Music and feeling: the art of unconscious calculation
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 140 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781527568846 |
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Datensatz im Suchindex
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| adam_text |
Contents Preface. xi Chapter 1.1 The unbearable abstractness of music 1. Musical expertise, inborn. 4 2. Musical sounds, the hidden dimension ofovertones, and the law of laziness. 7 3. The Pythagorean intervals. 10 4. The brain ’s signature for consonant sounds.12 5. Perfect Pitch and a melody ofspeech.15 Chapter II. 19 The force field of phenomenal tonal gravity 1. The imperceptible intercourse. 19 2. A dance of energy.20 3. System ofreference for music perception. 21 4. Gravitational flux and melodic locomotion. 23 5. The Circle ofFifths.24 6. Intimacy ofmelodic mosaic.26 7. Virtual reality of emotions in
music.27 Chapter III. 31 Formula of musical system of reference 1. Seeing the reference system in a pattern of white and black keys. 31 2. Enharmonic exchange.32 3. The sorrows of tempered scale and the inevitability of the perceptual revolution in music.35 4. Equal Temperament.37 5. Evolution of artistic space.38
viii Contents Chapter IV. 43 Aesthetic pangeometry 1. Geometry of artistic energies.43 2. Genius and craftsmanship.45 3. Tonal attraction begets synesthesia.46 4. Melodic trajectories. 48 5. The archeology of music.50 Chapter V. 53 Musical architectonics 1. Melodic contour. 53 2. The hypothesis ofmodality transcendence in music perception.56 3. Musing on the concept ofspace.58 4. Time and space in music. 58 5. Melodic fluidity. 59 6. Tonal relativity produces continuity. 60 7. Melodic shape.60 Chapter VI. 63 Embodied cognition 1. Embodied
mind. 63 2. The mighty motor system in music perception.64 3. Melodic triggers. 65 4. Do we need to see musicians to understand music?.65 Chapter VII. 69 The benevolent sorcery 1. Sensuousness is primary to music. 69 2. Emotions are superordinate programs. 70 3. Proto-emotions: the beginning offeelings. 71 4. Seven emotional system. 72 5. The matrix. 73 6. Impractical emotions. 74 7. Images of time. 75 8. Interpretation as creative collaboration. 78 9. Acoustics versus acousmatic space. 79
Music and Feeling: The Art of Unconscious Calculation ix Chapter VIII. 83 Artificial Intelligence versus the human mind 1. 2. 3. 4. Does human consciousness compute?.83 Music and mathematics.85 Nature ’s codes. 90 Music of nature versus music of the human mind and soul.91 Chapter IX.95 Music and the brain 1. Nature and nurture.95 2. Healing with music.99 3. Formula ofmusical motion. 102 4. In pursuit ofpatterns. 105 5. Atoms offeelings in music. 105 6. A map of emotional loadfor melodic distances.107 Chapter X.115 Navigation in a space of tonal gravity 1. 2. 3. 4. Syntax of tonal harmony. 115 Melodic direction and the depth of
harmonies.117 Stylistic acumen of the layman. 118 On the importance of approximation.119 Epilogue. 123 Acknowledgements. 125 Bibliography. 127 |
| adam_txt |
Contents Preface. xi Chapter 1.1 The unbearable abstractness of music 1. Musical expertise, inborn. 4 2. Musical sounds, the hidden dimension ofovertones, and the law of laziness. 7 3. The Pythagorean intervals. 10 4. The brain ’s signature for consonant sounds.12 5. Perfect Pitch and a melody ofspeech.15 Chapter II. 19 The force field of phenomenal tonal gravity 1. The imperceptible intercourse. 19 2. A dance of energy.20 3. System ofreference for music perception. 21 4. Gravitational flux and melodic locomotion. 23 5. The Circle ofFifths.24 6. Intimacy ofmelodic mosaic.26 7. Virtual reality of emotions in
music.27 Chapter III. 31 Formula of musical system of reference 1. Seeing the reference system in a pattern of white and black keys. 31 2. Enharmonic exchange.32 3. The sorrows of tempered scale and the inevitability of the perceptual revolution in music.35 4. Equal Temperament.37 5. Evolution of artistic space.38
viii Contents Chapter IV. 43 Aesthetic pangeometry 1. Geometry of artistic energies.43 2. Genius and craftsmanship.45 3. Tonal attraction begets synesthesia.46 4. Melodic trajectories. 48 5. The archeology of music.50 Chapter V. 53 Musical architectonics 1. Melodic contour. 53 2. The hypothesis ofmodality transcendence in music perception.56 3. Musing on the concept ofspace.58 4. Time and space in music. 58 5. Melodic fluidity. 59 6. Tonal relativity produces continuity. 60 7. Melodic shape.60 Chapter VI. 63 Embodied cognition 1. Embodied
mind. 63 2. The mighty motor system in music perception.64 3. Melodic triggers. 65 4. Do we need to see musicians to understand music?.65 Chapter VII. 69 The benevolent sorcery 1. Sensuousness is primary to music. 69 2. Emotions are superordinate programs. 70 3. Proto-emotions: the beginning offeelings. 71 4. Seven emotional system. 72 5. The matrix. 73 6. Impractical emotions. 74 7. Images of time. 75 8. Interpretation as creative collaboration. 78 9. Acoustics versus acousmatic space. 79
Music and Feeling: The Art of Unconscious Calculation ix Chapter VIII. 83 Artificial Intelligence versus the human mind 1. 2. 3. 4. Does human consciousness compute?.83 Music and mathematics.85 Nature ’s codes. 90 Music of nature versus music of the human mind and soul.91 Chapter IX.95 Music and the brain 1. Nature and nurture.95 2. Healing with music.99 3. Formula ofmusical motion. 102 4. In pursuit ofpatterns. 105 5. Atoms offeelings in music. 105 6. A map of emotional loadfor melodic distances.107 Chapter X.115 Navigation in a space of tonal gravity 1. 2. 3. 4. Syntax of tonal harmony. 115 Melodic direction and the depth of
harmonies.117 Stylistic acumen of the layman. 118 On the importance of approximation.119 Epilogue. 123 Acknowledgements. 125 Bibliography. 127 |
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| isbn | 9781527568846 |
| language | English |
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| spelling | Korsakova-Kreyn, Marina Verfasser (DE-588)1208255029 aut Music and feeling the art of unconscious calculation by Marina Korsakova-Kreyn Newcastle upon Tyne Cambridge Scholars Publishing 2021 ix, 140 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musikhören (DE-588)4075127-2 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 gnd rswk-swf Kognition (DE-588)4031630-0 gnd rswk-swf Music and science Music / Acoustics and physics Music / Psychological aspects Musikhören (DE-588)4075127-2 s Kognition (DE-588)4031630-0 s Musikerlebnis (DE-588)4170819-2 s Gefühl (DE-588)4019702-5 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032753091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Korsakova-Kreyn, Marina Music and feeling the art of unconscious calculation Musikhören (DE-588)4075127-2 gnd Gefühl (DE-588)4019702-5 gnd Musikerlebnis (DE-588)4170819-2 gnd Kognition (DE-588)4031630-0 gnd |
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| title | Music and feeling the art of unconscious calculation |
| title_auth | Music and feeling the art of unconscious calculation |
| title_exact_search | Music and feeling the art of unconscious calculation |
| title_exact_search_txtP | Music and feeling the art of unconscious calculation |
| title_full | Music and feeling the art of unconscious calculation by Marina Korsakova-Kreyn |
| title_fullStr | Music and feeling the art of unconscious calculation by Marina Korsakova-Kreyn |
| title_full_unstemmed | Music and feeling the art of unconscious calculation by Marina Korsakova-Kreyn |
| title_short | Music and feeling |
| title_sort | music and feeling the art of unconscious calculation |
| title_sub | the art of unconscious calculation |
| topic | Musikhören (DE-588)4075127-2 gnd Gefühl (DE-588)4019702-5 gnd Musikerlebnis (DE-588)4170819-2 gnd Kognition (DE-588)4031630-0 gnd |
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