Contemporary piano music: performance and creativity
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Essays presented at the 4th International Contemporary Piano Meeting, held in Porto in December 2019 |
| Beschreibung: | vii, 407 Seiten Illustrationen, Notenbeispiele, Portraits |
| ISBN: | 9781527568839 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents Introduction Chapter One- Historical Approaches Lee Kuo-Ying An analysis of Symmetrical structures in piano music by Olivier Messiaen Helena Santana Herma and Eonta from Iannis Xenakis: The fruition of musical and emotional meaning through the medium of rhythm, timbre, space and expanded techniques Anna Kijanowska The music of contrasts and tradition: from barbarism to spirituality in Górecki’s Piano Sonata No. 1, Op. 6 (1956, rev. 1984, 1990) and Recitatives and Ariosos ‘Lerchenmusik’ Op. 53 (1984-85) for piano, cello and clarinet. Mariachiara Grilli Towards an informed performance of Luciano Berio’s piano music from 1965 to 2001 Chapter Two- Text, Interpretation And Performance Alexandre Zamith Musical Performance as a field of practices and research Ana Telles Piano fingering strategies as analytical tools for the performer
vi 185 Table of Contents Madalena Soveral Interpretative issues in Pirâmides de Cristal (1994) by João Pedro Oliveira: between analysis and performance 213 Letizia Michielon Spira Mirabilis: from a logarithmic fonction to a compositional idea and a performance realization 225 Carlos Villar-Taboada Variation in Paulino Pereira’s piano music: Variacions Beiras (1990) and Branca, no desxeo das tebras (2000)” 247 Paulo Meirelles The verbal mentions in the Noturno no. 12 of Almeida Prado 267 Helena Marinho, Alfonso Benetti, Luís Bittencourt, Mònica Chambel and Gendering the [piano] performing body Chapter Three- Past And Present Exchanges In Present-Day Musical Experiences 285 Pavlos Antoniadis Intelligence and spirit in contemporary piano performance: On the multiple senses of touch in Klaus K. Hübler’s Sonetto LXXXIIIdel Michelangelo and in Wieland Hóban’s when the panting STARTS. 315 Helen Gallo Virtuosity: pathway to the sublime or manifestation of the grotesque? 325 Joana Sá A body listening: virtuosity as an unbridgeable gap resounding 349 Heloisa Amaral Musical Materiality: Concert Formats, Curatorial Concerns and Promiscuous Interactions
Table of Contents Notes On Contributors Illustrations Index
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| adam_txt |
Table of Contents Introduction Chapter One- Historical Approaches Lee Kuo-Ying An analysis of Symmetrical structures in piano music by Olivier Messiaen Helena Santana Herma and Eonta from Iannis Xenakis: The fruition of musical and emotional meaning through the medium of rhythm, timbre, space and expanded techniques Anna Kijanowska The music of contrasts and tradition: from barbarism to spirituality in Górecki’s Piano Sonata No. 1, Op. 6 (1956, rev. 1984, 1990) and Recitatives and Ariosos ‘Lerchenmusik’ Op. 53 (1984-85) for piano, cello and clarinet. Mariachiara Grilli Towards an informed performance of Luciano Berio’s piano music from 1965 to 2001 Chapter Two- Text, Interpretation And Performance Alexandre Zamith Musical Performance as a field of practices and research Ana Telles Piano fingering strategies as analytical tools for the performer
vi 185 Table of Contents Madalena Soveral Interpretative issues in Pirâmides de Cristal (1994) by João Pedro Oliveira: between analysis and performance 213 Letizia Michielon Spira Mirabilis: from a logarithmic fonction to a compositional idea and a performance realization 225 Carlos Villar-Taboada Variation in Paulino Pereira’s piano music: Variacions Beiras (1990) and Branca, no desxeo das tebras (2000)” 247 Paulo Meirelles The verbal mentions in the Noturno no. 12 of Almeida Prado 267 Helena Marinho, Alfonso Benetti, Luís Bittencourt, Mònica Chambel and Gendering the [piano] performing body Chapter Three- Past And Present Exchanges In Present-Day Musical Experiences 285 Pavlos Antoniadis Intelligence and spirit in contemporary piano performance: On the multiple senses of touch in Klaus K. Hübler’s Sonetto LXXXIIIdel Michelangelo and in Wieland Hóban’s when the panting STARTS. 315 Helen Gallo Virtuosity: pathway to the sublime or manifestation of the grotesque? 325 Joana Sá A body listening: virtuosity as an unbridgeable gap resounding 349 Heloisa Amaral Musical Materiality: Concert Formats, Curatorial Concerns and Promiscuous Interactions
Table of Contents Notes On Contributors Illustrations Index |
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| spelling | Contemporary piano music performance and creativity edited by Madalena Soveral Newcastle upon Tyne, UK Cambridge Scholars Publishing 2021 vii, 407 Seiten Illustrationen, Notenbeispiele, Portraits txt rdacontent n rdamedia nc rdacarrier Essays presented at the 4th International Contemporary Piano Meeting, held in Porto in December 2019 Geschichte 1950-2019 gnd rswk-swf Klaviermusik (DE-588)4030993-9 gnd rswk-swf Piano music / History and criticism / Congresses Piano music / Interpretation (Phrasing, dynamics, etc.) / Congresses (DE-588)1071861417 Konferenzschrift December 2019 Porto gnd-content Klaviermusik (DE-588)4030993-9 s Geschichte 1950-2019 z DE-604 Soveral, Madalena (DE-588)1191785890 edt International Contemporary Piano Meeting 4. 2019 Porto (DE-588)1238612237 orm Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032753499&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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