Writings:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Library of America
[2021]
|
| Schriftenreihe: | The Library of America
346 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxi, 583 Seiten |
| ISBN: | 9781598536928 |
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Datensatz im Suchindex
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| adam_text | Contents Introduction: Perelman, the Pearl ofProvidence by Adam Gopnik............................................................ xiii Sketches and Satires Puppets of Passion: A Throbbing Story of Youth’s Hot Revolt Against the Conventions...................... 3 Those Charming People: The Latest Report on the Weinbloom Reptile Expedition................................. 7 Scenario........................................................................... 9 Strictly from Hunger....................................... 14 The Love Decoy: A Story of Youth in College Today—Awake, Fearless, Unashamed...................... 23 Waiting for Santy: A Christmas Playlet........................ 28 Frou-Frou, or the Future of Vertigo............................. 31 Captain Future, Block That Kick!................................. 34 Midwinter Facial Trends.............................................. 40 Counter-Revolution....................................................... 44 Beat Me, Post-Impressionist Daddy............................. 48 A Pox on You, Mine Goodly Host............................... 53 Bend Down, Sister......................................................... 57 Beauty and the Bee....................................................... 61 Button, Button, Who’s Got the Blend?........................ 65 Swing Out, Sweet Chariot............................................ 69 A Couple of Quick Ones: Two Portraits...................... 74 Hell in the Gabardines................................................... 85 Farewell, My Lovely
Appetizer..................................... 91 Hit Him Again, He’s Sober............. ........................... 98 Physician, Steel Thyself................................................ 103 Take Two Parts Sand, One Part Girl, and Stir............. no Sleepy-Time Extra........................ 116 Amo, Amas, Amat, Amamus, Araatis, Enough!........... 121 Send No Money, Honey.............................................. 126 Acres and Pains: Chapter One...................................... 131 Acres and Pains: Chapter Twelve................................. 133 Don’t Bring Me Oscars (When It’s Shoesies That I Need) 135
X CONTENTS Rancors Aweigh.............................................................. 141 Mama Don’t Want No Rice.......................................... 149 Columbia, the Crumb of the Ocean............................. 157 Whenas in Sulks My Julia Goes.................................... 166 Cloudland Revisited: Why, Doctor, What Big Green EyeS You Have!............................................... 174 Chewies the Goat but Hicks Need Hypo.................... 182 Salesman, Spare that Psyche.......................................... 188 The Song Is Endless, but the Malady Lingers On .... 195 A Girl and a Boy Anthropoid Were Dancing................ 201 Cloudland Revisited: Rock-a-Bye, Viscount, in the Treetop............................................................ 208 Cloudland Revisited: When to the Sessions of Sweet Silent Films...................................................... 216 No Starch in the Dhoti, S’il Vous Plaît......................... 224 Cloudland Revisited: The Wickedest Woman in Larchmont.............................................................. 232 Swindle Sheet with Blueblood Engrailed, Arrant Fibs Rampant.............................................................. 238 Cloudland Revisited: I’m Sorry I Made Me Cry......... 244 Sorry—No Phone or Mail Orders ......................... 250 Next Week at the Prado: Frankie Goya Plus Monster Cast.............................................................. 256 You’re My Everything, Plus City Sales Tax.................. 261 Eine Kleine Mothmusik.................................................
268 Where Do You Work-а, John?...................................... 276 Portrait of the Artist as a Young Mime......................... 282 This Is the Forest Primeval?............................................. 290 Impresario on the Lam ................................................. 299 Revulsion in the Desert................................................. 307 Are You Decent, Memsahib? .......................................... 314 Tell Me Clear, Parachutist Dear, Are You Man or Mouse?................................................................... 322 Sex and the Single Boy................................................... 328 A Soft Answer Turneth Away Royalties...................... 335 Hello, Central, Give Me That Jolly Old Pelf................ 343 The Sweet Chick Gone................................................. 351 Nobody Knows the Rubble I’ve Seen/Nobody Knows but Croesus................................................... 357 Three Loves Had I, in Assorted Flavors......................... 365
CONTENTS ХІ Be a Cat’s-Paw! Lose Big Money!................................. 371 Moonstruck at Sunset..................................................... 377 The Beauty Part: A Comedy in Two Acts.................. The Hindsight Saga: an Autobiography 385 Three Fragments from The Marx Brothers............................... 469 Nathanael West................................................................ 481 Dorothy Parker................................................................ 490 Selected Letters To Edmund Wilson (September 2,1929).......................497 To I. J. Kapstein (October 9,1930)...............................498 To Groucho Marx (April 7,1943)................................ 499 To Frances and Albert Hackett (August 14,1949) . . . 501 To Abby Perelman (April 15,1954)................................ 504 To Leila Hadley (August 21,1955) ............................... 506 To Leila Hadley (September 16,1955)............................ 508 To Betsy Drake (September 28,1955)........................... 510 To Leila Hadley (August 25,1956)............................... 511 To Leila Hadley (November 22,1956)........................ 513 To Paul Theroux (October 18,1976)........................... 515 To Paul Theroux (December 24,1976)...................... 517 Chronology.................................................................................... Note on the Texts................................................................ Notes..................................................................................... 5շւ 535 540
One of the most original stylists in American literature—and one of the fiinniest—Sidney Joseph Perelman wrote gags for the Marx Brothers, won an Oscar for screenwriting, and wrote or collaborated on five Broadway plays. But nowhere is his zany and pyrotechnic humor more hilariously on display than in the one-of-a-kind sketches and satires (Perelman called them feuilletons) he wrote for The New Yorker and other magazines. Their “great subject is singular and simply defined,” writes editor Adam Gopnik in his introduction to this volume: “American vul garity, flowing up and down like waves of electricity through a cat in a cartoon, exposing its innards even as it shocks our sensibilities.” Gopnik presents here the best of them—parodies, social satires, autobiographical pieces, and a selection from the celebrated “Cloudland Revisited” series, in which Perelman reminisces about books and movies encountered in youth and describes the rude shock of revisiting them as an adult. In the early, Joycean piece called “Scenario,” Perelman offers a surrealistic take on a Hollywood pitch meeting—a collage of onand off-screen clichés, show biz argot, and popular slang that rolls on in one continuous paragraph. In “Farewell, My Lovely Appetizer,” he sends up the hardboiled detective fiction of Raymond Chandler: “I kicked open the bottom drawer of her desk, let two inches of rye trickle down my craw, kissed Birdie square on her lush, red mouth, and set fire to a ciga rette.” “No Starch in My Dhoti, ЅЧ1 Vous Plaîf imagines an exchange of letters between Jawaharlal Nehru’s increasingly irate
father and a snooty Parisian launderer over a pair of damaged drawers. Also included in this volume is Perelman’s most sustained piece of writing, his two-act comedy, The Beauty Part, which opened on December 26,1962, at New York’s Music Box Theatre and closed shortly afterward, the casualty of an unfortunately timed newspaper strike. The idea for this outrageous spoof about money, art, and the ubiquitous desire for self-
expression, Perelman was fond of saying, came to him one day when he was riding the elevator of Manhattan’s Sutton Hotel: the operator stopped the car between floors and announced, “I’m having trouble with my second act.” Rounding out the volume are profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanae! West from the unfinished autobiography, “The Hindsight Saga,” and a selection of letters written to correspondents such as Edmund Wilson, Groucho Marx, and Paul Theroux.
|
| adam_txt |
Contents Introduction: Perelman, the Pearl ofProvidence by Adam Gopnik. xiii Sketches and Satires Puppets of Passion: A Throbbing Story of Youth’s Hot Revolt Against the Conventions. 3 Those Charming People: The Latest Report on the Weinbloom Reptile Expedition. 7 Scenario. 9 Strictly from Hunger. 14 The Love Decoy: A Story of Youth in College Today—Awake, Fearless, Unashamed. 23 Waiting for Santy: A Christmas Playlet. 28 Frou-Frou, or the Future of Vertigo. 31 Captain Future, Block That Kick!. 34 Midwinter Facial Trends. 40 Counter-Revolution. 44 Beat Me, Post-Impressionist Daddy. 48 A Pox on You, Mine Goodly Host. 53 Bend Down, Sister. 57 Beauty and the Bee. 61 Button, Button, Who’s Got the Blend?. 65 Swing Out, Sweet Chariot. 69 A Couple of Quick Ones: Two Portraits. 74 Hell in the Gabardines. 85 Farewell, My Lovely
Appetizer. 91 Hit Him Again, He’s Sober. . 98 Physician, Steel Thyself. 103 Take Two Parts Sand, One Part Girl, and Stir. no Sleepy-Time Extra. 116 Amo, Amas, Amat, Amamus, Araatis, Enough!. 121 Send No Money, Honey. 126 Acres and Pains: Chapter One. 131 Acres and Pains: Chapter Twelve. 133 Don’t Bring Me Oscars (When It’s Shoesies That I Need) 135
X CONTENTS Rancors Aweigh. 141 Mama Don’t Want No Rice. 149 Columbia, the Crumb of the Ocean. 157 Whenas in Sulks My Julia Goes. 166 Cloudland Revisited: Why, Doctor, What Big Green EyeS You Have!. 174 Chewies the Goat but Hicks Need Hypo. 182 Salesman, Spare that Psyche. 188 The Song Is Endless, but the Malady Lingers On . 195 A Girl and a Boy Anthropoid Were Dancing. 201 Cloudland Revisited: Rock-a-Bye, Viscount, in the Treetop. 208 Cloudland Revisited: When to the Sessions of Sweet Silent Films. 216 No Starch in the Dhoti, S’il Vous Plaît. 224 Cloudland Revisited: The Wickedest Woman in Larchmont. 232 Swindle Sheet with Blueblood Engrailed, Arrant Fibs Rampant. 238 Cloudland Revisited: I’m Sorry I Made Me Cry. 244 Sorry—No Phone or Mail Orders . 250 Next Week at the Prado: Frankie Goya Plus Monster Cast. 256 You’re My Everything, Plus City Sales Tax. 261 Eine Kleine Mothmusik.
268 Where Do You Work-а, John?. 276 Portrait of the Artist as a Young Mime. 282 This Is the Forest Primeval?. 290 Impresario on the Lam . 299 Revulsion in the Desert. 307 Are You Decent, Memsahib? . 314 Tell Me Clear, Parachutist Dear, Are You Man or Mouse?. 322 Sex and the Single Boy. 328 A Soft Answer Turneth Away Royalties. 335 Hello, Central, Give Me That Jolly Old Pelf. 343 The Sweet Chick Gone. 351 Nobody Knows the Rubble I’ve Seen/Nobody Knows but Croesus. 357 Three Loves Had I, in Assorted Flavors. 365
CONTENTS ХІ Be a Cat’s-Paw! Lose Big Money!. 371 Moonstruck at Sunset. 377 The Beauty Part: A Comedy in Two Acts. The Hindsight Saga: an Autobiography 385 Three Fragments from The Marx Brothers. 469 Nathanael West. 481 Dorothy Parker. 490 Selected Letters To Edmund Wilson (September 2,1929).497 To I. J. Kapstein (October 9,1930).498 To Groucho Marx (April 7,1943). 499 To Frances and Albert Hackett (August 14,1949) . . . 501 To Abby Perelman (April 15,1954). 504 To Leila Hadley (August 21,1955) . 506 To Leila Hadley (September 16,1955). 508 To Betsy Drake (September 28,1955). 510 To Leila Hadley (August 25,1956). 511 To Leila Hadley (November 22,1956). 513 To Paul Theroux (October 18,1976). 515 To Paul Theroux (December 24,1976). 517 Chronology. Note on the Texts. Notes. 5շւ 535 540
One of the most original stylists in American literature—and one of the fiinniest—Sidney Joseph Perelman wrote gags for the Marx Brothers, won an Oscar for screenwriting, and wrote or collaborated on five Broadway plays. But nowhere is his zany and pyrotechnic humor more hilariously on display than in the one-of-a-kind sketches and satires (Perelman called them feuilletons) he wrote for The New Yorker and other magazines. Their “great subject is singular and simply defined,” writes editor Adam Gopnik in his introduction to this volume: “American vul garity, flowing up and down like waves of electricity through a cat in a cartoon, exposing its innards even as it shocks our sensibilities.” Gopnik presents here the best of them—parodies, social satires, autobiographical pieces, and a selection from the celebrated “Cloudland Revisited” series, in which Perelman reminisces about books and movies encountered in youth and describes the rude shock of revisiting them as an adult. In the early, Joycean piece called “Scenario,” Perelman offers a surrealistic take on a Hollywood pitch meeting—a collage of onand off-screen clichés, show biz argot, and popular slang that rolls on in one continuous paragraph. In “Farewell, My Lovely Appetizer,” he sends up the hardboiled detective fiction of Raymond Chandler: “I kicked open the bottom drawer of her desk, let two inches of rye trickle down my craw, kissed Birdie square on her lush, red mouth, and set fire to a ciga rette.” “No Starch in My Dhoti, ЅЧ1 Vous Plaîf imagines an exchange of letters between Jawaharlal Nehru’s increasingly irate
father and a snooty Parisian launderer over a pair of damaged drawers. Also included in this volume is Perelman’s most sustained piece of writing, his two-act comedy, The Beauty Part, which opened on December 26,1962, at New York’s Music Box Theatre and closed shortly afterward, the casualty of an unfortunately timed newspaper strike. The idea for this outrageous spoof about money, art, and the ubiquitous desire for self-
expression, Perelman was fond of saying, came to him one day when he was riding the elevator of Manhattan’s Sutton Hotel: the operator stopped the car between floors and announced, “I’m having trouble with my second act.” Rounding out the volume are profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanae! West from the unfinished autobiography, “The Hindsight Saga,” and a selection of letters written to correspondents such as Edmund Wilson, Groucho Marx, and Paul Theroux. |
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| index_date | 2024-07-03T17:28:33Z |
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| spelling | Perelman, Sidney J. 1904-1979 Verfasser (DE-588)118982435 aut Writings S. J. Perelman ; Adam Gopnik, editor New York Library of America [2021] xxi, 583 Seiten txt rdacontent n rdamedia nc rdacarrier The Library of America 346 Sketches and Satire <<The>> beauty part <<The>> hindsight saga: Threes fragments from an autobiography Selected letters Perelman, Sidney J. 1904-1979 (DE-588)118982435 gnd rswk-swf Perelman, Sidney J. 1904-1979 (DE-588)118982435 p DE-604 Gopnik, Adam 1956- (DE-588)102942666X edt Erscheint auch als Online-Ausgabe 978-1-59853-693-5 The Library of America 346 (DE-604)BV000009606 346 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032722046&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032722046&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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