Arnold Schoenberg and Egon Wellesz: a fraught relationship
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Plumbago Books
2020
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xix, 265 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780993198380 9780993198373 |
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Datensatz im Suchindex
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adam_text | Contents Author’s Preface......................................................................................ix Editor’s Preface..................................................................................... xv A Note on the Text..............................................................................xvii 1 Approaches (a) Temperaments and Feelings....................................................і (b) Early Contacts between Arnold Schoenberg and Egon Wellesz . 3 (c) Finding the Right Place in Vienna......................................... 5 2 Viennese Coordinates (a) In Search of Meaning............................................................ 18 (b) Musicology and Art History.................................................25 3 Wellesz and Schoenberg before the First World War (a) A Student addressing His Master............................................31 (b) A French Connection.............................................................. 41 4 The War and Its Long Shadow (a) The Kaasgraben Villa Quarter................................................ 51 (b) The War ................................................................................... 55 (c) Contra and pro Debussy..........................................................61
vi Bojan Bujić: Arnold Schoenberg and Egon Wellesz 5 Wellesz and Schoenberg, 1917-21 (a) The End of the Monarchy .................................................... 66 (b) Wellesz and the Schoenberg Monograph............................. 69 6 Between Vienna, Paris and London (a) Wellesz, Schoenberg and the French - again.......................82 (b) Schoenberg in Post-war Paris and London .........................88 7 The Parting of the Ways (a) The Cracks Appear.................................................................100 (b) Accusations and Resentment................................................ 102 8 Dance, Drama and Music, 1920-25 (a) Hofmannsthal in Search of a New Idiom........................... 114 (b) Dance: the Spirit of Hofmannsthal from the Hands of Balázs 120 (c) Wassermann: Fable and Symbol............................................ 123 (d) Hofmannsthal: Historicist Modernism.................................126 (e) Achilles aufSkyros and Beyond ............................................ 130 9 Opera as Staged Ritual (a) The ‘Classical’ Model .............................................................137 (b) From Euripides to Modernity ...............................................140 10 Wellesz s Die Bakchantinnen: Euripidesfor Troubled Times (a) Ostinato and Chorus................................................................. 154 (b) The Uncertain Ending............................................................... 160 (c) A Problematic Reception.......................................................... 162
Contents vii 11 The Cultic Opera: Schoenberg and Wellesz (a) Schoenberg, Wellesz and the Austrian Theatre...................... 167 (b) Language, Gesture and Meaning............................................ 173 (c) A Shared Aspect.......................................................................... 177 12 Two Exiles Remembering Each Other (a) Wellesz, Catholicism and the End of the Austrian Republic 183 (b) After Die Bakchantinncn........................................................... 185 (c) Resentment in Los Angeles, Reminiscences in Oxford ... 188 13 Epilogue. Wellesz: an Austrian adjusting to Life in Britain (a) A Scholar in Oxford...................................................................203 (b) A Composer in Oxford..............................................................215 Appendices 1 Julius Korngold and Egon Wellesz on the Death of Claude Debussy (1918)..............................................................223 2 D. ƒ. Bach, Review of the First Performance of Die Bakchantinnen in Vienna (1931).....................................226 3 Egon Wellesz on the Future of Music Education in British Universities (1942)...................................................... 231 4 Arnold Schoenberg on Egon Wellesz (1944)........................... 234 5 Egon Wellesz on Schoenberg’s Moses and Aaron (1965) . . . 237 Bibliography.................................................................................... 245 Index 259
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adam_txt |
Contents Author’s Preface.ix Editor’s Preface. xv A Note on the Text.xvii 1 Approaches (a) Temperaments and Feelings.і (b) Early Contacts between Arnold Schoenberg and Egon Wellesz . 3 (c) Finding the Right Place in Vienna. 5 2 Viennese Coordinates (a) In Search of Meaning. 18 (b) Musicology and Art History.25 3 Wellesz and Schoenberg before the First World War (a) A Student addressing His Master.31 (b) A French Connection. 41 4 The War and Its Long Shadow (a) The Kaasgraben Villa Quarter. 51 (b) The War . 55 (c) Contra and pro Debussy.61
vi Bojan Bujić: Arnold Schoenberg and Egon Wellesz 5 Wellesz and Schoenberg, 1917-21 (a) The End of the Monarchy . 66 (b) Wellesz and the Schoenberg Monograph. 69 6 Between Vienna, Paris and London (a) Wellesz, Schoenberg and the French - again.82 (b) Schoenberg in Post-war Paris and London .88 7 The Parting of the Ways (a) The Cracks Appear.100 (b) Accusations and Resentment. 102 8 Dance, Drama and Music, 1920-25 (a) Hofmannsthal in Search of a New Idiom. 114 (b) Dance: the Spirit of Hofmannsthal from the Hands of Balázs 120 (c) Wassermann: Fable and Symbol. 123 (d) Hofmannsthal: Historicist Modernism.126 (e) Achilles aufSkyros and Beyond . 130 9 Opera as Staged Ritual (a) The ‘Classical’ Model .137 (b) From Euripides to Modernity .140 10 Wellesz s Die Bakchantinnen: Euripidesfor Troubled Times (a) Ostinato and Chorus. 154 (b) The Uncertain Ending. 160 (c) A Problematic Reception. 162
Contents vii 11 The Cultic Opera: Schoenberg and Wellesz (a) Schoenberg, Wellesz and the Austrian Theatre. 167 (b) Language, Gesture and Meaning. 173 (c) A Shared Aspect. 177 12 Two Exiles Remembering Each Other (a) Wellesz, Catholicism and the End of the Austrian Republic 183 (b) After Die Bakchantinncn. 185 (c) Resentment in Los Angeles, Reminiscences in Oxford . 188 13 Epilogue. Wellesz: an Austrian adjusting to Life in Britain (a) A Scholar in Oxford.203 (b) A Composer in Oxford.215 Appendices 1 Julius Korngold and Egon Wellesz on the Death of Claude Debussy (1918).223 2 D. ƒ. Bach, Review of the First Performance of Die Bakchantinnen in Vienna (1931).226 3 Egon Wellesz on the Future of Music Education in British Universities (1942). 231 4 Arnold Schoenberg on Egon Wellesz (1944). 234 5 Egon Wellesz on Schoenberg’s Moses and Aaron (1965) . . . 237 Bibliography. 245 Index 259 |
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spelling | Bujić, Bojan 1937- Verfasser (DE-588)1036372413 aut Arnold Schoenberg and Egon Wellesz a fraught relationship Bojan Bujić ; editor, Christopher Wintle London Plumbago Books 2020 xix, 265 Seiten Illustrationen, Notenbeispiele txt rdacontent sti rdacontent n rdamedia nc rdacarrier Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd rswk-swf Wellesz, Egon 1885-1974 (DE-588)118630830 gnd rswk-swf Schoenberg, Arnold / 1874-1951 / Friends and associates Wellesz, Egon / 1885-1974 / Friends and associates Composers / Austria / Biography Modernism (Music) / Austria / Vienna Music / 20th century / History and criticism Schoenberg, Arnold / 1874-1951 Wellesz, Egon / 1885-1974 Composers Friendship Modernism (Music) Music Austria Austria / Vienna 1900-1999 Biographies Criticism, interpretation, etc (DE-588)4006804-3 Biografie gnd-content Schönberg, Arnold 1874-1951 (DE-588)118610023 p Wellesz, Egon 1885-1974 (DE-588)118630830 p DE-604 Wintle, Christopher 1945- (DE-588)1038405939 edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032718201&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Bujić, Bojan 1937- Arnold Schoenberg and Egon Wellesz a fraught relationship Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd Wellesz, Egon 1885-1974 (DE-588)118630830 gnd |
subject_GND | (DE-588)118610023 (DE-588)118630830 (DE-588)4006804-3 |
title | Arnold Schoenberg and Egon Wellesz a fraught relationship |
title_auth | Arnold Schoenberg and Egon Wellesz a fraught relationship |
title_exact_search | Arnold Schoenberg and Egon Wellesz a fraught relationship |
title_exact_search_txtP | Arnold Schoenberg and Egon Wellesz a fraught relationship |
title_full | Arnold Schoenberg and Egon Wellesz a fraught relationship Bojan Bujić ; editor, Christopher Wintle |
title_fullStr | Arnold Schoenberg and Egon Wellesz a fraught relationship Bojan Bujić ; editor, Christopher Wintle |
title_full_unstemmed | Arnold Schoenberg and Egon Wellesz a fraught relationship Bojan Bujić ; editor, Christopher Wintle |
title_short | Arnold Schoenberg and Egon Wellesz |
title_sort | arnold schoenberg and egon wellesz a fraught relationship |
title_sub | a fraught relationship |
topic | Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd Wellesz, Egon 1885-1974 (DE-588)118630830 gnd |
topic_facet | Schönberg, Arnold 1874-1951 Wellesz, Egon 1885-1974 Biografie |
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