Music and heritage: new perspectives on place-making and sonic identity
"Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound - thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors"-- |
| Beschreibung: | xvii, 241 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780367741037 9780367359836 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List offigures List of contributors Preface Acknowledgements 1 Sonic identity and the making of heritage:‘This must be the place’ viii X xvi xviii 1 Liam Maloney andfohn Schofield PART I Parklife: (New) town and (old) country 11 2 The soundscape and cosmology of the Norwegian band Wardruna: Guardians of runes and makers of memories 15 Debora Moretti and Einar Selvik 3 Pastoral longing in popular music: From Skye to Tennessee 26 Richard Worth 4 Composing archaeology: The problems of recreating heritage in music 36 Sadie Harrison 5 Space and place in English Morris dance 47 David Petts 6 Heritage cultore and artistic reciprocity: Remediating the mythical Steven Hadley, Fay Hield and Carolyne Larrington 56
vi Contents PART II On and on: Cities/industry/infrastructure 7 Decentring Liverpool’s popular music heritage: Routes Jukebox Brett Lashua and Yaw Owusu 65 69 8 Music and Community in 1980s Malta: The unconventional heritage of Fort Tigne Joshua de Giorgio 80 9 The city as archive: How industry and electronic music forged Sheffield’s sonic identity Ron Wright and John Schofield 91 10 Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, Australia Zelmarie Cantillon, Sarah Baker and Raphaël Nowak 103 11 House music, Chicago and the uncomfortable heritage of racial segregation Liam Maloney 114 12 Intersections of genre, heritage and place in the NewWave of American Heavy Metal Lewis F. Kennedy 126 PART Ml Interzone: Comparative notes on a northern town 13 How a Northern Quarter music venue was crucial in the reinterpretation of 19th-century broadside ballads: Manchester’s Improving Daily David Jennings із7 139 14 Community archaeology, identity and the excavation of Manchester’s Reno nightclub Michael Neveli and Linda Brogan 150 15 Morrissey, memory and traces of lost time in Manchester: From the archive to the anti-archive Adam D. Gearey and Benjamin R. Gearey 160
Contents vii PART IV No future: Remembrance 171 16 Hardcore heritage: Consecrating the northern anxiety ofTerveet Kädet Janne Ikäheimo 173 17 Historically Authentic Truths (the HAT trick): Facts, fancies and footnotes William Brooks, Stefan Östersjö and Jez Wells 183 18 Relating ruin experience with the creative process in Radcliffe Tower: Redirected Reflections Mark Dyer 194 19 An experimental approach to heritage and music through a SOUNDmound at Sandby borg, Sweden: Developments in method and practice Frances Gill, Bodil Petersson and Fadumo Weheliye 20 Hearing the past in the present: An augmented reality approach to site reconstruction through architecturally informed new music Ambrose Field 21 Station to station: Rock music memorial roots and routes in London Paul Graves-Brown and Hilary Orange Index 201 212 222 233
MUSIC AND HERITAGE Musk and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound — thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers work ing in the planning, design and creative sectors. Liam Maloney is an Associate Lecturer in Music and Sound Recording in the Music Research Centre at the University of York (UK). John Schofield is Director of Studies in Cultural Heritage Management in the
Department of Archaeology at the University of York (UK).
|
| adam_txt |
CONTENTS List offigures List of contributors Preface Acknowledgements 1 Sonic identity and the making of heritage:‘This must be the place’ viii X xvi xviii 1 Liam Maloney andfohn Schofield PART I Parklife: (New) town and (old) country 11 2 The soundscape and cosmology of the Norwegian band Wardruna: Guardians of runes and makers of memories 15 Debora Moretti and Einar Selvik 3 Pastoral longing in popular music: From Skye to Tennessee 26 Richard Worth 4 Composing archaeology: The problems of recreating heritage in music 36 Sadie Harrison 5 Space and place in English Morris dance 47 David Petts 6 Heritage cultore and artistic reciprocity: Remediating the mythical Steven Hadley, Fay Hield and Carolyne Larrington 56
vi Contents PART II On and on: Cities/industry/infrastructure 7 Decentring Liverpool’s popular music heritage: Routes Jukebox Brett Lashua and Yaw Owusu 65 69 8 Music and Community in 1980s Malta: The unconventional heritage of Fort Tigne Joshua de Giorgio 80 9 The city as archive: How industry and electronic music forged Sheffield’s sonic identity Ron Wright and John Schofield 91 10 Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, Australia Zelmarie Cantillon, Sarah Baker and Raphaël Nowak 103 11 House music, Chicago and the uncomfortable heritage of racial segregation Liam Maloney 114 12 Intersections of genre, heritage and place in the NewWave of American Heavy Metal Lewis F. Kennedy 126 PART Ml Interzone: Comparative notes on a northern town 13 How a Northern Quarter music venue was crucial in the reinterpretation of 19th-century broadside ballads: Manchester’s Improving Daily David Jennings із7 139 14 Community archaeology, identity and the excavation of Manchester’s Reno nightclub Michael Neveli and Linda Brogan 150 15 Morrissey, memory and traces of lost time in Manchester: From the archive to the anti-archive Adam D. Gearey and Benjamin R. Gearey 160
Contents vii PART IV No future: Remembrance 171 16 Hardcore heritage: Consecrating the northern anxiety ofTerveet Kädet Janne Ikäheimo 173 17 Historically Authentic Truths (the HAT trick): Facts, fancies and footnotes William Brooks, Stefan Östersjö and Jez Wells 183 18 Relating ruin experience with the creative process in Radcliffe Tower: Redirected Reflections Mark Dyer 194 19 An experimental approach to heritage and music through a SOUNDmound at Sandby borg, Sweden: Developments in method and practice Frances Gill, Bodil Petersson and Fadumo Weheliye 20 Hearing the past in the present: An augmented reality approach to site reconstruction through architecturally informed new music Ambrose Field 21 Station to station: Rock music memorial roots and routes in London Paul Graves-Brown and Hilary Orange Index 201 212 222 233
MUSIC AND HERITAGE Musk and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound — thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers work ing in the planning, design and creative sectors. Liam Maloney is an Associate Lecturer in Music and Sound Recording in the Music Research Centre at the University of York (UK). John Schofield is Director of Studies in Cultural Heritage Management in the
Department of Archaeology at the University of York (UK). |
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| id | DE-604.BV047314958 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:27:16Z |
| indexdate | 2024-07-10T09:08:39Z |
| institution | BVB |
| isbn | 9780367741037 9780367359836 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032717810 |
| oclc_num | 1242110162 |
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| owner | DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | xvii, 241 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Music and heritage new perspectives on place-making and sonic identity edited by Liam Maloney and John Schofield London ; New York Routledge, Taylor & Francis Group 2021 xvii, 241 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound - thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors"-- Identität (DE-588)4026482-8 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Soundscape (DE-588)1206375418 gnd rswk-swf Ort Philosophie (DE-588)4290589-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Popular music / Social aspects Popular music / Historiography Popular music / History and criticism Popular-music archives Cultural property Intangible property Popular music Criticism, interpretation, etc (DE-588)1071861417 Konferenzschrift gnd-content Musik (DE-588)4040802-4 s Soundscape (DE-588)1206375418 s Identität (DE-588)4026482-8 s Ort Philosophie (DE-588)4290589-8 s Kulturerbe (DE-588)4033560-4 s DE-604 Maloney, Liam (DE-588)1177051370 edt Schofield, John 1948- (DE-588)131609114 edt Erscheint auch als Online-Ausgabe 978-0-429-34304-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717810&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717810&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Music and heritage new perspectives on place-making and sonic identity Identität (DE-588)4026482-8 gnd Kulturerbe (DE-588)4033560-4 gnd Soundscape (DE-588)1206375418 gnd Ort Philosophie (DE-588)4290589-8 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4033560-4 (DE-588)1206375418 (DE-588)4290589-8 (DE-588)4040802-4 (DE-588)1071861417 |
| title | Music and heritage new perspectives on place-making and sonic identity |
| title_auth | Music and heritage new perspectives on place-making and sonic identity |
| title_exact_search | Music and heritage new perspectives on place-making and sonic identity |
| title_exact_search_txtP | Music and heritage new perspectives on place-making and sonic identity |
| title_full | Music and heritage new perspectives on place-making and sonic identity edited by Liam Maloney and John Schofield |
| title_fullStr | Music and heritage new perspectives on place-making and sonic identity edited by Liam Maloney and John Schofield |
| title_full_unstemmed | Music and heritage new perspectives on place-making and sonic identity edited by Liam Maloney and John Schofield |
| title_short | Music and heritage |
| title_sort | music and heritage new perspectives on place making and sonic identity |
| title_sub | new perspectives on place-making and sonic identity |
| topic | Identität (DE-588)4026482-8 gnd Kulturerbe (DE-588)4033560-4 gnd Soundscape (DE-588)1206375418 gnd Ort Philosophie (DE-588)4290589-8 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Identität Kulturerbe Soundscape Ort Philosophie Musik Konferenzschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717810&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717810&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT maloneyliam musicandheritagenewperspectivesonplacemakingandsonicidentity AT schofieldjohn musicandheritagenewperspectivesonplacemakingandsonicidentity |