The auditory setting: environmental sounds in film and media arts
"The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2021
|
Schriftenreihe: | Music and the moving image series
|
Schlagworte: | |
Zusammenfassung: | "The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene."--Page 4 of cover |
Beschreibung: | xi, 207 Seiten Illustrationen 24 cm |
ISBN: | 9781474474382 9781474474399 |
Internformat
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505 | 8 | |a Part 1: Introduction. -- 1. The first sound and the curiosity -- 2. The auditory context and signification -- 3. Key concepts and definitions -- 4. Approach and method -- Part 2: Sonic trajectories. -- 5. Monaural soundtracks and recording (sonic) reality -- 6. Stereo sound and the expanded space -- 7. Digital surround sound and the mimetic site -- Part 3: On location and other stories. -- 8. Land, field, meadow -- 9. Forest, jungle -- 10. Village, rural environment -- 11. Indoors -- 12. Riverbank, beach, island -- 13. Street, public squares, urban neighbourhood -- 14. Public transport -- 15. Airport -- 16. Underwater, outer space -- Part 4: Critical listening. -- 17. Mapping the aesthetic choices in sound production -- 18. Auditory presence and better practice -- 19. The god of small sounds -- 20. Emerging trends and future directions | |
520 | 3 | |a "The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene."--Page 4 of cover | |
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653 | 0 | |a Sound in motion pictures | |
653 | 0 | |a Motion pictures / Sound effects | |
653 | 0 | |a Ambient sounds | |
653 | 0 | |a Sound (Philosophy) | |
653 | 0 | |a Ambient sounds | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Chattopadhyay, Budhaditya |
author_GND | (DE-588)1030490759 |
author_facet | Chattopadhyay, Budhaditya |
author_role | aut |
author_sort | Chattopadhyay, Budhaditya |
author_variant | b c bc |
building | Verbundindex |
bvnumber | BV047325394 |
classification_rvk | AP 51450 |
contents | Part 1: Introduction. -- 1. The first sound and the curiosity -- 2. The auditory context and signification -- 3. Key concepts and definitions -- 4. Approach and method -- Part 2: Sonic trajectories. -- 5. Monaural soundtracks and recording (sonic) reality -- 6. Stereo sound and the expanded space -- 7. Digital surround sound and the mimetic site -- Part 3: On location and other stories. -- 8. Land, field, meadow -- 9. Forest, jungle -- 10. Village, rural environment -- 11. Indoors -- 12. Riverbank, beach, island -- 13. Street, public squares, urban neighbourhood -- 14. Public transport -- 15. Airport -- 16. Underwater, outer space -- Part 4: Critical listening. -- 17. Mapping the aesthetic choices in sound production -- 18. Auditory presence and better practice -- 19. The god of small sounds -- 20. Emerging trends and future directions |
ctrlnum | (OCoLC)1261746410 (DE-599)BVBBV047325394 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV047325394 |
illustrated | Illustrated |
index_date | 2024-07-03T17:30:46Z |
indexdate | 2024-07-10T09:08:57Z |
institution | BVB |
isbn | 9781474474382 9781474474399 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032728041 |
oclc_num | 1261746410 |
open_access_boolean | |
owner | DE-12 DE-11 DE-B170 |
owner_facet | DE-12 DE-11 DE-B170 |
physical | xi, 207 Seiten Illustrationen 24 cm |
psigel | BSB_NED_20210809 |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Music and the moving image series |
spelling | Chattopadhyay, Budhaditya Verfasser (DE-588)1030490759 aut The auditory setting environmental sounds in film and media arts Budhaditya Chattopadhyay Edinburgh Edinburgh University Press 2021 xi, 207 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Music and the moving image series Part 1: Introduction. -- 1. The first sound and the curiosity -- 2. The auditory context and signification -- 3. Key concepts and definitions -- 4. Approach and method -- Part 2: Sonic trajectories. -- 5. Monaural soundtracks and recording (sonic) reality -- 6. Stereo sound and the expanded space -- 7. Digital surround sound and the mimetic site -- Part 3: On location and other stories. -- 8. Land, field, meadow -- 9. Forest, jungle -- 10. Village, rural environment -- 11. Indoors -- 12. Riverbank, beach, island -- 13. Street, public squares, urban neighbourhood -- 14. Public transport -- 15. Airport -- 16. Underwater, outer space -- Part 4: Critical listening. -- 17. Mapping the aesthetic choices in sound production -- 18. Auditory presence and better practice -- 19. The god of small sounds -- 20. Emerging trends and future directions "The Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene."--Page 4 of cover Geräusch (DE-588)4129296-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Lokalisation (DE-588)4195351-4 gnd rswk-swf Sound in motion pictures Motion pictures / Sound effects Ambient sounds Sound (Philosophy) Film (DE-588)4017102-4 s Geräusch (DE-588)4129296-0 s Lokalisation (DE-588)4195351-4 s DE-604 Erscheint auch als Online-Ausgabe, epub 978-1-4744-7441-2 Erscheint auch als Online-Ausgabe, webready pdf 978-1-4744-7440-5 |
spellingShingle | Chattopadhyay, Budhaditya The auditory setting environmental sounds in film and media arts Part 1: Introduction. -- 1. The first sound and the curiosity -- 2. The auditory context and signification -- 3. Key concepts and definitions -- 4. Approach and method -- Part 2: Sonic trajectories. -- 5. Monaural soundtracks and recording (sonic) reality -- 6. Stereo sound and the expanded space -- 7. Digital surround sound and the mimetic site -- Part 3: On location and other stories. -- 8. Land, field, meadow -- 9. Forest, jungle -- 10. Village, rural environment -- 11. Indoors -- 12. Riverbank, beach, island -- 13. Street, public squares, urban neighbourhood -- 14. Public transport -- 15. Airport -- 16. Underwater, outer space -- Part 4: Critical listening. -- 17. Mapping the aesthetic choices in sound production -- 18. Auditory presence and better practice -- 19. The god of small sounds -- 20. Emerging trends and future directions Geräusch (DE-588)4129296-0 gnd Film (DE-588)4017102-4 gnd Lokalisation (DE-588)4195351-4 gnd |
subject_GND | (DE-588)4129296-0 (DE-588)4017102-4 (DE-588)4195351-4 |
title | The auditory setting environmental sounds in film and media arts |
title_auth | The auditory setting environmental sounds in film and media arts |
title_exact_search | The auditory setting environmental sounds in film and media arts |
title_exact_search_txtP | The auditory setting environmental sounds in film and media arts |
title_full | The auditory setting environmental sounds in film and media arts Budhaditya Chattopadhyay |
title_fullStr | The auditory setting environmental sounds in film and media arts Budhaditya Chattopadhyay |
title_full_unstemmed | The auditory setting environmental sounds in film and media arts Budhaditya Chattopadhyay |
title_short | The auditory setting |
title_sort | the auditory setting environmental sounds in film and media arts |
title_sub | environmental sounds in film and media arts |
topic | Geräusch (DE-588)4129296-0 gnd Film (DE-588)4017102-4 gnd Lokalisation (DE-588)4195351-4 gnd |
topic_facet | Geräusch Film Lokalisation |
work_keys_str_mv | AT chattopadhyaybudhaditya theauditorysettingenvironmentalsoundsinfilmandmediaarts |