Musical analyses and musical exegesis: the shepherd's melody in Richard Wagner's Tristan and Isolde
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester
University of Rochester Press
2021
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| Schriftenreihe: | Eastman studies in music
v. 180 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Rezensiert in: The Wagner Journal 15 (2021), Heft 3, Seite 86-90 (Arnold Whittall) |
| Beschreibung: | xvii, 452 Seiten Notenbeispiele |
| ISBN: | 9781580469999 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword to the French Edition by Pierre Boulez Preface xi xiii Introduction: The English-Horn Solo, My Approach, and Models of Analysis and Musical Meaning The English-Horn Solo and its Challenges My Approach A Plurality ofModels for Analysis and Interpretation Classifying Analytical Models Analyses, Interpretations, and Semiologies 1 1 7 9 17 24 Part Is Immanent Analysis of the English-Horn Solo’s Musical Structures 1. Linear Analyses Models ofImmanent Analysis Principles ofLinear Analysis Nicolas Meeùs’s Schenkerian Analysis ofthe Solo Allen Forte’s Schenkerian Analysu ofthe Shepherd’s Melody Fred Lerdahl s Prolongational Analysis ofthe Solo Annie Labussière’s Prosodic Analysis ofthe Solo Jean-Jacques Nattiez’s Implicative Analysis ofthe Solo Comparing the Linear Analyses ofthe Solo 2. Formenlehre Analyses PrincipUs ö/Tormenlehre Analysis Hugo Leichtentritt’s Formenlehre Analysis ofthe Solo Alfred Lorenz’s Formenlehre Analysis ofthe Solo Jacques ChailUy’s Formenlehre Analysisofthe Solo Allen Forte s Formenlehre Analysis ofthe Shepherds Melody 31 31 32 34 36 43 56 65 81 85 85 94 97 99 101
viii 3. s* CONTENTS Fred Lerdahľs Formenlehre Analysis ofthe Solo Comparing the Formenlehre Analyses 105 109 Paradigmatic Analyses 117 117 122 124 130 142 Principles ofParadigmatic Analysis Fred Lerdahlí Paradigmatic Analysu Annie Labussière’s Paradigmatic Analysis Jean-Jacques Nattiezs Paradigmatic Analysis Taking Stock ofthe Immanent Analyses Part II։ Esthesic Analysis 4. Performances as Initial Esthesic Analyses The Semiologicul Challenges ofPerformance Comparing Performances ofthe Solo My Proposed Phrasingfor the Solo 5. Esthesic Analysis of the Solos Immanent Structures The Domains ofthe Esthesic Inductive Esthesic Analysis of Segmentational Units: GTTM s Preference Rules 147 147 149 157 160 161 163 Irène Delièges Experimental Verification ofthe Grouping 6. Preference Ruks External Esthesic Analysis ofSegmentational Units: 165 Irène Delièges Experiment External Esthesic Analysis: Written Accounts ofSegmentation Inductive Esthesic Analysis of Conformant Relationships External Esthesic Analysis ofConformant Relationships Esthesic Analysis ofLinear Relationships Assessing Esthesic Approaches to Musical Structure 168 173 177 180 184 187 Esthesic Analysis of the Solo’s Semantic Associations 190 190 200 Musical Semantics or HermeneuticsÌ Nattiezs Experimental Methods and General Semantic Typologies Non-Musician Responses to the Solo as a Whole (Experiment 1 of3) Musician Responses to the Solo as a Whok (Experiment 2 of3) Musician Responses to the Solo’s Phrases (Experiment 3 of3) Surveying the Semantic Reference Responses 202 204 213 227
CONTENTS í* ІХ Part III: Poietic Analysis 7. Musical Sources for the Solo Poietics and Criticism Wagners Writings as Point ofDeparture Critiques ofSource Study From the Venetian Gondolier Songs to the Shepherd’s Melody From the Swiss Shepherd’s Ranz des Vaches to the English-Horn Solo 8. The Solo’s Composition: Sketches and the Creative Process Sketch Study Sketches ofthe Solo Richard Wagner and the Solo’s Phrase Structure: An Inductive Approach Richard Wagner and the Sob’s Phrase Structure: An External Approach The alte Weise and Infinite Melody 235 235 236 248 249 269 291 291 293 308 312 318 Part IV: Hermeneutics 9. The Shepherds Melody at Risk of Psychoanalysis A Return to Hermeneutics From Donald Woods Winnicott to Michel Imberty 10. The Shepherd’s Melody and the English Hornin Tristan The Shepherd’s Melody from the Prelude to the Solo Dramatic Analysis ofthe Shepherd’s Melody in Act III, Scene 1 From the Cheerful Melody to the Death ofIsolde Liebestod and Transfiguration 11. “This Shepherds Metaphysical Melody” Arthur Schopenhauer’s Conception ofthe Will Schopenhauer’s Influence on Wagnerfrom the Ring to Tristan From Schopenhauer to the Shepherd’s Melody Tristan’s Dream From Schopenhauer’s Philosophy to Wagner’s Music Musica Triumphans Isolde as the Spirit ofMusic 323 323 326 333 333 355 Ъ72 375 380 381 384 387 392 396 401 407
X s* CONTENTS Why an Instrumental Soh in an Operai Conclusion: The Validity of Structural Analyses and Interpretations A Plethora ofMusicological Constructs From the Neutral Level to Meanings and Interpretations 410 414 414 421 Bibliography 425 Index 443
|
| adam_txt |
Contents Foreword to the French Edition by Pierre Boulez Preface xi xiii Introduction: The English-Horn Solo, My Approach, and Models of Analysis and Musical Meaning The English-Horn Solo and its Challenges My Approach A Plurality ofModels for Analysis and Interpretation Classifying Analytical Models Analyses, Interpretations, and Semiologies 1 1 7 9 17 24 Part Is Immanent Analysis of the English-Horn Solo’s Musical Structures 1. Linear Analyses Models ofImmanent Analysis Principles ofLinear Analysis Nicolas Meeùs’s Schenkerian Analysis ofthe Solo Allen Forte’s Schenkerian Analysu ofthe Shepherd’s Melody Fred Lerdahl s Prolongational Analysis ofthe Solo Annie Labussière’s Prosodic Analysis ofthe Solo Jean-Jacques Nattiez’s Implicative Analysis ofthe Solo Comparing the Linear Analyses ofthe Solo 2. Formenlehre Analyses PrincipUs ö/Tormenlehre Analysis Hugo Leichtentritt’s Formenlehre Analysis ofthe Solo Alfred Lorenz’s Formenlehre Analysis ofthe Solo Jacques ChailUy’s Formenlehre Analysisofthe Solo Allen Forte's Formenlehre Analysis ofthe Shepherds Melody 31 31 32 34 36 43 56 65 81 85 85 94 97 99 101
viii 3. s* CONTENTS Fred Lerdahľs Formenlehre Analysis ofthe Solo Comparing the Formenlehre Analyses 105 109 Paradigmatic Analyses 117 117 122 124 130 142 Principles ofParadigmatic Analysis Fred Lerdahlí Paradigmatic Analysu Annie Labussière’s Paradigmatic Analysis Jean-Jacques Nattiezs Paradigmatic Analysis Taking Stock ofthe Immanent Analyses Part II։ Esthesic Analysis 4. Performances as Initial Esthesic Analyses The Semiologicul Challenges ofPerformance Comparing Performances ofthe Solo My Proposed Phrasingfor the Solo 5. Esthesic Analysis of the Solos Immanent Structures The Domains ofthe Esthesic Inductive Esthesic Analysis of Segmentational Units: GTTM s Preference Rules 147 147 149 157 160 161 163 Irène Delièges Experimental Verification ofthe Grouping 6. Preference Ruks External Esthesic Analysis ofSegmentational Units: 165 Irène Delièges Experiment External Esthesic Analysis: Written Accounts ofSegmentation Inductive Esthesic Analysis of Conformant Relationships External Esthesic Analysis ofConformant Relationships Esthesic Analysis ofLinear Relationships Assessing Esthesic Approaches to Musical Structure 168 173 177 180 184 187 Esthesic Analysis of the Solo’s Semantic Associations 190 190 200 Musical Semantics or HermeneuticsÌ Nattiezs Experimental Methods and General Semantic Typologies Non-Musician Responses to the Solo as a Whole (Experiment 1 of3) Musician Responses to the Solo as a Whok (Experiment 2 of3) Musician Responses to the Solo’s Phrases (Experiment 3 of3) Surveying the Semantic Reference Responses 202 204 213 227
CONTENTS í* ІХ Part III: Poietic Analysis 7. Musical Sources for the Solo Poietics and Criticism Wagners Writings as Point ofDeparture Critiques ofSource Study From the Venetian Gondolier Songs to the Shepherd’s Melody From the Swiss Shepherd’s Ranz des Vaches to the English-Horn Solo 8. The Solo’s Composition: Sketches and the Creative Process Sketch Study Sketches ofthe Solo Richard Wagner and the Solo’s Phrase Structure: An Inductive Approach Richard Wagner and the Sob’s Phrase Structure: An External Approach The alte Weise and Infinite Melody 235 235 236 248 249 269 291 291 293 308 312 318 Part IV: Hermeneutics 9. The Shepherds Melody at Risk of Psychoanalysis A Return to Hermeneutics From Donald Woods Winnicott to Michel Imberty 10. The Shepherd’s Melody and the English Hornin Tristan The Shepherd’s Melody from the Prelude to the Solo Dramatic Analysis ofthe Shepherd’s Melody in Act III, Scene 1 From the Cheerful Melody to the Death ofIsolde Liebestod and Transfiguration 11. “This Shepherds Metaphysical Melody” Arthur Schopenhauer’s Conception ofthe Will Schopenhauer’s Influence on Wagnerfrom the Ring to Tristan From Schopenhauer to the Shepherd’s Melody Tristan’s Dream From Schopenhauer’s Philosophy to Wagner’s Music Musica Triumphans Isolde as the Spirit ofMusic 323 323 326 333 333 355 Ъ72 375 380 381 384 387 392 396 401 407
X s* CONTENTS Why an Instrumental Soh in an Operai Conclusion: The Validity of Structural Analyses and Interpretations A Plethora ofMusicological Constructs From the Neutral Level to Meanings and Interpretations 410 414 414 421 Bibliography 425 Index 443 |
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| isbn | 9781580469999 |
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| spelling | Nattiez, Jean-Jacques 1945- Verfasser (DE-588)122479297 aut Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde Jean-Jacques Nattieez ; foreword by Pierre Boulez ; edited and translated by Joan Huguet Rochester University of Rochester Press 2021 xvii, 452 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music v. 180 Rezensiert in: The Wagner Journal 15 (2021), Heft 3, Seite 86-90 (Arnold Whittall) Wagner, Richard 1813-1883 Tristan und Isolde (DE-588)300170483 gnd rswk-swf Opera Semiotics / semiology Instruction & Study / Theory MUSIC / Genres & Styles / Opera Englischhorn (DE-588)4152282-5 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Wagner, Richard 1813-1883 Tristan und Isolde (DE-588)300170483 u Englischhorn (DE-588)4152282-5 s Melodie (DE-588)4139233-4 s Musikalische Analyse (DE-588)4040814-0 s b DE-604 Boulez, Pierre 1925-2016 Sonstige (DE-588)118514024 oth Campbell Huguet, Joan 1986- (DE-588)1121141722 edt trl Eastman studies in music v. 180 (DE-604)BV010127859 180 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032737116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nattiez, Jean-Jacques 1945- Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde Eastman studies in music Wagner, Richard 1813-1883 Tristan und Isolde (DE-588)300170483 gnd Opera Semiotics / semiology Instruction & Study / Theory MUSIC / Genres & Styles / Opera Englischhorn (DE-588)4152282-5 gnd Musikalische Analyse (DE-588)4040814-0 gnd Melodie (DE-588)4139233-4 gnd |
| subject_GND | (DE-588)300170483 (DE-588)4152282-5 (DE-588)4040814-0 (DE-588)4139233-4 |
| title | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde |
| title_auth | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde |
| title_exact_search | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde |
| title_exact_search_txtP | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde |
| title_full | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde Jean-Jacques Nattieez ; foreword by Pierre Boulez ; edited and translated by Joan Huguet |
| title_fullStr | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde Jean-Jacques Nattieez ; foreword by Pierre Boulez ; edited and translated by Joan Huguet |
| title_full_unstemmed | Musical analyses and musical exegesis the shepherd's melody in Richard Wagner's Tristan and Isolde Jean-Jacques Nattieez ; foreword by Pierre Boulez ; edited and translated by Joan Huguet |
| title_short | Musical analyses and musical exegesis |
| title_sort | musical analyses and musical exegesis the shepherd s melody in richard wagner s tristan and isolde |
| title_sub | the shepherd's melody in Richard Wagner's Tristan and Isolde |
| topic | Wagner, Richard 1813-1883 Tristan und Isolde (DE-588)300170483 gnd Opera Semiotics / semiology Instruction & Study / Theory MUSIC / Genres & Styles / Opera Englischhorn (DE-588)4152282-5 gnd Musikalische Analyse (DE-588)4040814-0 gnd Melodie (DE-588)4139233-4 gnd |
| topic_facet | Wagner, Richard 1813-1883 Tristan und Isolde Opera Semiotics / semiology Instruction & Study / Theory MUSIC / Genres & Styles / Opera Englischhorn Musikalische Analyse Melodie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032737116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV010127859 |
| work_keys_str_mv | AT nattiezjeanjacques musicalanalysesandmusicalexegesistheshepherdsmelodyinrichardwagnerstristanandisolde AT boulezpierre musicalanalysesandmusicalexegesistheshepherdsmelodyinrichardwagnerstristanandisolde AT campbellhuguetjoan musicalanalysesandmusicalexegesistheshepherdsmelodyinrichardwagnerstristanandisolde |