The Eisenstein universe:
"Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin’s tyranny, the scale and impa...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Bloomsbury Academic
2021
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 UBR01 UBT01 Volltext |
Zusammenfassung: | "Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin’s tyranny, the scale and impact of Eisenstein’s legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein’s lifelong search for an underlying unity that would link archaic art with film’s modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein’s prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein’s prestige within present-day film and audiovis" |
Beschreibung: | 1 Online-Ressource (XV, 296 Seiten) Illustrationen |
ISBN: | 9781350142121 9781350142091 |
DOI: | 10.5040/9781350142121 |
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520 | 3 | |a "Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin’s tyranny, the scale and impact of Eisenstein’s legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein’s lifelong search for an underlying unity that would link archaic art with film’s modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein’s prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein’s prestige within present-day film and audiovis" | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Christie, Ian 1945- Vassilieva, Julia |
author2_role | edt edt |
author2_variant | i c ic j v jv |
author_GND | (DE-588)1032362650 (DE-588)1247005852 |
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dewey-full | 792.02/30947092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.02/30947092 |
dewey-search | 792.02/30947092 |
dewey-sort | 3792.02 830947092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.5040/9781350142121 |
format | Electronic eBook |
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id | DE-604.BV047322633 |
illustrated | Not Illustrated |
index_date | 2024-07-03T17:29:48Z |
indexdate | 2024-07-10T09:08:52Z |
institution | BVB |
isbn | 9781350142121 9781350142091 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032725341 |
oclc_num | 1257818505 |
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physical | 1 Online-Ressource (XV, 296 Seiten) Illustrationen |
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publishDate | 2021 |
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publisher | Bloomsbury Academic |
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spelling | The Eisenstein universe edited by Ian Christie and Julia Vassilieva London Bloomsbury Academic 2021 1 Online-Ressource (XV, 296 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin’s tyranny, the scale and impact of Eisenstein’s legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein’s lifelong search for an underlying unity that would link archaic art with film’s modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein’s prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein’s prestige within present-day film and audiovis" Ėjzenštejn, Sergej M. 1898-1948 (DE-588)118529684 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ėjzenštejn, Sergej M. 1898-1948 (DE-588)118529684 p DE-604 Christie, Ian 1945- (DE-588)1032362650 edt Vassilieva, Julia (DE-588)1247005852 edt Erscheint auch als Druck-Ausgabe, Festeinband 978-1-350-14210-7 Erscheint auch als Druck-Ausgabe, Broschur 978-1-350-23961-6 https://doi.org/10.5040/9781350142121?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | The Eisenstein universe Ėjzenštejn, Sergej M. 1898-1948 (DE-588)118529684 gnd |
subject_GND | (DE-588)118529684 (DE-588)4143413-4 |
title | The Eisenstein universe |
title_auth | The Eisenstein universe |
title_exact_search | The Eisenstein universe |
title_exact_search_txtP | The Eisenstein universe |
title_full | The Eisenstein universe edited by Ian Christie and Julia Vassilieva |
title_fullStr | The Eisenstein universe edited by Ian Christie and Julia Vassilieva |
title_full_unstemmed | The Eisenstein universe edited by Ian Christie and Julia Vassilieva |
title_short | The Eisenstein universe |
title_sort | the eisenstein universe |
topic | Ėjzenštejn, Sergej M. 1898-1948 (DE-588)118529684 gnd |
topic_facet | Ėjzenštejn, Sergej M. 1898-1948 Aufsatzsammlung |
url | https://doi.org/10.5040/9781350142121?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT christieian theeisensteinuniverse AT vassilievajulia theeisensteinuniverse |