Seeing through closed eyelids: Giuseppe Penone and the nature of sculpture
"Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2021]
|
| Schriftenreihe: | Toronto Italian studies
|
| Schlagworte: | |
| Zusammenfassung: | "Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career - from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today - Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism." |
| Beschreibung: | xiii, 223 Seiten Illustrationen 24 cm |
| ISBN: | 9781487500580 1487500580 |
Internformat
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| 505 | 8 | |a Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) | |
| 520 | 3 | |a "Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career - from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today - Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism." | |
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Datensatz im Suchindex
| _version_ | 1811019750896041984 |
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| author | Mangini, Elizabeth 1974- |
| author_GND | (DE-588)1239121113 |
| author_facet | Mangini, Elizabeth 1974- |
| author_role | aut |
| author_sort | Mangini, Elizabeth 1974- |
| author_variant | e m em |
| building | Verbundindex |
| bvnumber | BV047345628 |
| classification_rvk | LI 99999 |
| contents | Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) |
| ctrlnum | (OCoLC)1260846129 (DE-599)BVBBV047345628 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV047345628 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:35:55Z |
| indexdate | 2024-09-23T20:23:42Z |
| institution | BVB |
| isbn | 9781487500580 1487500580 |
| language | English |
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| physical | xiii, 223 Seiten Illustrationen 24 cm |
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| spelling | Mangini, Elizabeth 1974- Verfasser (DE-588)1239121113 aut Seeing through closed eyelids Giuseppe Penone and the nature of sculpture Elizabeth Mangini Toronto ; Buffalo ; London University of Toronto Press [2021] xiii, 223 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Toronto Italian studies Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) "Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career - from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today - Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism." Penone, Giuseppe 1947- (DE-588)119236656 gnd rswk-swf Natur Motiv (DE-588)4115346-7 gnd rswk-swf Baum Motiv (DE-588)4112675-0 gnd rswk-swf Objektkunst (DE-588)4131740-3 gnd rswk-swf Penone, Giuseppe / Criticism and interpretation Penone, Giuseppe Criticism, interpretation, etc Penone, Giuseppe 1947- (DE-588)119236656 p Objektkunst (DE-588)4131740-3 s Natur Motiv (DE-588)4115346-7 s Baum Motiv (DE-588)4112675-0 s DE-604 Erscheint auch als Online-Ausgabe, EPUB Mangini, Elizabeth, 1974- Seeing through closed eyelids Toronto ; Buffalo ; London : University of Toronto Press, 2021 978-1-4875-3693-0 (DE-604)BV047521219 Erscheint auch als Online-Ausgabe, PDF 978-1-4875-1134-0 |
| spellingShingle | Mangini, Elizabeth 1974- Seeing through closed eyelids Giuseppe Penone and the nature of sculpture Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) Penone, Giuseppe 1947- (DE-588)119236656 gnd Natur Motiv (DE-588)4115346-7 gnd Baum Motiv (DE-588)4112675-0 gnd Objektkunst (DE-588)4131740-3 gnd |
| subject_GND | (DE-588)119236656 (DE-588)4115346-7 (DE-588)4112675-0 (DE-588)4131740-3 |
| title | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture |
| title_auth | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture |
| title_exact_search | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture |
| title_exact_search_txtP | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture |
| title_full | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture Elizabeth Mangini |
| title_fullStr | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture Elizabeth Mangini |
| title_full_unstemmed | Seeing through closed eyelids Giuseppe Penone and the nature of sculpture Elizabeth Mangini |
| title_short | Seeing through closed eyelids |
| title_sort | seeing through closed eyelids giuseppe penone and the nature of sculpture |
| title_sub | Giuseppe Penone and the nature of sculpture |
| topic | Penone, Giuseppe 1947- (DE-588)119236656 gnd Natur Motiv (DE-588)4115346-7 gnd Baum Motiv (DE-588)4112675-0 gnd Objektkunst (DE-588)4131740-3 gnd |
| topic_facet | Penone, Giuseppe 1947- Natur Motiv Baum Motiv Objektkunst |
| work_keys_str_mv | AT manginielizabeth seeingthroughclosedeyelidsgiuseppepenoneandthenatureofsculpture |