Global ambiguity in nineteenth-century American gothic: a study in form, history, and culture
"As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, 'global ambiguity,' and examines the important cultural work it performs in the nineteenth-century history of th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge research in American literature and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, 'global ambiguity,' and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines 'global ambiguity' as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring"-- |
| Beschreibung: | xiii, 126 Seiten 24 cm |
| ISBN: | 9780367538880 9780367539023 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword by James Phelan Acknowledgments viii xii Introduction: a cultural narratological perspective on global ambiguity in the American gothic 1 2 3 4 5 1 Reading the yellow fever story: ambiguity and citizenship education in Charles B. Brown’s Arthur Mervyn 17 Edgar Allan Poe’s gothic aesthetics and politics: ambiguity and rhetorical sublimity in “Ligeia” and “The Fall of the House of Usher” 35 Navigating the literary marketplace: hybridity of form in Nathaniel Hawthorne’s “Young Goodman Brown” and “Rappaccini’s Daughter” 56 Return of the repressed: racial and gender politics in the uncanny gothic of Herman Melville and Louisa May Alcott 76 Ambiguity and gendered authorship in Henry James’ The Turn of the Screw and “The Ghostly Rental” 97 Conclusion: American gothic as an ambiguous form of cultural and political re-vision ^ Index 123
Global Ambiguity in NineteenthCentury American Gothic As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, “global ambiguity,” and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines “global ambiguity” as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring.
|
| adam_txt |
Contents Foreword by James Phelan Acknowledgments viii xii Introduction: a cultural narratological perspective on global ambiguity in the American gothic 1 2 3 4 5 1 Reading the yellow fever story: ambiguity and citizenship education in Charles B. Brown’s Arthur Mervyn 17 Edgar Allan Poe’s gothic aesthetics and politics: ambiguity and rhetorical sublimity in “Ligeia” and “The Fall of the House of Usher” 35 Navigating the literary marketplace: hybridity of form in Nathaniel Hawthorne’s “Young Goodman Brown” and “Rappaccini’s Daughter” 56 Return of the repressed: racial and gender politics in the uncanny gothic of Herman Melville and Louisa May Alcott 76 Ambiguity and gendered authorship in Henry James’ The Turn of the Screw and “The Ghostly Rental” 97 Conclusion: American gothic as an ambiguous form of cultural and political re-vision ^ Index 123
Global Ambiguity in NineteenthCentury American Gothic As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, “global ambiguity,” and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines “global ambiguity” as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring. |
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| spelling | Li, Wanlin 1984- Verfasser (DE-588)1237015014 aut Global ambiguity in nineteenth-century American gothic a study in form, history, and culture Wanlin Li with a foreword by James Phelan London ; New York Routledge, Taylor & Francis Group 2021 xiii, 126 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in American literature and culture "As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, 'global ambiguity,' and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines 'global ambiguity' as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring"-- Geschichte 1800-1900 gnd rswk-swf Schauerliteratur (DE-588)4179419-9 gnd rswk-swf Gothic novel (DE-588)4157930-6 gnd rswk-swf Ambiguität (DE-588)4138525-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Gothic fiction (Literary genre), American / History and criticism American fiction / 19th century / History and criticism Narration (Rhetoric) Ambiguity in literature American fiction Gothic fiction (Literary genre), American 1800-1899 Criticism, interpretation, etc USA (DE-588)4078704-7 g Gothic novel (DE-588)4157930-6 s Schauerliteratur (DE-588)4179419-9 s Ambiguität (DE-588)4138525-1 s Geschichte 1800-1900 z DE-604 Phelan, James 1951- (DE-588)131827057 wpr Erscheint auch als Online-Ausgabe, ebk 978-1-003-08362-7 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032746657&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032746657&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Li, Wanlin 1984- Global ambiguity in nineteenth-century American gothic a study in form, history, and culture Schauerliteratur (DE-588)4179419-9 gnd Gothic novel (DE-588)4157930-6 gnd Ambiguität (DE-588)4138525-1 gnd |
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| title | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture |
| title_auth | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture |
| title_exact_search | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture |
| title_exact_search_txtP | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture |
| title_full | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture Wanlin Li with a foreword by James Phelan |
| title_fullStr | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture Wanlin Li with a foreword by James Phelan |
| title_full_unstemmed | Global ambiguity in nineteenth-century American gothic a study in form, history, and culture Wanlin Li with a foreword by James Phelan |
| title_short | Global ambiguity in nineteenth-century American gothic |
| title_sort | global ambiguity in nineteenth century american gothic a study in form history and culture |
| title_sub | a study in form, history, and culture |
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