Between beats: the jazz tradition and black vernacular dance
"The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"-- |
| Beschreibung: | xviii, 254 Seiten Illustrationen, Notenbeispiele, Portraits |
| ISBN: | 9780197559284 9780197559277 |
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| 505 | 8 | |a Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966 | |
| 520 | 3 | |a "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"-- | |
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| 653 | 0 | |a Jazz dance | |
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Datensatz im Suchindex
| _version_ | 1804182506727014400 |
|---|---|
| adam_text | Contents Acknowledgments A Note about Language On the CoverArt 1. Jazz Music and Its Choreographies of Listening ix xv xvii 1 2. “Its Bite and Its Feeling”: The Quadroon Ball and Jazz’s New Orleans Plaçage Complex 33 3. “Lindy Hopper’s Delight”: The Chick Webb Orchestra and the Fluid Labor of Whitey’s Lindy Hoppers 61 4. “Counter-Bopaganda” and “Torn Riffs”: Bebop as Popular Dance Music 109 5. “A Fine Art in Danger”: Marshall Stearns’s Jazz Dance Advocacy 150 6. Dancing Every Note: Community Theater and Kinetic Memory atJazz966 205 Bibliography index 233 243
|
| adam_txt |
Contents Acknowledgments A Note about Language On the CoverArt 1. Jazz Music and Its Choreographies of Listening ix xv xvii 1 2. “Its Bite and Its Feeling”: The Quadroon Ball and Jazz’s New Orleans Plaçage Complex 33 3. “Lindy Hopper’s Delight”: The Chick Webb Orchestra and the Fluid Labor of Whitey’s Lindy Hoppers 61 4. “Counter-Bopaganda” and “Torn Riffs”: Bebop as Popular Dance Music 109 5. “A Fine Art in Danger”: Marshall Stearns’s Jazz Dance Advocacy 150 6. Dancing Every Note: Community Theater and Kinetic Memory atJazz966 205 Bibliography index 233 243 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Wells, Christi Jay ca. 20./21. Jh |
| author_GND | (DE-588)123547397X |
| author_facet | Wells, Christi Jay ca. 20./21. Jh |
| author_role | aut |
| author_sort | Wells, Christi Jay ca. 20./21. Jh |
| author_variant | c j w cj cjw |
| building | Verbundindex |
| bvnumber | BV047314521 |
| classification_rvk | LS 48100 |
| contents | Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966 |
| ctrlnum | (OCoLC)1263284664 (DE-599)BVBBV047314521 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | Wells, Christi Jay ca. 20./21. Jh. Verfasser (DE-588)123547397X aut Between beats the jazz tradition and black vernacular dance Christi Jay Wells New York, NY Oxford University Press [2021] © 2021 xviii, 254 Seiten Illustrationen, Notenbeispiele, Portraits txt rdacontent n rdamedia nc rdacarrier Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966 "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"-- Geschichte gnd rswk-swf Jazztanz (DE-588)4028536-4 gnd rswk-swf Jazz / Social aspects / United States / History / 20th century Jazz dance Music and dance / United States / History / 20th century Jazz / Social aspects Music and dance United States 1900-1999 History Jazztanz (DE-588)4028536-4 s Geschichte z DE-604 Erscheint auch als Online version 9780197559307 Wells, Christi Jay Between beats New York : Oxford University Press, 2021 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wells, Christi Jay ca. 20./21. Jh Between beats the jazz tradition and black vernacular dance Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966 Jazztanz (DE-588)4028536-4 gnd |
| subject_GND | (DE-588)4028536-4 |
| title | Between beats the jazz tradition and black vernacular dance |
| title_auth | Between beats the jazz tradition and black vernacular dance |
| title_exact_search | Between beats the jazz tradition and black vernacular dance |
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| title_full | Between beats the jazz tradition and black vernacular dance Christi Jay Wells |
| title_fullStr | Between beats the jazz tradition and black vernacular dance Christi Jay Wells |
| title_full_unstemmed | Between beats the jazz tradition and black vernacular dance Christi Jay Wells |
| title_short | Between beats |
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