Experiencing cinema: participatory film cultures, immersive media and the experience economy
"The first in-depth study of participant engagement with experiential media derived from cinema culture"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Bloomsbury Academic, Bloomsbury Publishing Inc
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "The first in-depth study of participant engagement with experiential media derived from cinema culture"-- |
| Beschreibung: | vi, 236 Seiten Illustrationen, Diagramme 24 cm |
| ISBN: | 9781501352041 1501352040 |
Internformat
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Datensatz im Suchindex
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Contents Acknowledgements Introduction: Experience, immersion and participation vi 1 Part One: Live cinema, pop-up media and the experience economy 1 2 3 Immersive cinema-going and the pop-up economy Virtual reality and immersive technologies Live installation art and participatory cultures 31 60 86 Part Two: Participatory cultures of resistance and the alternative experience economy 4 Experiential cinema in a rural context 5 Cinéphile activism and rituals of resistance 6 Cosplay, crossplay and immersive identities Conclusions: The experiential turn in cinema 113 139 165 191 Appendices Bibliography Index 205 211 228
‘This is in my judgement a really rich and valuable book. Built on a combination of deep and wide scholarly reading, linked critically with some really good empirical research into different areas of “alternative” cinema, it will bid fair to become the key book in the area for some time.’ Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadiums, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating, increased audience mobility and the de-centring of the film text. EMMA PETT is Lecturer in Creative Industries at the University of York, UK. She has published on the reception and regulation of films in
The New Review of Film and Television Studies, The Journal of British Cinema and Television and Transnational Cinemas, and has chapters in Live Cinema: Cultures, Economies, Aesthetics [Bloomsbury, 20171 and Princess Mononoke: Understanding Studio Ghibli’s Monster Princess [Bloomsbury 20181. |
| adam_txt |
Contents Acknowledgements Introduction: Experience, immersion and participation vi 1 Part One: Live cinema, pop-up media and the experience economy 1 2 3 Immersive cinema-going and the pop-up economy Virtual reality and immersive technologies Live installation art and participatory cultures 31 60 86 Part Two: Participatory cultures of resistance and the alternative experience economy 4 Experiential cinema in a rural context 5 Cinéphile activism and rituals of resistance 6 Cosplay, crossplay and immersive identities Conclusions: The experiential turn in cinema 113 139 165 191 Appendices Bibliography Index 205 211 228
‘This is in my judgement a really rich and valuable book. Built on a combination of deep and wide scholarly reading, linked critically with some really good empirical research into different areas of “alternative” cinema, it will bid fair to become the key book in the area for some time.’ Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadiums, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating, increased audience mobility and the de-centring of the film text. EMMA PETT is Lecturer in Creative Industries at the University of York, UK. She has published on the reception and regulation of films in
The New Review of Film and Television Studies, The Journal of British Cinema and Television and Transnational Cinemas, and has chapters in Live Cinema: Cultures, Economies, Aesthetics [Bloomsbury, 20171 and Princess Mononoke: Understanding Studio Ghibli’s Monster Princess [Bloomsbury 20181. |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
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| isbn | 9781501352041 1501352040 |
| language | English |
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| spelling | Pett, Emma Verfasser (DE-588)1235108406 aut Experiencing cinema participatory film cultures, immersive media and the experience economy Emma Pett New York, NY Bloomsbury Academic, Bloomsbury Publishing Inc 2021 vi, 236 Seiten Illustrationen, Diagramme 24 cm txt rdacontent n rdamedia nc rdacarrier "The first in-depth study of participant engagement with experiential media derived from cinema culture"-- Beteiligung (DE-588)4006092-5 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Motion picture audiences Motion pictures / Social aspects Motion picture theaters Motion picture theaters / Social aspects Participatory theater Kino (DE-588)4129654-0 s Beteiligung (DE-588)4006092-5 s DE-604 Erscheint auch als Online-Ausgabe 978-1-5013-5205-8 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-5206-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721355&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721355&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Pett, Emma Experiencing cinema participatory film cultures, immersive media and the experience economy Beteiligung (DE-588)4006092-5 gnd Kino (DE-588)4129654-0 gnd |
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| title | Experiencing cinema participatory film cultures, immersive media and the experience economy |
| title_auth | Experiencing cinema participatory film cultures, immersive media and the experience economy |
| title_exact_search | Experiencing cinema participatory film cultures, immersive media and the experience economy |
| title_exact_search_txtP | Experiencing cinema participatory film cultures, immersive media and the experience economy |
| title_full | Experiencing cinema participatory film cultures, immersive media and the experience economy Emma Pett |
| title_fullStr | Experiencing cinema participatory film cultures, immersive media and the experience economy Emma Pett |
| title_full_unstemmed | Experiencing cinema participatory film cultures, immersive media and the experience economy Emma Pett |
| title_short | Experiencing cinema |
| title_sort | experiencing cinema participatory film cultures immersive media and the experience economy |
| title_sub | participatory film cultures, immersive media and the experience economy |
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