Everyone loves live music: a theory of performance institutions
Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : M...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2020]
|
| Schriftenreihe: | Big issues in music
|
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (347 Seiten) Illustrationen |
| ISBN: | 9780226738680 |
Internformat
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| 520 | 3 | |a Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds | |
| 520 | 3 | |a "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" | |
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Datensatz im Suchindex
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| author | Holt, Fabian 1972- |
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| dewey-sort | 3780.78 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047310838 |
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| index_date | 2024-07-03T17:25:57Z |
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| series2 | Big issues in music |
| spelling | Holt, Fabian 1972- Verfasser (DE-588)1042532060 aut Everyone loves live music a theory of performance institutions Fabian Holt Chicago ; London The University of Chicago Press [2020] © 2020 1 Online-Ressource (347 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Big issues in music Includes bibliographical references and index Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" Live-Auftritt (DE-588)4570116-7 gnd rswk-swf Festival (DE-588)4154198-4 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Konzert Veranstaltung (DE-588)4317474-7 gnd rswk-swf Rock music / Social aspects / United States Rock music / Social aspects / Europe Music festivals / Social aspects / United States Music festivals / Social aspects / Europe Rockmusik (DE-588)4115774-6 s Festival (DE-588)4154198-4 s Konzert Veranstaltung (DE-588)4317474-7 s Live-Auftritt (DE-588)4570116-7 s Sozialer Wandel (DE-588)4077587-2 s DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-0-226-73854-3 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-226-73840-6 www.degruyter.com/document/isbn/9780226738680/html Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Holt, Fabian 1972- Everyone loves live music a theory of performance institutions Live-Auftritt (DE-588)4570116-7 gnd Festival (DE-588)4154198-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd Rockmusik (DE-588)4115774-6 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd |
| subject_GND | (DE-588)4570116-7 (DE-588)4154198-4 (DE-588)4077587-2 (DE-588)4115774-6 (DE-588)4317474-7 |
| title | Everyone loves live music a theory of performance institutions |
| title_auth | Everyone loves live music a theory of performance institutions |
| title_exact_search | Everyone loves live music a theory of performance institutions |
| title_exact_search_txtP | Everyone loves live music a theory of performance institutions |
| title_full | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_fullStr | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_full_unstemmed | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_short | Everyone loves live music |
| title_sort | everyone loves live music a theory of performance institutions |
| title_sub | a theory of performance institutions |
| topic | Live-Auftritt (DE-588)4570116-7 gnd Festival (DE-588)4154198-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd Rockmusik (DE-588)4115774-6 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd |
| topic_facet | Live-Auftritt Festival Sozialer Wandel Rockmusik Konzert Veranstaltung |
| url | www.degruyter.com/document/isbn/9780226738680/html |
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