Dueling grounds: revolution and revelation in the musical "Hamilton"
"Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda-who wrote the book, lyrics, and music, and created the title role-adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikel...
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Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
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New York, NY
Oxford University Press
[2021]
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda-who wrote the book, lyrics, and music, and created the title role-adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century"-- |
Beschreibung: | viii, 242 Seiten Illustrationen |
ISBN: | 9780190938857 9780190938840 |
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505 | 8 | |a Introduction : Revolution and Liminality in the Musical Hamilton / Mary Jo Lodge and Paul R. Laird -- Part I. Hamilton and History. The Creation of the United States and the Broadway Stage / Paul R. Laird ; Economics Lessons in History with Alexander Hamilton : From Adam Smith to Broadway / Christopher S. Ruebeck and Mary Jo Lodge ; The Ten Dollar Opera: Hamilton as a New Modernism / Stuart Hecht ; Musical 'Founders Chic' : 1776 and Hamilton as Heritage Musicals / Mary Jo Lodge -- Part II. Hamilton and Representation. Hamilton's Gendered Entanglements / Stacy Wolf ; Taking Hamilton to the Streets : Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility / Trevor Boffone ; Hamilton, History, Historiography / Rachel B. Hermann ; A 'Model' American Musical : Hamilton and the Rise of Model Minorities / Sissi Liu -- Part III. Staging Hamilton. Hamilton and the Liminal Director : Navigating the Space Between Writer and Star / Alan Patrick Kenny and Mary Jo Lodge ; Revolutionary Movement : 'Non-Stop' Ensemble Choreography at Work / Dustyn Martincich ; Telling the Story of Hamilton in the Twenty-First Century : the Layering of Historical and Modern Aesthetics Through Costume Design / Ella Hawkins -- Part IV. Singing Hamilton. Long Live Hip-Hop : Hamilton and the Death (and Rebirth) of Hip-Hop / Cheryl L. Keyes ; Words Flooding the Senses : The Tradition and Impact of Hamilton's Vocal Stylings / Elizabeth Sallinger ; Hamilton -- An American Musical : The Very Model of a Modern Major (British) Megamusical / Adam Rush -- Conclusion. Revelation in Hamilton / Mary Jo Lodge and Paul R. Laird | |
520 | 3 | |a "Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda-who wrote the book, lyrics, and music, and created the title role-adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century"-- | |
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Datensatz im Suchindex
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Contents Acknowledgments List of Contributors Introduction: Revolution and Liminality in the Musical Hamilton ix xi 1 Maryjo Lodge and Paul R. Laird PARTI: HAMILTON AND HISTORY 1. The Creation of the United States and the Broadway Stage 13 Paul R. Laird 2. Economics Lessons in History with Alexander Hamilton: From Adam Smith to Broadway 26 Christophers. RuebeckandMaryJo Lodge 3. The Ten Dollar Opera: Hamilton as a New Modernism 40 Stuart J. Hecht 4. Musical “Founders Chic”: 1776and Hamilton as Heritage Musicals 55 Mary Jo Lodge PART II: HAMILTON AND REPRESENTATION 5. Hamilton’s Gendered Entanglements Sfacy Wolf 6. Taking Hamilton to the Streets: Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility 73 88 Trevor Boffone 7. Hamilton, History, Historiography 103 Rachel B. Herrmann 8. A “Model” American Musical: Hamilton and the Rise of Model Minorities Sissi Liu 117
viii Contents PARTIII: STAGING HAMILTON 9. Hamilton and the Liminal Director: Navigating the Space Between Writer and Star 135 Alan Patrick Kenny and Mary Jo Lodge 10. Revolutionary Movement: “Non-Stop” Ensemble Choreography at Work 149 Dustyn Martincích 11. Telling the Story of Hamilton in the Twenty-First Century: The Layering of Historical and Modern Aesthetics Through Costume Design 164 Ella Hawkins PART IV: SINGING HAMILTON 12. Long Live Hip-Hop: Hamilton and the Death (and Rebirth) of Hip-Hop 183 Cheryl L. Keyes 13. Words Flooding the Senses: The Tradition and Impact of Hamilton’s Vocal Stylings 200 Elizabeth Sallinger 14. Hamilton—An American Musical: The Very Model of a Modern Major (British) Megamusical 215 Adam Rush Conclusion: Revelation in Hamilton 231 Mary Jo Lodge and Paul R. Laird Index 237 |
adam_txt |
Contents Acknowledgments List of Contributors Introduction: Revolution and Liminality in the Musical Hamilton ix xi 1 Maryjo Lodge and Paul R. Laird PARTI: HAMILTON AND HISTORY 1. The Creation of the United States and the Broadway Stage 13 Paul R. Laird 2. Economics Lessons in History with Alexander Hamilton: From Adam Smith to Broadway 26 Christophers. RuebeckandMaryJo Lodge 3. The Ten Dollar Opera: Hamilton as a New Modernism 40 Stuart J. Hecht 4. Musical “Founders Chic”: 1776and Hamilton as Heritage Musicals 55 Mary Jo Lodge PART II: HAMILTON AND REPRESENTATION 5. Hamilton’s Gendered Entanglements Sfacy Wolf 6. Taking Hamilton to the Streets: Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility 73 88 Trevor Boffone 7. Hamilton, History, Historiography 103 Rachel B. Herrmann 8. A “Model” American Musical: Hamilton and the Rise of Model Minorities Sissi Liu 117
viii Contents PARTIII: STAGING HAMILTON 9. Hamilton and the Liminal Director: Navigating the Space Between Writer and Star 135 Alan Patrick Kenny and Mary Jo Lodge 10. Revolutionary Movement: “Non-Stop” Ensemble Choreography at Work 149 Dustyn Martincích 11. Telling the Story of Hamilton in the Twenty-First Century: The Layering of Historical and Modern Aesthetics Through Costume Design 164 Ella Hawkins PART IV: SINGING HAMILTON 12. Long Live Hip-Hop: Hamilton and the Death (and Rebirth) of Hip-Hop 183 Cheryl L. Keyes 13. Words Flooding the Senses: The Tradition and Impact of Hamilton’s Vocal Stylings 200 Elizabeth Sallinger 14. Hamilton—An American Musical: The Very Model of a Modern Major (British) Megamusical 215 Adam Rush Conclusion: Revelation in Hamilton 231 Mary Jo Lodge and Paul R. Laird Index 237 |
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contents | Introduction : Revolution and Liminality in the Musical Hamilton / Mary Jo Lodge and Paul R. Laird -- Part I. Hamilton and History. The Creation of the United States and the Broadway Stage / Paul R. Laird ; Economics Lessons in History with Alexander Hamilton : From Adam Smith to Broadway / Christopher S. Ruebeck and Mary Jo Lodge ; The Ten Dollar Opera: Hamilton as a New Modernism / Stuart Hecht ; Musical 'Founders Chic' : 1776 and Hamilton as Heritage Musicals / Mary Jo Lodge -- Part II. Hamilton and Representation. Hamilton's Gendered Entanglements / Stacy Wolf ; Taking Hamilton to the Streets : Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility / Trevor Boffone ; Hamilton, History, Historiography / Rachel B. Hermann ; A 'Model' American Musical : Hamilton and the Rise of Model Minorities / Sissi Liu -- Part III. Staging Hamilton. Hamilton and the Liminal Director : Navigating the Space Between Writer and Star / Alan Patrick Kenny and Mary Jo Lodge ; Revolutionary Movement : 'Non-Stop' Ensemble Choreography at Work / Dustyn Martincich ; Telling the Story of Hamilton in the Twenty-First Century : the Layering of Historical and Modern Aesthetics Through Costume Design / Ella Hawkins -- Part IV. Singing Hamilton. Long Live Hip-Hop : Hamilton and the Death (and Rebirth) of Hip-Hop / Cheryl L. Keyes ; Words Flooding the Senses : The Tradition and Impact of Hamilton's Vocal Stylings / Elizabeth Sallinger ; Hamilton -- An American Musical : The Very Model of a Modern Major (British) Megamusical / Adam Rush -- Conclusion. Revelation in Hamilton / Mary Jo Lodge and Paul R. Laird |
ctrlnum | (OCoLC)1284795242 (DE-599)BVBBV047318182 |
discipline | Musikwissenschaft |
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format | Book |
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spelling | Dueling grounds revolution and revelation in the musical "Hamilton" edited by Mary Jo Lodge and Paul R. Laird New York, NY Oxford University Press [2021] © 2021 viii, 242 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction : Revolution and Liminality in the Musical Hamilton / Mary Jo Lodge and Paul R. Laird -- Part I. Hamilton and History. The Creation of the United States and the Broadway Stage / Paul R. Laird ; Economics Lessons in History with Alexander Hamilton : From Adam Smith to Broadway / Christopher S. Ruebeck and Mary Jo Lodge ; The Ten Dollar Opera: Hamilton as a New Modernism / Stuart Hecht ; Musical 'Founders Chic' : 1776 and Hamilton as Heritage Musicals / Mary Jo Lodge -- Part II. Hamilton and Representation. Hamilton's Gendered Entanglements / Stacy Wolf ; Taking Hamilton to the Streets : Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility / Trevor Boffone ; Hamilton, History, Historiography / Rachel B. Hermann ; A 'Model' American Musical : Hamilton and the Rise of Model Minorities / Sissi Liu -- Part III. Staging Hamilton. Hamilton and the Liminal Director : Navigating the Space Between Writer and Star / Alan Patrick Kenny and Mary Jo Lodge ; Revolutionary Movement : 'Non-Stop' Ensemble Choreography at Work / Dustyn Martincich ; Telling the Story of Hamilton in the Twenty-First Century : the Layering of Historical and Modern Aesthetics Through Costume Design / Ella Hawkins -- Part IV. Singing Hamilton. Long Live Hip-Hop : Hamilton and the Death (and Rebirth) of Hip-Hop / Cheryl L. Keyes ; Words Flooding the Senses : The Tradition and Impact of Hamilton's Vocal Stylings / Elizabeth Sallinger ; Hamilton -- An American Musical : The Very Model of a Modern Major (British) Megamusical / Adam Rush -- Conclusion. Revelation in Hamilton / Mary Jo Lodge and Paul R. Laird "Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda-who wrote the book, lyrics, and music, and created the title role-adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century"-- Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd rswk-swf Miranda, Lin-Manuel / 1980- / Hamilton Hamilton, Alexander / 1757-1804 / Drama / History and criticism United States / History / Revolution, 1775-1783 / Drama / History and criticism Race in musical theater Hamilton, Alexander / 1757-1804 Drama United States 1775-1783 Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 u DE-604 Lodge, Mary Jo (DE-588)1244551090 edt Laird, Paul R. 1958- (DE-588)136824986 edt Erscheint auch als Online-Ausgabe, EPUB 978-0-19-093887-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032720985&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Dueling grounds revolution and revelation in the musical "Hamilton" Introduction : Revolution and Liminality in the Musical Hamilton / Mary Jo Lodge and Paul R. Laird -- Part I. Hamilton and History. The Creation of the United States and the Broadway Stage / Paul R. Laird ; Economics Lessons in History with Alexander Hamilton : From Adam Smith to Broadway / Christopher S. Ruebeck and Mary Jo Lodge ; The Ten Dollar Opera: Hamilton as a New Modernism / Stuart Hecht ; Musical 'Founders Chic' : 1776 and Hamilton as Heritage Musicals / Mary Jo Lodge -- Part II. Hamilton and Representation. Hamilton's Gendered Entanglements / Stacy Wolf ; Taking Hamilton to the Streets : Lin-Manuel Miranda, Latinidad, and the Aesthetics of Accessibility / Trevor Boffone ; Hamilton, History, Historiography / Rachel B. Hermann ; A 'Model' American Musical : Hamilton and the Rise of Model Minorities / Sissi Liu -- Part III. Staging Hamilton. Hamilton and the Liminal Director : Navigating the Space Between Writer and Star / Alan Patrick Kenny and Mary Jo Lodge ; Revolutionary Movement : 'Non-Stop' Ensemble Choreography at Work / Dustyn Martincich ; Telling the Story of Hamilton in the Twenty-First Century : the Layering of Historical and Modern Aesthetics Through Costume Design / Ella Hawkins -- Part IV. Singing Hamilton. Long Live Hip-Hop : Hamilton and the Death (and Rebirth) of Hip-Hop / Cheryl L. Keyes ; Words Flooding the Senses : The Tradition and Impact of Hamilton's Vocal Stylings / Elizabeth Sallinger ; Hamilton -- An American Musical : The Very Model of a Modern Major (British) Megamusical / Adam Rush -- Conclusion. Revelation in Hamilton / Mary Jo Lodge and Paul R. Laird Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd |
subject_GND | (DE-588)1096364719 (DE-588)4143413-4 |
title | Dueling grounds revolution and revelation in the musical "Hamilton" |
title_auth | Dueling grounds revolution and revelation in the musical "Hamilton" |
title_exact_search | Dueling grounds revolution and revelation in the musical "Hamilton" |
title_exact_search_txtP | Dueling grounds revolution and revelation in the musical "Hamilton" |
title_full | Dueling grounds revolution and revelation in the musical "Hamilton" edited by Mary Jo Lodge and Paul R. Laird |
title_fullStr | Dueling grounds revolution and revelation in the musical "Hamilton" edited by Mary Jo Lodge and Paul R. Laird |
title_full_unstemmed | Dueling grounds revolution and revelation in the musical "Hamilton" edited by Mary Jo Lodge and Paul R. Laird |
title_short | Dueling grounds |
title_sort | dueling grounds revolution and revelation in the musical hamilton |
title_sub | revolution and revelation in the musical "Hamilton" |
topic | Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd |
topic_facet | Miranda, Lin-Manuel 1980- Hamilton Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032720985&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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