Collecting early modern art (1400-1800) in the U.S. South:
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bra...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2021
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas |
Beschreibung: | Acknowledgements: "This edited volume originated in a session titled "Collecting, Conserving, Documenting, and Exhibiting Early Modern Art in the Southern United States" held at the Sixteenth Century Society and Conference in New Orleans, Louisiana, October 16-19, 2014" |
Beschreibung: | xxv, 208 Seiten Illustrationen 21 cm |
ISBN: | 9781527563650 1527563650 |
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Datensatz im Suchindex
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OF
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ACKNOWLEDGEMENTS ...............
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INTRODUCTION
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LISANDRA ESTEVEZ
CHAPTER
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.
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1
CHARLES MATHER FFOULKE AND LARZ ANDERSON:
DEALING
AND COLLECTING
TAPESTRIES
IN
THE
GILDED AGE
DENISE
M. BUDD
CHAPTER TWO ......
.
.........................................................
.
..........................
.
..
23
SAUL AMONG THE PROPHETS: W.R. VALENTINER,
ROBERT
1.
HUMBER,
CARL
W.
HAMILTON, AND THE
ITALIAN
COLLECTION AT
THE NCMA
LYLE
HUMPBREY
CHAPTER THREE ...
.
.
.
............................
.
.
.
....................................
.
.....
.
.
.
.
..
.......
52
THE HANES
PRINT
COLLECTIONS
OF
WINSTON-SALEM, NORTH
CARO
L
INA
LISANDRA ESTEVEZ
CHAPTER FOUR
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.
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.
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...
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..........................
71
OLD
MASTERS
FOR A YOUNG MUSEUM:
HOW
THE BIRMINGHAM MUSEUM
OF ART
BECAME
A KRESS COLLECTION
ROBERT
SCHINDLER
CHAPTER FIVE .......
..
.........................................................
.
..
.
...............
.
...
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.
.
102
A GATEWAY TO THE AMERICAS:
THE
SPANISH COLONIAL COLLECTION
AT
THE
NEW ORLEANS MUSEUM
OF
ART
LUCIA ABRAMOVICH
VI
TABLE
OF
CONTENTS
CHAPTER SIX
.
..
...
....
.........
.......
.
...................
..
....
.
.
.
...............
.
..........
.
...
..
..
.
....
1
20
THE EARLY MODEM
ITALIAN INFLU
ENCE
ON
NEW
O
RL
EANS
ART
CO
LL
EC
TION
S
ALEXIS CULOTTA
CHAPTER SEVEN
.............
...
..
...
..
...............
...
........
.
.....................
..
.................
1
43
THE BAROQUE
ART
OF
NEW
SPAIN
AT
THE
NEW
ORLEANS WORLD
S
INDU
S
TRI
A
L
AND
COTTON CENTENNIAL
EXPOS
ITI
O
N
,
1
884
1
885
SANDRA
PAULY
CHAPTER
E
IGHT. .
....
.
..
..
....
...
.............
.
.....................................
.
.
.
.................
.
.
158
WHERE
ART AND NATURE
PLAY: TH
E SARA
H
CA
MPB
E
LL
BLAFFER
FOUNDATION
CURIOSITY CABINET
JAMES
CLIFTON
CHAPTER
NINE
.......
..
.
.
..............
.
.................
..
.
...
......
.
.
....
........
.
...
..
.................
184
THE THOMPSON-CROMWELL PORTFOLIO
OF
PRINTS BY
G
IO
VANN
I
PIRANE
SI
IN
TH
E
COLLECTION
OF
THE
UNIVERSITY
OF
ARKANSAS AT LITTLE
ROCK
DEPARTMENT
OF
ART
AND DESIGN
FLOYD
W.
MARTIN
MAJOR
PUBLIC
COLLECTIONS
O
F
EARLY MODEM ART
IN
TH
E U.S
.
SO
UTH
.
.
.......
.
2
05
(IN
ALPHABETICAL
ORDER BY CITY)
|
adam_txt |
T
ABLE
OF CONTENTS
LIST
OF
ILLUSTRATIONS
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. VII
NOTES
ON CONTRIBUTORS .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. XI
ACKNOWLEDGEMENTS .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. XV
INTRODUCTION
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. XVI
LISANDRA ESTEVEZ
CHAPTER
ONE .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
1
CHARLES MATHER FFOULKE AND LARZ ANDERSON:
DEALING
AND COLLECTING
TAPESTRIES
IN
THE
GILDED AGE
DENISE
M. BUDD
CHAPTER TWO .
.
.
.
.
.
.
23
SAUL AMONG THE PROPHETS: W.R. VALENTINER,
ROBERT
1.
HUMBER,
CARL
W.
HAMILTON, AND THE
ITALIAN
COLLECTION AT
THE NCMA
LYLE
HUMPBREY
CHAPTER THREE .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
52
THE HANES
PRINT
COLLECTIONS
OF
WINSTON-SALEM, NORTH
CARO
L
INA
LISANDRA ESTEVEZ
CHAPTER FOUR
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
71
OLD
MASTERS
FOR A YOUNG MUSEUM:
HOW
THE BIRMINGHAM MUSEUM
OF ART
BECAME
A KRESS COLLECTION
ROBERT
SCHINDLER
CHAPTER FIVE .
.
.
.
.
.
.
.
.
.
.
.
102
A GATEWAY TO THE AMERICAS:
THE
SPANISH COLONIAL COLLECTION
AT
THE
NEW ORLEANS MUSEUM
OF
ART
LUCIA ABRAMOVICH
VI
TABLE
OF
CONTENTS
CHAPTER SIX
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
1
20
THE EARLY MODEM
ITALIAN INFLU
ENCE
ON
NEW
O
RL
EANS'
ART
CO
LL
EC
TION
S
ALEXIS CULOTTA
CHAPTER SEVEN
.
.
.
.
.
.
.
.
.
.
.
.
1
43
THE BAROQUE
ART
OF
NEW
SPAIN
AT
THE
NEW
ORLEANS WORLD
'S
INDU
S
TRI
A
L
AND
COTTON CENTENNIAL
EXPOS
ITI
O
N
,
1
884
1
885
SANDRA
PAULY
CHAPTER
E
IGHT. .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
158
WHERE
ART AND NATURE
PLAY: TH
E SARA
H
CA
MPB
E
LL
BLAFFER
FOUNDATION
CURIOSITY CABINET
JAMES
CLIFTON
CHAPTER
NINE
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
184
THE THOMPSON-CROMWELL PORTFOLIO
OF
PRINTS BY
G
IO
VANN
I
PIRANE
SI
IN
TH
E
COLLECTION
OF
THE
UNIVERSITY
OF
ARKANSAS AT LITTLE
ROCK
DEPARTMENT
OF
ART
AND DESIGN
FLOYD
W.
MARTIN
MAJOR
PUBLIC
COLLECTIONS
O
F
EARLY MODEM ART
IN
TH
E U.S
.
SO
UTH
.
.
.
.
2
05
(IN
ALPHABETICAL
ORDER BY CITY) |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Estevez, Lisandra ca. 20./21. Jh |
author2_role | edt |
author2_variant | l e le |
author_GND | (DE-588)1237357985 |
author_facet | Estevez, Lisandra ca. 20./21. Jh |
building | Verbundindex |
bvnumber | BV047339200 |
ctrlnum | (OCoLC)1261751122 (DE-599)BVBBV047339200 |
era | Geschichte gnd Geschichte 1400-1800 gnd |
era_facet | Geschichte Geschichte 1400-1800 |
format | Conference Proceeding Book |
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genre | (DE-588)1071861417 Konferenzschrift 16.10.2014-19.10.2014 New Orleans, La. gnd-content |
genre_facet | Konferenzschrift 16.10.2014-19.10.2014 New Orleans, La. |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV047339200 |
illustrated | Illustrated |
index_date | 2024-07-03T17:33:53Z |
indexdate | 2024-07-10T09:09:24Z |
institution | BVB |
institution_GND | (DE-588)1237098092 |
isbn | 9781527563650 1527563650 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032741636 |
oclc_num | 1261751122 |
open_access_boolean | |
owner | DE-Y3 DE-255 |
owner_facet | DE-Y3 DE-255 |
physical | xxv, 208 Seiten Illustrationen 21 cm |
psigel | gbd_0 |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Cambridge Scholars Publishing |
record_format | marc |
spelling | Collecting early modern art (1400-1800) in the U.S. South edited by Lisandra Estevez Collecting, conserving, documenting, and exhibiting early modern art in the southern United States Collecting early modern art (1400-1800) in the US South Newcastle upon Tyne Cambridge Scholars Publishing 2021 xxv, 208 Seiten Illustrationen 21 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Acknowledgements: "This edited volume originated in a session titled "Collecting, Conserving, Documenting, and Exhibiting Early Modern Art in the Southern United States" held at the Sixteenth Century Society and Conference in New Orleans, Louisiana, October 16-19, 2014" This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas Geschichte gnd rswk-swf Geschichte 1400-1800 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Sammler (DE-588)4179037-6 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Art, High Renaissance / Collectors and collecting / Southern States Art, Baroque / Collectors and collecting / Southern States Art museums / Southern States Art / Private collections / Southern States Art, Baroque / Collectors and collecting Art museums Art / Private collections Southern States (DE-588)1071861417 Konferenzschrift 16.10.2014-19.10.2014 New Orleans, La. gnd-content USA (DE-588)4078704-7 g Museum (DE-588)4040795-0 s Sammler (DE-588)4179037-6 s Geschichte z DE-604 Kunst (DE-588)4114333-4 s Geschichte 1400-1800 z Sammlung (DE-588)4128844-0 s Estevez, Lisandra ca. 20./21. Jh. (DE-588)1237357985 edt Sixteenth Century Society & Conference 2014 New Orleans, La. Annual Conference Sonstige (DE-588)1237098092 oth Erscheint auch als Online-Ausgabe 978-1-5275-6819-8 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032741636&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Collecting early modern art (1400-1800) in the U.S. South Museum (DE-588)4040795-0 gnd Sammler (DE-588)4179037-6 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4040795-0 (DE-588)4179037-6 (DE-588)4128844-0 (DE-588)4114333-4 (DE-588)4078704-7 (DE-588)1071861417 |
title | Collecting early modern art (1400-1800) in the U.S. South |
title_alt | Collecting, conserving, documenting, and exhibiting early modern art in the southern United States Collecting early modern art (1400-1800) in the US South |
title_auth | Collecting early modern art (1400-1800) in the U.S. South |
title_exact_search | Collecting early modern art (1400-1800) in the U.S. South |
title_exact_search_txtP | Collecting early modern art (1400-1800) in the U.S. South |
title_full | Collecting early modern art (1400-1800) in the U.S. South edited by Lisandra Estevez |
title_fullStr | Collecting early modern art (1400-1800) in the U.S. South edited by Lisandra Estevez |
title_full_unstemmed | Collecting early modern art (1400-1800) in the U.S. South edited by Lisandra Estevez |
title_short | Collecting early modern art (1400-1800) in the U.S. South |
title_sort | collecting early modern art 1400 1800 in the u s south |
topic | Museum (DE-588)4040795-0 gnd Sammler (DE-588)4179037-6 gnd Sammlung (DE-588)4128844-0 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Museum Sammler Sammlung Kunst USA Konferenzschrift 16.10.2014-19.10.2014 New Orleans, La. |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032741636&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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