Image in the making: digital innovation and the visual arts
"Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York
Oxford University Press
[2021]
|
| Schriftenreihe: | Thinking art
|
| Schlagworte: | |
| Zusammenfassung: | "Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form-from digital video installation to net art to digital cinema-there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us"-- |
| Beschreibung: | 1 Online-Ressource (xiv, 136 Seiten) |
| ISBN: | 9780197567630 |
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| 520 | 3 | |a "Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form-from digital video installation to net art to digital cinema-there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us"-- | |
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Datensatz im Suchindex
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| isbn | 9780197567630 |
| language | English |
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| spelling | Thomson-Jones, Katherine Verfasser (DE-588)136397433 aut Image in the making digital innovation and the visual arts Katherine Thomson-Jones Oxford ; New York Oxford University Press [2021] © 2021 1 Online-Ressource (xiv, 136 Seiten) txt rdacontent c rdamedia cr rdacarrier Thinking art Digital Imaging Technology -- Digital Structure -- Digital Ontology and Appreciation -- Digital Media and Appreciation -- Digital Interactivity -- Digital Realism "Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form-from digital video installation to net art to digital cinema-there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us"-- Computerkunst (DE-588)4010453-9 gnd rswk-swf Art and technology Digital images Computerkunst (DE-588)4010453-9 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-19-756761-6 |
| spellingShingle | Thomson-Jones, Katherine Image in the making digital innovation and the visual arts Digital Imaging Technology -- Digital Structure -- Digital Ontology and Appreciation -- Digital Media and Appreciation -- Digital Interactivity -- Digital Realism Computerkunst (DE-588)4010453-9 gnd |
| subject_GND | (DE-588)4010453-9 |
| title | Image in the making digital innovation and the visual arts |
| title_auth | Image in the making digital innovation and the visual arts |
| title_exact_search | Image in the making digital innovation and the visual arts |
| title_exact_search_txtP | Image in the making digital innovation and the visual arts |
| title_full | Image in the making digital innovation and the visual arts Katherine Thomson-Jones |
| title_fullStr | Image in the making digital innovation and the visual arts Katherine Thomson-Jones |
| title_full_unstemmed | Image in the making digital innovation and the visual arts Katherine Thomson-Jones |
| title_short | Image in the making |
| title_sort | image in the making digital innovation and the visual arts |
| title_sub | digital innovation and the visual arts |
| topic | Computerkunst (DE-588)4010453-9 gnd |
| topic_facet | Computerkunst |
| work_keys_str_mv | AT thomsonjoneskatherine imageinthemakingdigitalinnovationandthevisualarts |