Design for Doctor Who: vision and revision in science fiction television
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2021
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| Schriftenreihe: | Who watching
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 260 Seiten Illustrationen |
| ISBN: | 9781472984159 9781350116870 |
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Datensatz im Suchindex
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| adam_text | Contents List of figures x Acknowledgements xi Introduction Contexts and Conceptual Framework 1 What have you got for me this time? - Doctor Who and the delights of looking 1 Doctor Who on television, and the study of media Design studies, and the structure of this book 3 10 Coda: Doctor Who at the BBC - from London to Cardiff 13 Part One A Critical History of Design for Doctor WhO 15 Introduction to Part One: Why a history of Doctor Who design? 15 1 The London period -1963 to 1989 Back and forth - 1963-6 21 Dark shadows - 1967-70. 29 Down to Earth - 1968-72 31 Psychedelia - 1970-4 36 Chiaroscuro - 1975-7 42 The hazards of space travel - 1977-9 New romanticism - 1979-81 50 45 21
viii Contents Looking back - 1982-4 56 Stasis within tumult - 1984-7 60 A belated regeneration - 1988-9 65 2 The TV movie and the Cardiff period ֊ 1996, and 2005 to 2020 71 Interlude: Vancouver 1996 ֊ the TV movie Grunge and graphicity - 2005-2009 Retrovisions - 2010-13 Gothic revival - 2013-17 Recalibrations - 2018-20 71 75 82 89 93 Postlude 97 Part Two What’s at Stake in Design for Doctor Who 101 Introduction to Part Two 3 101 The work of design in the Doctor Who narrative юз Measures for the intrinsic value of Doctor Who design 103 Theorizing the genres of Doctor Who, and design as index 4 113 Responding to design for Doctor Who ֊ evaluations and transformations 119 Fan discourse and the evaluation of Doctor Who design Cosplay as an evaluative act 127 Intratexual critiques and mutations Image into narrative 133 The‘design novum’ 140 131 119
Contents Part Three Thirteen Key Designs a Personal View 145 Introduction to Part Three 5 145 Formative and enduring images 147 I The Brachacki/Newbery TARDIS interior II The Daleks 154 III The Mark 2 (Teloslan’) Cybermen IV The time-tunnel titles 161 167 V The Time Lords’ ceremonial regalia 6 Design of the times Images of the moment 175 175 VI The Fourth Doctor’s costume 175 VII The Seventh Doctor’s costume VIII Rose Tyler’s wardrobe IXTheSllents 186 197 X The Hudolin TARDIS interior XI War Doctors 197 202 XII The 2014 title sequence 208 XIII The Thirteenth Doctor’s costume Notes 217 223 Select bibliography Index of names Index of subjects 181 191 Landmarks and watersheds Conclusion 171 247 251 255 210 147
The long-running popular TV series Doctor Who is, Piers D. Britton argues, a ‘uniquely design-intensive text : its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who s attempts at worldbuilding are notorious for being hit-and-miss ֊ old jokes about wobbly walls and sink plungers die hard - the distinctiveness of the series design imagery is beyond question. And over the course of six decades, Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series identity and mythos. In the first in-depth study of Doctor Who s costumes, sets and graphics, Piers D. Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who s historical adventures, the evaluative nature of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the time-tunnel title sequence, and the costumes of the Fourth and Thirteenth Doctors.
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| adam_txt |
Contents List of figures x Acknowledgements xi Introduction Contexts and Conceptual Framework 1 What have you got for me this time? - Doctor Who and the delights of looking 1 Doctor Who on television, and the study of media Design studies, and the structure of this book 3 10 Coda: Doctor Who at the BBC - from London to Cardiff 13 Part One A Critical History of Design for Doctor WhO 15 Introduction to Part One: Why a history of Doctor Who design? 15 1 The London period -1963 to 1989 Back and forth - 1963-6 21 Dark shadows - 1967-70. 29 Down to Earth - 1968-72 31 Psychedelia - 1970-4 36 Chiaroscuro - 1975-7 42 The hazards of space travel - 1977-9 New romanticism - 1979-81 50 45 21
viii Contents Looking back - 1982-4 56 Stasis within tumult - 1984-7 60 A belated regeneration - 1988-9 65 2 The TV movie and the Cardiff period ֊ 1996, and 2005 to 2020 71 Interlude: Vancouver 1996 ֊ the TV movie Grunge and graphicity - 2005-2009 Retrovisions - 2010-13 Gothic revival - 2013-17 Recalibrations - 2018-20 71 75 82 89 93 Postlude 97 Part Two What’s at Stake in Design for Doctor Who 101 Introduction to Part Two 3 101 The work of design in the Doctor Who narrative юз Measures for the intrinsic value of Doctor Who design 103 Theorizing the genres of Doctor Who, and design as index 4 113 Responding to design for Doctor Who ֊ evaluations and transformations 119 Fan discourse and the evaluation of Doctor Who design Cosplay as an evaluative act 127 Intratexual critiques and mutations Image into narrative 133 The‘design novum’ 140 131 119
Contents Part Three Thirteen Key Designs a Personal View 145 Introduction to Part Three 5 145 Formative and enduring images 147 I The Brachacki/Newbery TARDIS interior II The Daleks 154 III The Mark 2 (Teloslan’) Cybermen IV The time-tunnel titles 161 167 V The Time Lords’ ceremonial regalia 6 Design of the times Images of the moment 175 175 VI The Fourth Doctor’s costume 175 VII The Seventh Doctor’s costume VIII Rose Tyler’s wardrobe IXTheSllents 186 197 X The Hudolin TARDIS interior XI War Doctors 197 202 XII The 2014 title sequence 208 XIII The Thirteenth Doctor’s costume Notes 217 223 Select bibliography Index of names Index of subjects 181 191 Landmarks and watersheds Conclusion 171 247 251 255 210 147
The long-running popular TV series Doctor Who is, Piers D. Britton argues, a ‘uniquely design-intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss ֊ old jokes about wobbly walls and sink plungers die hard - the distinctiveness of the series' design imagery is beyond question. And over the course of six decades, Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos. In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers D. Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who's historical adventures, the evaluative nature of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the 'time-tunnel' title sequence, and the costumes of the Fourth and Thirteenth Doctors. |
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| title | Design for Doctor Who vision and revision in science fiction television |
| title_auth | Design for Doctor Who vision and revision in science fiction television |
| title_exact_search | Design for Doctor Who vision and revision in science fiction television |
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| title_full | Design for Doctor Who vision and revision in science fiction television Piers D. Britton |
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| title_full_unstemmed | Design for Doctor Who vision and revision in science fiction television Piers D. Britton |
| title_short | Design for Doctor Who |
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