Grotesque visions: the science of Berlin Dada
"Grotesque Visions" focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measure...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schriftenreihe: | New directions in German studies
vol. 32 |
| Schlagworte: | |
| Zusammenfassung: | "Grotesque Visions" focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle |
| Beschreibung: | "'Grotesque Visions: The Science of Berlin Dada' began, about a decade later, as a doctoral dissertation at the University of Minnesota." (Acknowledgements) - Dissertation 2006 erschienen unter dem Titel: Grotesque Visions : Art, Science, and Visual Culture in Early-Twentieth-Century Germany |
| Beschreibung: | xi, 260 Seiten Illustrationen, Plan |
| ISBN: | 9781501369902 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV047338866 | ||
| 003 | DE-604 | ||
| 005 | 20211102 | ||
| 007 | t | ||
| 008 | 210622s2021 ae|| m||| 00||| eng d | ||
| 020 | |a 9781501369902 |c hardcover |9 978-1-5013-6990-2 | ||
| 035 | |a (OCoLC)1268174573 | ||
| 035 | |a (DE-599)BVBBV047338866 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 | ||
| 100 | 1 | |a Haakenson, Thomas O. |d 1972- |e Verfasser |0 (DE-588)133741036 |4 aut | |
| 245 | 1 | 0 | |a Grotesque visions |b the science of Berlin Dada |c Thomas O. Haakenson |
| 246 | 1 | 3 | |a Art, science, and visual culture in early-twentieth-century Germany |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2021 | |
| 300 | |a xi, 260 Seiten |b Illustrationen, Plan | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a New directions in German studies |v vol. 32 | |
| 500 | |a "'Grotesque Visions: The Science of Berlin Dada' began, about a decade later, as a doctoral dissertation at the University of Minnesota." (Acknowledgements) - Dissertation 2006 erschienen unter dem Titel: Grotesque Visions : Art, Science, and Visual Culture in Early-Twentieth-Century Germany | ||
| 502 | |b Dissertation |c University of Minnesota |d 2006 | ||
| 520 | 3 | |a "Grotesque Visions" focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle | |
| 648 | 7 | |a Geschichte 1920-1930 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Dadaismus |0 (DE-588)4010866-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Berlin |0 (DE-588)4005728-8 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Berlin |0 (DE-588)4005728-8 |D g |
| 689 | 0 | 1 | |a Dadaismus |0 (DE-588)4010866-1 |D s |
| 689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1920-1930 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-5013-6992-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5013-6991-9 |
| 830 | 0 | |a New directions in German studies |v vol. 32 |w (DE-604)BV039635727 |9 32 | |
Datensatz im Suchindex
| _version_ | 1805075052654231552 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Haakenson, Thomas O. 1972- |
| author_GND | (DE-588)133741036 |
| author_facet | Haakenson, Thomas O. 1972- |
| author_role | aut |
| author_sort | Haakenson, Thomas O. 1972- |
| author_variant | t o h to toh |
| building | Verbundindex |
| bvnumber | BV047338866 |
| ctrlnum | (OCoLC)1268174573 (DE-599)BVBBV047338866 |
| era | Geschichte 1920-1930 gnd |
| era_facet | Geschichte 1920-1930 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV047338866</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211102</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210622s2021 ae|| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501369902</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-1-5013-6990-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1268174573</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047338866</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Haakenson, Thomas O.</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133741036</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Grotesque visions</subfield><subfield code="b">the science of Berlin Dada</subfield><subfield code="c">Thomas O. Haakenson</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Art, science, and visual culture in early-twentieth-century Germany</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 260 Seiten</subfield><subfield code="b">Illustrationen, Plan</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">New directions in German studies</subfield><subfield code="v">vol. 32</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"'Grotesque Visions: The Science of Berlin Dada' began, about a decade later, as a doctoral dissertation at the University of Minnesota." (Acknowledgements) - Dissertation 2006 erschienen unter dem Titel: Grotesque Visions : Art, Science, and Visual Culture in Early-Twentieth-Century Germany</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">University of Minnesota</subfield><subfield code="d">2006</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Grotesque Visions" focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-1930</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Dadaismus</subfield><subfield code="0">(DE-588)4010866-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Berlin</subfield><subfield code="0">(DE-588)4005728-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Berlin</subfield><subfield code="0">(DE-588)4005728-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Dadaismus</subfield><subfield code="0">(DE-588)4010866-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1920-1930</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-5013-6992-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-5013-6991-9</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">New directions in German studies</subfield><subfield code="v">vol. 32</subfield><subfield code="w">(DE-604)BV039635727</subfield><subfield code="9">32</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Berlin (DE-588)4005728-8 gnd |
| geographic_facet | Berlin |
| id | DE-604.BV047338866 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:33:43Z |
| indexdate | 2024-07-20T05:35:15Z |
| institution | BVB |
| isbn | 9781501369902 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032741308 |
| oclc_num | 1268174573 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 |
| owner_facet | DE-Y3 DE-255 |
| physical | xi, 260 Seiten Illustrationen, Plan |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series | New directions in German studies |
| series2 | New directions in German studies |
| spelling | Haakenson, Thomas O. 1972- Verfasser (DE-588)133741036 aut Grotesque visions the science of Berlin Dada Thomas O. Haakenson Art, science, and visual culture in early-twentieth-century Germany New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xi, 260 Seiten Illustrationen, Plan txt rdacontent n rdamedia nc rdacarrier New directions in German studies vol. 32 "'Grotesque Visions: The Science of Berlin Dada' began, about a decade later, as a doctoral dissertation at the University of Minnesota." (Acknowledgements) - Dissertation 2006 erschienen unter dem Titel: Grotesque Visions : Art, Science, and Visual Culture in Early-Twentieth-Century Germany Dissertation University of Minnesota 2006 "Grotesque Visions" focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle Geschichte 1920-1930 gnd rswk-swf Dadaismus (DE-588)4010866-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Berlin (DE-588)4005728-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Berlin (DE-588)4005728-8 g Dadaismus (DE-588)4010866-1 s Kunst (DE-588)4114333-4 s Geschichte 1920-1930 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-6992-6 Erscheint auch als Online-Ausgabe 978-1-5013-6991-9 New directions in German studies vol. 32 (DE-604)BV039635727 32 |
| spellingShingle | Haakenson, Thomas O. 1972- Grotesque visions the science of Berlin Dada New directions in German studies Dadaismus (DE-588)4010866-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4010866-1 (DE-588)4114333-4 (DE-588)4005728-8 (DE-588)4113937-9 |
| title | Grotesque visions the science of Berlin Dada |
| title_alt | Art, science, and visual culture in early-twentieth-century Germany |
| title_auth | Grotesque visions the science of Berlin Dada |
| title_exact_search | Grotesque visions the science of Berlin Dada |
| title_exact_search_txtP | Grotesque visions the science of Berlin Dada |
| title_full | Grotesque visions the science of Berlin Dada Thomas O. Haakenson |
| title_fullStr | Grotesque visions the science of Berlin Dada Thomas O. Haakenson |
| title_full_unstemmed | Grotesque visions the science of Berlin Dada Thomas O. Haakenson |
| title_short | Grotesque visions |
| title_sort | grotesque visions the science of berlin dada |
| title_sub | the science of Berlin Dada |
| topic | Dadaismus (DE-588)4010866-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Dadaismus Kunst Berlin Hochschulschrift |
| volume_link | (DE-604)BV039635727 |
| work_keys_str_mv | AT haakensonthomaso grotesquevisionsthescienceofberlindada AT haakensonthomaso artscienceandvisualcultureinearlytwentiethcenturygermany |