsia living in St Petersburg, deserve more attention. All the new findings related to Tamara Łempicka should become the basis for further research into the artist’s phenomenon. Text polnisch, Zusammenfassung englisch: Overshadowed by Tamara De Lempicka, Tamara 1898-1980 (DE-588)118571494 gnd rswk-swf Familie (DE-588)4016397-0 gnd rswk-swf Biografie (DE-588)4006804-3 gnd rswk-swf De Lempicka, Tamara 1898-1980 (DE-588)118571494 p Familie (DE-588)4016397-0 s Biografie (DE-588)4006804-3 s DE-604 volume:82 number:4 year:2020 pages:643-658 Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki Warszawa, 2020 Rok 82, nr 4 (2020), Seite 643-658 (DE-604)BV002698928 0006-3967 (DE-600)127366-8 |
spellingShingle | Sosnowska, Joanna 1953- W cieniu Tamary De Lempicka, Tamara 1898-1980 (DE-588)118571494 gnd Familie (DE-588)4016397-0 gnd Biografie (DE-588)4006804-3 gnd |
subject_GND | (DE-588)118571494 (DE-588)4016397-0 (DE-588)4006804-3 |
title | W cieniu Tamary |
title_alt | Overshadowed by Tamara |
title_auth | W cieniu Tamary |
title_exact_search | W cieniu Tamary |
title_exact_search_txtP | W cieniu Tamary |
title_full | W cieniu Tamary Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk |
title_fullStr | W cieniu Tamary Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk |
title_full_unstemmed | W cieniu Tamary Joanna M. Sosnowska, Warszawa, Instytut Sztuki Polskiej Akademii Nauk |
title_short | W cieniu Tamary |
title_sort | w cieniu tamary |
topic | De Lempicka, Tamara 1898-1980 (DE-588)118571494 gnd Familie (DE-588)4016397-0 gnd Biografie (DE-588)4006804-3 gnd |
topic_facet | De Lempicka, Tamara 1898-1980 Familie Biografie |
work_keys_str_mv | AT sosnowskajoanna wcieniutamary AT sosnowskajoanna overshadowedbytamara |