Performing memories: media, creation, anthropology, and remembrance
What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle-upon-Tyne
Cambridge Scholars Publishers
2021
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| Schlagworte: | |
| Zusammenfassung: | What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed |
| Beschreibung: | XXVI, 413 Seiten Illustrationen, Karte |
| ISBN: | 9781527566606 |
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| 505 | 8 | |a Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room | |
| 505 | 8 | |a Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors | |
| 505 | 8 | |a Index of Names -- Index of Terms | |
| 520 | 3 | |a What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed | |
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| contents | Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors Index of Names -- Index of Terms |
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| isbn | 9781527566606 |
| language | English |
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| spelling | Performing memories media, creation, anthropology, and remembrance edited by Gabriele Biotti Newcastle-upon-Tyne Cambridge Scholars Publishers 2021 XXVI, 413 Seiten Illustrationen, Karte txt rdacontent n rdamedia nc rdacarrier Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors Index of Names -- Index of Terms What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it?These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Erinnerung (DE-588)4015272-8 gnd rswk-swf Erzählen (DE-588)4132307-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Mythos (DE-588)4075159-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Anthropologie (DE-588)4002230-4 gnd rswk-swf Memory / Social aspects Memory in art Memory in mass media Humanities The arts (DE-588)4143413-4 Aufsatzsammlung gnd-content Erinnerung (DE-588)4015272-8 s Kollektives Gedächtnis (DE-588)4200793-8 s Literatur (DE-588)4035964-5 s Kunst (DE-588)4114333-4 s Film (DE-588)4017102-4 s Anthropologie (DE-588)4002230-4 s Mythos (DE-588)4075159-4 s Erzählen (DE-588)4132307-5 s DE-604 Biotti, Gabriele 1978- (DE-588)1236704959 edt |
| spellingShingle | Performing memories media, creation, anthropology, and remembrance Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Section 1 -- The Golan Brides -- The Invisible Army of the Irish Republic -- That's a Fact -- Narratives of "Victim," "Perpetrator," and "Liberator" at the United States Holocaust Memorial Museum -- Ghosted Pasts and Haunting Presents -- 1968-2018: Tlatelolco, Fifty Years After -- Section 2 -- Epidemic and Visual Memory -- "Why don't you give your life to Jesus now?" -- Remembering and Forgetting -- The Third Generation's Postmemory and Transgenerational Trauma in Rachel Seiffert's The Dark Room Ted Chiang's Braided Stories of Memory, Narrative, and Technology -- Overlapping Places of Collective Memory -- Section 3 -- The Architecture of Antoni Gaudí as Memory of the Renaixença Movement Ideals -- The Relationship between Memory and Architecture. Visualization of Spatial Recalls -- "Unpath'd waters, undream'd shores" -- Moulding Sorrow -- From Urbanity to Urbanophobia -- Section 4 -- Memory Telling and Social Remembrance in Uruguayan Documentary Cinema -- Memory in Montage -- Saving the History(ies) -- Memory in the Unconscious -- Memories of Adolescence -- Notes on Contributors Index of Names -- Index of Terms Kollektives Gedächtnis (DE-588)4200793-8 gnd Erinnerung (DE-588)4015272-8 gnd Erzählen (DE-588)4132307-5 gnd Film (DE-588)4017102-4 gnd Mythos (DE-588)4075159-4 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd Anthropologie (DE-588)4002230-4 gnd |
| subject_GND | (DE-588)4200793-8 (DE-588)4015272-8 (DE-588)4132307-5 (DE-588)4017102-4 (DE-588)4075159-4 (DE-588)4035964-5 (DE-588)4114333-4 (DE-588)4002230-4 (DE-588)4143413-4 |
| title | Performing memories media, creation, anthropology, and remembrance |
| title_auth | Performing memories media, creation, anthropology, and remembrance |
| title_exact_search | Performing memories media, creation, anthropology, and remembrance |
| title_exact_search_txtP | Performing memories media, creation, anthropology, and remembrance |
| title_full | Performing memories media, creation, anthropology, and remembrance edited by Gabriele Biotti |
| title_fullStr | Performing memories media, creation, anthropology, and remembrance edited by Gabriele Biotti |
| title_full_unstemmed | Performing memories media, creation, anthropology, and remembrance edited by Gabriele Biotti |
| title_short | Performing memories |
| title_sort | performing memories media creation anthropology and remembrance |
| title_sub | media, creation, anthropology, and remembrance |
| topic | Kollektives Gedächtnis (DE-588)4200793-8 gnd Erinnerung (DE-588)4015272-8 gnd Erzählen (DE-588)4132307-5 gnd Film (DE-588)4017102-4 gnd Mythos (DE-588)4075159-4 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd Anthropologie (DE-588)4002230-4 gnd |
| topic_facet | Kollektives Gedächtnis Erinnerung Erzählen Film Mythos Literatur Kunst Anthropologie Aufsatzsammlung |
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