Popular music, technology, and the changing media ecosystem: from cassettes to stream
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
palgrave macmillan
[2020]
|
| Schriftenreihe: | Pop music, culture and identity
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xix, 257 Seiten Illustrationen |
| ISBN: | 9783030446611 |
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Datensatz im Suchindex
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| adam_text | Contents J Continuity and Change ín the Relationship Between Popular Music, Culture, and Technology: An Introduction 1 Tarnas Toíalvy Part I 2 Networks of Technology and Popular Music Music Scenes as Infrastructures: Prom Live Venues to Algorithmic Data 23 Paolo Magaiidda 3 From Music Scenes to Musicalized Networks: A Critical Perspective on Digitalization 43 Stéphane Costantini 4 Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital Tamas Toíalvy 59
CONTENTS Part II Taste, Authenticity and Digital Media 5 6 7 8 The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries Emília Barna Frictionless Platforms, Frictionless Music: The Utopia of Streaming in Music Industry Press Narratives András Rónai The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation Samira van Bohemen, Julian Schaap, and Pauwke Berkers Authenticity and Digital Popular Music Brands Jessica Edlom 79 97 115 129 Part III Materialities of Music Consumption 9 10 Listening to the Scrap: Contested Materialities of Music in 1990s China Zhongwei Lí 149 Obsolete Technology? The Significance of theCassette Format in Twenty-First-Century Japan Benjamin Düster 165 Part IV Scenes and the Uses and Discourses of Social Media 11 “Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene Andrew Whelan 185
CONTENTS 12 Discovering Music at Sofar Sounds: Surprise, Attachment, and the Fan-Ardst Relationship 201 13 Delicate Balances: The Roles of Amateur Concert Videos in the Galician Underground Scene Loïc Riom 217 Cibrán Tenreiro Uza! 14 Cassetteboy: Music, Social Media, and the Political Comedy Mash-up 233 James Williams Index 253
POP MUSIC, CULTURE AND IDENTITY Series Editors: Steve ClarkTristanne Connolly · Jason Whittaker Today’s pop music is technologically embedded in an array of different devices, platforms, and media. This wide-ranging book by a new generation of media scholars tracks a fascinating assortment of case studies, and powerfully sbows how this digital ecology arises from the interaction of different cultures, technologies, and social groups. —Trevor Pinch, Goldwin Smith Professor of Science and Technology Studies, Cornell University, US, author of Analog Days: The Invention and Impact of the Moog Synthesizer This is a timely collection that provides much-needed guidance on how we should navigate the vexing thickets of music in a changing media landscape, and dear-headed thought on the ruptures, continuities, and challenges facing contemporary music. The collection will not merely embellish existing debates on music and technological change, but set new agendas running on how we should come to terms with these changes without falling into reductionism, polemic, or panic. —Nick Prior, Professor of Cultural Sociology, University of Edinburgh, UK, author of Popular Music, Digital Technology, and Society This book explores the relationships between popular music, technology, and the changing media ecosystem. More precisely, it looks at infrastructures and practices of music making and consuming primarily in the post-Napster era of digitization - with some chapters looking back on the technological precursors to digital culture - marked by the emergence of digital tools and platforms
such as YouTube or Spotify. The first section provides a critical overview of theories addressing popular music and digital technology, white the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology. The third section offers case studies on the materialities of music consumption from outside the western core of popular music production. The final section reflects on music scenes and the uses and discourses of social media. Tamas Tofalvy, PhD is Associate Professor at Budapest University of Technology and Economics. Emília Barna, PhD is Assistant Professor at Budapest University of Technology and Economics.
|
| adam_txt |
Contents J Continuity and Change ín the Relationship Between Popular Music, Culture, and Technology: An Introduction 1 Tarnas Toíalvy Part I 2 Networks of Technology and Popular Music Music Scenes as Infrastructures: Prom Live Venues to Algorithmic Data 23 Paolo Magaiidda 3 From Music Scenes to Musicalized Networks: A Critical Perspective on Digitalization 43 Stéphane Costantini 4 Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital Tamas Toíalvy 59
CONTENTS Part II Taste, Authenticity and Digital Media 5 6 7 8 The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries Emília Barna Frictionless Platforms, Frictionless Music: The Utopia of Streaming in Music Industry Press Narratives András Rónai The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation Samira van Bohemen, Julian Schaap, and Pauwke Berkers Authenticity and Digital Popular Music Brands Jessica Edlom 79 97 115 129 Part III Materialities of Music Consumption 9 10 Listening to the Scrap: Contested Materialities of Music in 1990s China Zhongwei Lí 149 Obsolete Technology? The Significance of theCassette Format in Twenty-First-Century Japan Benjamin Düster 165 Part IV Scenes and the Uses and Discourses of Social Media 11 “Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene Andrew Whelan 185
CONTENTS 12 Discovering Music at Sofar Sounds: Surprise, Attachment, and the Fan-Ardst Relationship 201 13 Delicate Balances: The Roles of Amateur Concert Videos in the Galician Underground Scene Loïc Riom 217 Cibrán Tenreiro Uza! 14 Cassetteboy: Music, Social Media, and the Political Comedy Mash-up 233 James Williams Index 253
POP MUSIC, CULTURE AND IDENTITY Series Editors: Steve ClarkTristanne Connolly · Jason Whittaker "Today’s pop music is technologically embedded in an array of different devices, platforms, and media. This wide-ranging book by a new generation of media scholars tracks a fascinating assortment of case studies, and powerfully sbows how this digital ecology arises from the interaction of different cultures, technologies, and social groups.' —Trevor Pinch, Goldwin Smith Professor of Science and Technology Studies, Cornell University, US, author of Analog Days: The Invention and Impact of the Moog Synthesizer "This is a timely collection that provides much-needed guidance on how we should navigate the vexing thickets of music in a changing media landscape, and dear-headed thought on the ruptures, continuities, and challenges facing contemporary music. The collection will not merely embellish existing debates on music and technological change, but set new agendas running on how we should come to terms with these changes without falling into reductionism, polemic, or panic." —Nick Prior, Professor of Cultural Sociology, University of Edinburgh, UK, author of Popular Music, Digital Technology, and Society This book explores the relationships between popular music, technology, and the changing media ecosystem. More precisely, it looks at infrastructures and practices of music making and consuming primarily in the post-Napster era of digitization - with some chapters looking back on the technological precursors to digital culture - marked by the emergence of digital tools and platforms
such as YouTube or Spotify. The first section provides a critical overview of theories addressing popular music and digital technology, white the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology. The third section offers case studies on the materialities of music consumption from outside the western core of popular music production. The final section reflects on music scenes and the uses and discourses of social media. Tamas Tofalvy, PhD is Associate Professor at Budapest University of Technology and Economics. Emília Barna, PhD is Assistant Professor at Budapest University of Technology and Economics. |
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| series2 | Pop music, culture and identity |
| spelling | Popular music, technology, and the changing media ecosystem from cassettes to stream Tamas Tofalvy, Emília Barna (editors) Cham, Switzerland palgrave macmillan [2020] © 2020 xix, 257 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Pop music, culture and identity Culture and Technology Music Popular Culture Media and Communication Culture Technology Communication Musikkonsum (DE-588)4129542-0 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Musikwirtschaft (DE-588)4268614-3 s Medien (DE-588)4169187-8 s Musikkonsum (DE-588)4129542-0 s Technischer Fortschritt (DE-588)4059252-2 s DE-604 Neue Medien (DE-588)4196910-8 s Tófalvy, Tamás (DE-588)1126444693 edt Barna, Emília (DE-588)112644457X edt Äquivalent Druck-Ausgabe, Hardcover 978-3-030-44658-1 Erscheint auch als Online-Ausgabe 978-3-030-44659-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721168&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721168&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Popular music, technology, and the changing media ecosystem from cassettes to stream Culture and Technology Music Popular Culture Media and Communication Culture Technology Communication Musikkonsum (DE-588)4129542-0 gnd Neue Medien (DE-588)4196910-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd Medien (DE-588)4169187-8 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4129542-0 (DE-588)4196910-8 (DE-588)4268614-3 (DE-588)4169187-8 (DE-588)4059252-2 (DE-588)4046781-8 (DE-588)4143413-4 |
| title | Popular music, technology, and the changing media ecosystem from cassettes to stream |
| title_auth | Popular music, technology, and the changing media ecosystem from cassettes to stream |
| title_exact_search | Popular music, technology, and the changing media ecosystem from cassettes to stream |
| title_exact_search_txtP | Popular music, technology, and the changing media ecosystem from cassettes to stream |
| title_full | Popular music, technology, and the changing media ecosystem from cassettes to stream Tamas Tofalvy, Emília Barna (editors) |
| title_fullStr | Popular music, technology, and the changing media ecosystem from cassettes to stream Tamas Tofalvy, Emília Barna (editors) |
| title_full_unstemmed | Popular music, technology, and the changing media ecosystem from cassettes to stream Tamas Tofalvy, Emília Barna (editors) |
| title_short | Popular music, technology, and the changing media ecosystem |
| title_sort | popular music technology and the changing media ecosystem from cassettes to stream |
| title_sub | from cassettes to stream |
| topic | Culture and Technology Music Popular Culture Media and Communication Culture Technology Communication Musikkonsum (DE-588)4129542-0 gnd Neue Medien (DE-588)4196910-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd Medien (DE-588)4169187-8 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Culture and Technology Music Popular Culture Media and Communication Culture Technology Communication Musikkonsum Neue Medien Musikwirtschaft Medien Technischer Fortschritt Popmusik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721168&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721168&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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