The mini-cycle:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge new textual studies in literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 208 Seiten |
| ISBN: | 9780367691691 9780367691707 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Preface Acknowledgements Introduction 1 The Sociology of the Short Story ix xi 1 7 2 Anton Chekhov’s “Little Trilogy” 38 3 The Mini-Cycle within a Cycle: Stephen Leacock’s Sunshine Sketches 53 4 The Prototypical Mini-Cycle I: Alice Munro’s “Juliet Triptych” 65 5 The Prototypical Mini-Cycle II: Margaret Atwood’s “Alphinland” Stories 85 6 The Collection of Mini-Cycles 107 7 The Two-Story Mini-Cycle 118 8 The Prototypical Mini-Cycle Plus: Clark Blaise’s “Porter/Carrier Stories” 140
viii Contents 9 The Exploded Mini-Cycle 154 10 Marginal Cases 177 Conclusion 205 Index 207
The Mini-Cycle While scholars have been studying the short story cycle for some time now, this book discusses a form that has never before been identified and named, let alone analyzed: the mini-cycle. A mini-cycle is a short story cycle made up, in most cases, of only two or three stories. This study looks at mini-cycles spanning the period from Anton Chekhov’s “little trilogy” (1898) to the “Alphinland” stories in Margaret Atwood’s Stone Mattress (2014), including texts by such authors as Stephen Leacock, Alice Munro, Robert Olen Butler, and Clark Blaise. Consideration is also given to marginal examples, like Sherwood Anderson’s “Godliness—A Tale in Four Parts” (1919), which can be seen as one story or four dis tinct texts unified under one title, and to what is called the “exploded” mini-cycle: one whose component stories are published with intervening stories between them rather than consecutively. For each mini-cycle, the analysis is based on close reading of both the linking elements—character, imagery, symbolism, and so forth—and the rhetorical and aesthetic effects of the mini-cycle being made up of distinct stories rather than constructed as one long narrative.
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| adam_txt |
Contents Preface Acknowledgements Introduction 1 The Sociology of the Short Story ix xi 1 7 2 Anton Chekhov’s “Little Trilogy” 38 3 The Mini-Cycle within a Cycle: Stephen Leacock’s Sunshine Sketches 53 4 The Prototypical Mini-Cycle I: Alice Munro’s “Juliet Triptych” 65 5 The Prototypical Mini-Cycle II: Margaret Atwood’s “Alphinland” Stories 85 6 The Collection of Mini-Cycles 107 7 The Two-Story Mini-Cycle 118 8 The Prototypical Mini-Cycle Plus: Clark Blaise’s “Porter/Carrier Stories” 140
viii Contents 9 The Exploded Mini-Cycle 154 10 Marginal Cases 177 Conclusion 205 Index 207
The Mini-Cycle While scholars have been studying the short story cycle for some time now, this book discusses a form that has never before been identified and named, let alone analyzed: the mini-cycle. A mini-cycle is a short story cycle made up, in most cases, of only two or three stories. This study looks at mini-cycles spanning the period from Anton Chekhov’s “little trilogy” (1898) to the “Alphinland” stories in Margaret Atwood’s Stone Mattress (2014), including texts by such authors as Stephen Leacock, Alice Munro, Robert Olen Butler, and Clark Blaise. Consideration is also given to marginal examples, like Sherwood Anderson’s “Godliness—A Tale in Four Parts” (1919), which can be seen as one story or four dis tinct texts unified under one title, and to what is called the “exploded” mini-cycle: one whose component stories are published with intervening stories between them rather than consecutively. For each mini-cycle, the analysis is based on close reading of both the linking elements—character, imagery, symbolism, and so forth—and the rhetorical and aesthetic effects of the mini-cycle being made up of distinct stories rather than constructed as one long narrative. |
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