Screening queer memory: LGBTQ pasts in contemporary film and television
"In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representa...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
Schriftenreihe: | Library of gender and popular culture
|
Schlagworte: | |
Zusammenfassung: | "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Jill Soloway's Transparent (2014), Matthew Warchus' Pride (2014) and Tom Rob Smith's London Spy (2015)"-- |
Beschreibung: | xi, 186 Seiten Illustrationen |
ISBN: | 9781350188402 9781350187658 |
Internformat
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264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2021 | |
300 | |a xi, 186 Seiten |b Illustrationen | ||
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490 | 0 | |a Library of gender and popular culture | |
520 | 3 | |a "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Jill Soloway's Transparent (2014), Matthew Warchus' Pride (2014) and Tom Rob Smith's London Spy (2015)"-- | |
650 | 4 | |a Homosexuality in motion pictures | |
650 | 4 | |a Sexual minorities in motion pictures | |
650 | 4 | |a Homosexuality on television | |
650 | 4 | |a Sexual minorities on television | |
650 | 4 | |a Sex role in motion pictures | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Horvat, Anamarija |
author_GND | (DE-588)1236216989 |
author_facet | Horvat, Anamarija |
author_role | aut |
author_sort | Horvat, Anamarija |
author_variant | a h ah |
building | Verbundindex |
bvnumber | BV047339883 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.H55 |
callnumber-search | PN1995.9.H55 |
callnumber-sort | PN 41995.9 H55 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 50300 |
ctrlnum | (OCoLC)1235813902 (DE-599)KXP1742966802 |
dewey-full | 791.43/652664 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/652664 |
dewey-search | 791.43/652664 |
dewey-sort | 3791.43 6652664 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV047339883 |
illustrated | Illustrated |
index_date | 2024-07-03T17:34:07Z |
indexdate | 2024-09-24T00:25:27Z |
institution | BVB |
isbn | 9781350188402 9781350187658 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032742310 |
oclc_num | 1235813902 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM DE-M472 DE-188 |
owner_facet | DE-19 DE-BY-UBM DE-M472 DE-188 |
physical | xi, 186 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Library of gender and popular culture |
spelling | Horvat, Anamarija Verfasser (DE-588)1236216989 aut Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xi, 186 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Library of gender and popular culture "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Jill Soloway's Transparent (2014), Matthew Warchus' Pride (2014) and Tom Rob Smith's London Spy (2015)"-- Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf LGBT Motiv (DE-588)1058351885 gnd rswk-swf Fernsehfilm (DE-588)4154054-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Repräsentation Soziologie (DE-588)4202023-2 gnd rswk-swf Film (DE-588)4017102-4 s Fernsehfilm (DE-588)4154054-2 s LGBT Motiv (DE-588)1058351885 s Kollektives Gedächtnis (DE-588)4200793-8 s Repräsentation Soziologie (DE-588)4202023-2 s DE-188 Erscheint auch als Online-Ausgabe, PDF 978-1-350-18766-5 Erscheint auch als Online-Ausgabe 978-1-350-18767-2 |
spellingShingle | Horvat, Anamarija Screening queer memory LGBTQ pasts in contemporary film and television Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd LGBT Motiv (DE-588)1058351885 gnd Fernsehfilm (DE-588)4154054-2 gnd Film (DE-588)4017102-4 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd |
subject_GND | (DE-588)4200793-8 (DE-588)1058351885 (DE-588)4154054-2 (DE-588)4017102-4 (DE-588)4202023-2 |
title | Screening queer memory LGBTQ pasts in contemporary film and television |
title_auth | Screening queer memory LGBTQ pasts in contemporary film and television |
title_exact_search | Screening queer memory LGBTQ pasts in contemporary film and television |
title_exact_search_txtP | Screening queer memory LGBTQ pasts in contemporary film and television |
title_full | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
title_fullStr | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
title_full_unstemmed | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
title_short | Screening queer memory |
title_sort | screening queer memory lgbtq pasts in contemporary film and television |
title_sub | LGBTQ pasts in contemporary film and television |
topic | Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd LGBT Motiv (DE-588)1058351885 gnd Fernsehfilm (DE-588)4154054-2 gnd Film (DE-588)4017102-4 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd |
topic_facet | Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis LGBT Motiv Fernsehfilm Film Repräsentation Soziologie |
work_keys_str_mv | AT horvatanamarija screeningqueermemorylgbtqpastsincontemporaryfilmandtelevision |