Fact and fiction in contemporary narratives:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge, Taylor & Francis Group
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 121 Seiten Illustration 25 cm |
| ISBN: | 9780367764937 9780367764975 |
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Datensatz im Suchindex
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Contents Citation information Notes on Contributors Introduction-The importance of being earnest again: fact and fiction in contemporary narratives across media Jan Alber and Alice Bell 1 The return of the 'real' in Ali Smith's Artful (2012) and How to Be Both (2014) Yvonne Liebermann 2 Realism for the post-truth era: politics and storytelling in recent fiction and autobiography by Salman Rushdie Julia Hoydis vi viii 1 16 32 3 Reality beckons: metamodernist depthiness beyond panfictionality Alison Gibbons, Timotheus Vermeulen and Robin van den Akker 4 'Just because it isn't happening here, doesn't mean it isn't happening': narrative, fictionality and reflexivity in humanitarian rhetoric Stefan Iversen 70 Fictional characters in a real world: unruly fictionalised encounters in Borat, The Ambassador, and the Yes Men's media hoaxes Louise Brix Jacobsen 86 5 6 52 Changing dominants, changing features? The fiction/nonfiction distinction in contemporary literary and Instagram narratives Virginia Pignagnoli 104 Index 119
Fact and Fiction in Contemporary Narratives This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century. Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical breakfrom the postmodern, however, postmod ernist techniques are repurposed to express a new sincerity, a purposeful se/f-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, auto fiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and ana lyse the narratological, stylistic and/or semiotic devices on which such texts rely. The chapters in this book were originally published as a special issue of the European Journal of English Studies. |
| adam_txt |
Contents Citation information Notes on Contributors Introduction-The importance of being earnest again: fact and fiction in contemporary narratives across media Jan Alber and Alice Bell 1 The return of the 'real' in Ali Smith's Artful (2012) and How to Be Both (2014) Yvonne Liebermann 2 Realism for the post-truth era: politics and storytelling in recent fiction and autobiography by Salman Rushdie Julia Hoydis vi viii 1 16 32 3 Reality beckons: metamodernist depthiness beyond panfictionality Alison Gibbons, Timotheus Vermeulen and Robin van den Akker 4 'Just because it isn't happening here, doesn't mean it isn't happening': narrative, fictionality and reflexivity in humanitarian rhetoric Stefan Iversen 70 Fictional characters in a real world: unruly fictionalised encounters in Borat, The Ambassador, and the Yes Men's media hoaxes Louise Brix Jacobsen 86 5 6 52 Changing dominants, changing features? The fiction/nonfiction distinction in contemporary literary and Instagram narratives Virginia Pignagnoli 104 Index 119
Fact and Fiction in Contemporary Narratives This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century. Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical breakfrom the postmodern, however, postmod ernist techniques are repurposed to express a new sincerity, a purposeful se/f-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, auto fiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and ana lyse the narratological, stylistic and/or semiotic devices on which such texts rely. The chapters in this book were originally published as a special issue of the European Journal of English Studies. |
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| title_full | Fact and fiction in contemporary narratives edited by Jan Alber and Alice Bell |
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| title_full_unstemmed | Fact and fiction in contemporary narratives edited by Jan Alber and Alice Bell |
| title_short | Fact and fiction in contemporary narratives |
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