The logic of filtering: how noise shapes the sound of recorded music
"This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"-- |
| Beschreibung: | xi, 167 Seiten Illustrationen, Diagramme (schwarz-weiß) |
| ISBN: | 9780190070144 9780190070137 |
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| 245 | 1 | 0 | |a The logic of filtering |b how noise shapes the sound of recorded music |c Melle Jan Kromhout |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a xi, 167 Seiten |b Illustrationen, Diagramme (schwarz-weiß) | ||
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| 505 | 8 | |a Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music' | |
| 520 | 3 | |a "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"-- | |
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| 653 | 0 | |a Noise | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 0 | |a Noise | |
| 653 | 0 | |a Sound / Recording and reproducing | |
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Datensatz im Suchindex
| _version_ | 1804182513698996224 |
|---|---|
| adam_text | Contents Acknowledgments Introduction: The Noise of Sound Media ix 1 1. The Myth of Perfect Fidelity 16 2. The Logic of Noise Reduction 44 3. Ideal and Technical Filters 75 4. Time and Transience 100 5. The Logic of Filtering 122 Conclusion: The “Other Music” 144 Bibliography and Discography 157 Index 165
|
| adam_txt |
Contents Acknowledgments Introduction: The Noise of Sound Media ix 1 1. The Myth of Perfect Fidelity 16 2. The Logic of Noise Reduction 44 3. Ideal and Technical Filters 75 4. Time and Transience 100 5. The Logic of Filtering 122 Conclusion: The “Other Music” 144 Bibliography and Discography 157 Index 165 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kromhout, Melle Jan ca. 20./21. Jh |
| author_GND | (DE-588)1235476170 |
| author_facet | Kromhout, Melle Jan ca. 20./21. Jh |
| author_role | aut |
| author_sort | Kromhout, Melle Jan ca. 20./21. Jh |
| author_variant | m j k mj mjk |
| building | Verbundindex |
| bvnumber | BV047318197 |
| classification_rvk | LR 56660 LR 56820 |
| contents | Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music' |
| ctrlnum | (OCoLC)1253758524 (DE-599)BVBBV047318197 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047318197 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:28:07Z |
| indexdate | 2024-07-10T09:08:45Z |
| institution | BVB |
| isbn | 9780190070144 9780190070137 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032721001 |
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| physical | xi, 167 Seiten Illustrationen, Diagramme (schwarz-weiß) |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
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| spelling | Kromhout, Melle Jan ca. 20./21. Jh. Verfasser (DE-588)1235476170 aut The logic of filtering how noise shapes the sound of recorded music Melle Jan Kromhout New York, NY Oxford University Press [2021] © 2021 xi, 167 Seiten Illustrationen, Diagramme (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music' "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"-- Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Geräusch (DE-588)4129296-0 gnd rswk-swf Sound recordings / Aesthetics Music / Philosophy and aesthetics Sound / Recording and reproducing / History Noise Sound / Recording and reproducing History Schallaufzeichnung (DE-588)4052020-1 s Klang (DE-588)4030933-2 s Geräusch (DE-588)4129296-0 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-007016-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721001&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kromhout, Melle Jan ca. 20./21. Jh The logic of filtering how noise shapes the sound of recorded music Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music' Schallaufzeichnung (DE-588)4052020-1 gnd Klang (DE-588)4030933-2 gnd Geräusch (DE-588)4129296-0 gnd |
| subject_GND | (DE-588)4052020-1 (DE-588)4030933-2 (DE-588)4129296-0 |
| title | The logic of filtering how noise shapes the sound of recorded music |
| title_auth | The logic of filtering how noise shapes the sound of recorded music |
| title_exact_search | The logic of filtering how noise shapes the sound of recorded music |
| title_exact_search_txtP | The logic of filtering how noise shapes the sound of recorded music |
| title_full | The logic of filtering how noise shapes the sound of recorded music Melle Jan Kromhout |
| title_fullStr | The logic of filtering how noise shapes the sound of recorded music Melle Jan Kromhout |
| title_full_unstemmed | The logic of filtering how noise shapes the sound of recorded music Melle Jan Kromhout |
| title_short | The logic of filtering |
| title_sort | the logic of filtering how noise shapes the sound of recorded music |
| title_sub | how noise shapes the sound of recorded music |
| topic | Schallaufzeichnung (DE-588)4052020-1 gnd Klang (DE-588)4030933-2 gnd Geräusch (DE-588)4129296-0 gnd |
| topic_facet | Schallaufzeichnung Klang Geräusch |
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