Sound and affect: voice, music, world
"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
University of Chicago Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"-- |
| Beschreibung: | ix, 405 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780226758015 9780226751832 |
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| 505 | 8 | |a Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley | |
| 520 | 3 | |a "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Preface ix Introduction і JUDITH LOCHHEAD, EDUARDO MENDIETA, AND STEPHEN DECATUR SMITH part і. Sounding the Political і. Waves of Moderation: The Sound of Sophrosyne in Ancient Greek and Neoliberal Times 37 chapter ROBIN JAMES chapter г. The Politics of Silence: Heidegger’s Black Notebooks 56 ADAM KNOWLES part chapter 2. Affect, Music, Human 3. Sign, Affect, and Musickingbefore the Human 71 GARY TOMLINSON 4. Human Beginnings and Music: Technology and Embodiment Roles 99 chapter DON IHDE chapter 5. The Life and Death of Daniel Barenboim 108 JAMES CURRIE
vi CONTENTS part chapter 6. 3. Voicings and Silencings The Philosopher s Voice: The Prosody of Logos 141 EDUARDO MENDIETA chapter 7. Late Capitalism, Affect, and the Algorithmic Self in Music Streaming Platforms 159 MICHAEL BIRENBAUM QUINTERO PART 4. Affective Listenings chapter 8. Music, Labor, and Technologies of Desire 197 MARTIN SCHERZINGER 9. Musical Affect, Autobiographical Memory, and Collective Individuation in Thomas Bernhard’s Correction 224 chapter CHRISTOPHER HAWORTH part 5. Temporalities ofSounding 10. The “Sound” of Music: Sonic Agency and the Dialectic of Freedom and Constraint in Jazz Improvisation 239 chapter LORENZO C. SIMPSON chapter 11. Merleau-Ponty on Consciousness and Affect through the Temporal Movement of Music 253 JESSICA WISKUS chapter 12. A. N. Whitehead, Feeling, and Music: On Some Potential Modifications to Affect Theory 268 RYAN DOHONEY PART 6. Theorizing the Affections 13. Delivering Affect: Mersenne, Voice, and the Background ofJesuit Rhetorical Theory 289 chapter ANDRÉ DE OLIVEIRA REDWOOD
CONTENTS chapter 14. Mimesis and the Affective Ground of Baroque Representation 303 DANIEL VILLEGAS VÉLEZ 15. Affect and the Recording Devices of Seventeenth-Century Italy 325 chapter EMILY WILBOURNE chapter 16. Immanuel Kant and the Downfall of the Affektenlehre 342 TOMÁS MCAULEY Acknowledgments 361 List of Contributors 363 Bibliography 365 Index 391 vii
|
| adam_txt |
CONTENTS Preface ix Introduction і JUDITH LOCHHEAD, EDUARDO MENDIETA, AND STEPHEN DECATUR SMITH part і. Sounding the Political і. Waves of Moderation: The Sound of Sophrosyne in Ancient Greek and Neoliberal Times 37 chapter ROBIN JAMES chapter г. The Politics of Silence: Heidegger’s Black Notebooks 56 ADAM KNOWLES part chapter 2. Affect, Music, Human 3. Sign, Affect, and Musickingbefore the Human 71 GARY TOMLINSON 4. Human Beginnings and Music: Technology and Embodiment Roles 99 chapter DON IHDE chapter 5. The Life and Death of Daniel Barenboim 108 JAMES CURRIE
vi CONTENTS part chapter 6. 3. Voicings and Silencings The Philosopher s Voice: The Prosody of Logos 141 EDUARDO MENDIETA chapter 7. Late Capitalism, Affect, and the Algorithmic Self in Music Streaming Platforms 159 MICHAEL BIRENBAUM QUINTERO PART 4. Affective Listenings chapter 8. Music, Labor, and Technologies of Desire 197 MARTIN SCHERZINGER 9. Musical Affect, Autobiographical Memory, and Collective Individuation in Thomas Bernhard’s Correction 224 chapter CHRISTOPHER HAWORTH part 5. Temporalities ofSounding 10. The “Sound” of Music: Sonic Agency and the Dialectic of Freedom and Constraint in Jazz Improvisation 239 chapter LORENZO C. SIMPSON chapter 11. Merleau-Ponty on Consciousness and Affect through the Temporal Movement of Music 253 JESSICA WISKUS chapter 12. A. N. Whitehead, Feeling, and Music: On Some Potential Modifications to Affect Theory 268 RYAN DOHONEY PART 6. Theorizing the Affections 13. Delivering Affect: Mersenne, Voice, and the Background ofJesuit Rhetorical Theory 289 chapter ANDRÉ DE OLIVEIRA REDWOOD
CONTENTS chapter 14. Mimesis and the Affective Ground of Baroque Representation 303 DANIEL VILLEGAS VÉLEZ 15. Affect and the Recording Devices of Seventeenth-Century Italy 325 chapter EMILY WILBOURNE chapter 16. Immanuel Kant and the Downfall of the Affektenlehre 342 TOMÁS MCAULEY Acknowledgments 361 List of Contributors 363 Bibliography 365 Index 391 vii |
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| building | Verbundindex |
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| classification_rvk | LR 56800 LR 56650 |
| contents | Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley |
| ctrlnum | (OCoLC)1249018605 (DE-599)BVBBV047318510 |
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| publisher | University of Chicago Press |
| record_format | marc |
| spelling | Sound and affect voice, music, world edited by Judith Lochhead, Eduardo Mendieta, and Stephen Decatur Smith Chicago ; London University of Chicago Press [2021] ©2021 ix, 405 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley "Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"-- Ästhetik (DE-588)4000626-8 gnd rswk-swf Affekt (DE-588)4135470-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Music / Psychological aspects Affect (Psychology) Music / Philosophy and aesthetics Music / Political aspects Emotions in music (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Affekt (DE-588)4135470-9 s Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s DE-604 Lochhead, Judith Irene 1951- (DE-588)1056134453 edt Mendieta, Eduardo 1963- (DE-588)1026460611 edt Smith, Stephen Decatur (DE-588)1051265398 edt Erscheint auch als Online-Ausgabe, ebk. 978-0-226-75815-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sound and affect voice, music, world Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley Ästhetik (DE-588)4000626-8 gnd Affekt (DE-588)4135470-9 gnd Musik (DE-588)4040802-4 gnd Philosophie (DE-588)4045791-6 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4135470-9 (DE-588)4040802-4 (DE-588)4045791-6 (DE-588)4143413-4 |
| title | Sound and affect voice, music, world |
| title_auth | Sound and affect voice, music, world |
| title_exact_search | Sound and affect voice, music, world |
| title_exact_search_txtP | Sound and affect voice, music, world |
| title_full | Sound and affect voice, music, world edited by Judith Lochhead, Eduardo Mendieta, and Stephen Decatur Smith |
| title_fullStr | Sound and affect voice, music, world edited by Judith Lochhead, Eduardo Mendieta, and Stephen Decatur Smith |
| title_full_unstemmed | Sound and affect voice, music, world edited by Judith Lochhead, Eduardo Mendieta, and Stephen Decatur Smith |
| title_short | Sound and affect |
| title_sort | sound and affect voice music world |
| title_sub | voice, music, world |
| topic | Ästhetik (DE-588)4000626-8 gnd Affekt (DE-588)4135470-9 gnd Musik (DE-588)4040802-4 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Ästhetik Affekt Musik Philosophie Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT lochheadjudithirene soundandaffectvoicemusicworld AT mendietaeduardo soundandaffectvoicemusicworld AT smithstephendecatur soundandaffectvoicemusicworld |