Film noir and the possibilities of Hollywood:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2020]
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| Schriftenreihe: | Palgrave close readings in film and television
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 213 Seiten Illustrationen |
| ISBN: | 9783030370602 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents 1 Introduction: The Case of the Missing Films A Certain Tendency in Film Noir Criticism The Hermeneutics of Suspicion Meaning, Use, and Context Looking Ahead References Part I 2 3 Paradigmatic and Conventional The Maltese Falcon, Double Indemnity, Scarlet Street, and Out of the Past. Paradigm Cases The Maltese Falcon (1941) Double Indemnity (1944) Scarlet Street (1945) Out of the Past (1947) Provisional Conclusions References The Narrow Margin: Convention as Deception Seeing Aspects, Inner Speech Deception and Suppression 1 6 11 14 18 20 23 25 27 31 36 39 42 45 47 51 55 vii
vii CONTENTS Stylistic Misdirection Lessons in Perception References Part II Auteurist Noir 4 Ministry of Fear: Fritz Lang’s Desuturing Operation An Ordinary Studio Assignment? Disruptive Articulations Gestures of Looking and Paranoid Camera Style Undoing the aSystem of the Suture” The Ordinary Made Uncanny References 59 63 69 71 73 74 77 82 86 90 92 5 The Big Sleep: Howard Hawks’s Hollywood Fantasy Adapting The Big Sleep Finely Polished Form At the Acme Boobhop Between Fantasy and Reality References 93 96 99 106 111 113 6 Laura: Otto Preminger’s Statement of Purpose In the Kitchen Making Coffee In Medium Long Shot The Resistan ce of the Real References 115 117 123 130 138 139 Part III Noir and History 7 Act of Violence: Articulating the Spaces of Modernity The Opening Sequence City, Country, and Suburb A Horrific Outsider 141 143 147 149 151
CONTENTS Dialectics of Shelter and Privilege The Return of the Repressed Conclusion References 8 Reign of Terror and The Tall Target. Theses on the Philosophy of History The Films Ideology and Historical Fiction Historical Fiction and the Hermeneutic Code Suspense in The Tall Target Visual Excess and Aesthetic Spectacle in Reign of Terror Conclusion: The Ruins ofHistory References ІХ 152 157 163 166 167 168 171 175 176 183 191 193 Part IV Conclusion 195 9 197 197 200 204 Conclusion: Some Reflections on Method A Brief History of This Book Postcritique and Film Studies References Index 207
PALGRAVE CLOSE READINGS IN FILM AND TELEVISION Series Editors: John Gibbs · Doug Pye Built around dose readings of 11 noir films, this book seeks to refresh our understanding of film noir by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era. Nathaniel Deyo is a lecturer in the Composition Program at the University of Miami, Florida, USA.
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| adam_txt |
Contents 1 Introduction: The Case of the Missing Films A Certain Tendency in Film Noir Criticism The Hermeneutics of Suspicion Meaning, Use, and Context Looking Ahead References Part I 2 3 Paradigmatic and Conventional The Maltese Falcon, Double Indemnity, Scarlet Street, and Out of the Past. Paradigm Cases The Maltese Falcon (1941) Double Indemnity (1944) Scarlet Street (1945) Out of the Past (1947) Provisional Conclusions References The Narrow Margin: Convention as Deception Seeing Aspects, Inner Speech Deception and Suppression 1 6 11 14 18 20 23 25 27 31 36 39 42 45 47 51 55 vii
vii CONTENTS Stylistic Misdirection Lessons in Perception References Part II Auteurist Noir 4 Ministry of Fear: Fritz Lang’s Desuturing Operation An Ordinary Studio Assignment? Disruptive Articulations Gestures of Looking and Paranoid Camera Style Undoing the aSystem of the Suture” The Ordinary Made Uncanny References 59 63 69 71 73 74 77 82 86 90 92 5 The Big Sleep: Howard Hawks’s Hollywood Fantasy Adapting The Big Sleep Finely Polished Form At the Acme Boobhop Between Fantasy and Reality References 93 96 99 106 111 113 6 Laura: Otto Preminger’s Statement of Purpose In the Kitchen Making Coffee In Medium Long Shot The Resistan ce of the Real References 115 117 123 130 138 139 Part III Noir and History 7 Act of Violence: Articulating the Spaces of Modernity The Opening Sequence City, Country, and Suburb A Horrific Outsider 141 143 147 149 151
CONTENTS Dialectics of Shelter and Privilege The Return of the Repressed Conclusion References 8 Reign of Terror and The Tall Target. Theses on the Philosophy of History The Films Ideology and Historical Fiction Historical Fiction and the Hermeneutic Code Suspense in The Tall Target Visual Excess and Aesthetic Spectacle in Reign of Terror Conclusion: The Ruins ofHistory References ІХ 152 157 163 166 167 168 171 175 176 183 191 193 Part IV Conclusion 195 9 197 197 200 204 Conclusion: Some Reflections on Method A Brief History of This Book Postcritique and Film Studies References Index 207
PALGRAVE CLOSE READINGS IN FILM AND TELEVISION Series Editors: John Gibbs · Doug Pye Built around dose readings of 11 noir films, this book seeks to refresh our understanding of "film noir" by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era. Nathaniel Deyo is a lecturer in the Composition Program at the University of Miami, Florida, USA. |
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| spelling | Deyo, Nathaniel ca. 20./21. Jh. Verfasser (DE-588)1237539315 aut Film noir and the possibilities of Hollywood Nathaniel Deyo Cham, Switzerland Palgrave Macmillan [2020] © 2020 xii, 213 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Palgrave close readings in film and television Geschichte 1941-1952 gnd rswk-swf Close Reading Genre American Cinema and TV. Motion pictures Film genres Motion pictures-United States Film noir (DE-588)4116435-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film noir (DE-588)4116435-0 s Geschichte 1941-1952 z DE-604 Erscheint auch als Online-Ausgabe 978-3-030-37058-9 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032740918&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032740918&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Deyo, Nathaniel ca. 20./21. Jh Film noir and the possibilities of Hollywood Close Reading Genre American Cinema and TV. Motion pictures Film genres Motion pictures-United States Film noir (DE-588)4116435-0 gnd |
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| title | Film noir and the possibilities of Hollywood |
| title_auth | Film noir and the possibilities of Hollywood |
| title_exact_search | Film noir and the possibilities of Hollywood |
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| title_full | Film noir and the possibilities of Hollywood Nathaniel Deyo |
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| title_full_unstemmed | Film noir and the possibilities of Hollywood Nathaniel Deyo |
| title_short | Film noir and the possibilities of Hollywood |
| title_sort | film noir and the possibilities of hollywood |
| topic | Close Reading Genre American Cinema and TV. Motion pictures Film genres Motion pictures-United States Film noir (DE-588)4116435-0 gnd |
| topic_facet | Close Reading Genre American Cinema and TV. Motion pictures Film genres Motion pictures-United States Film noir USA |
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