Thomas Middleton and the plural politics of Jacobean drama:
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
2021
|
| Schriftenreihe: | Late Tudor and Stuart Drama
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy |
| Beschreibung: | 1 Online-Ressource (XIII, 223 Seiten) |
| ISBN: | 9781501513763 9781501513992 |
| DOI: | 10.1515/9781501513763 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047309764 | ||
| 003 | DE-604 | ||
| 005 | 20231213 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210604s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9781501513763 |c PDF |9 978-1-5015-1376-3 | ||
| 020 | |a 9781501513992 |c EPUB |9 978-1-5015-1399-2 | ||
| 024 | 7 | |a 10.1515/9781501513763 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781501513763 | ||
| 035 | |a (ZDB-23-DKU)9781501513763 | ||
| 035 | |a (OCoLC)1256411369 | ||
| 035 | |a (DE-599)BVBBV047309764 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-11 | ||
| 082 | 0 | |a 822.3 | |
| 100 | 1 | |a Kaethler, Mark |e Verfasser |0 (DE-588)1151672157 |4 aut | |
| 245 | 1 | 0 | |a Thomas Middleton and the plural politics of Jacobean drama |c Mark Kaethler |
| 264 | 1 | |a Berlin ; Boston |b De Gruyter |c 2021 | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (XIII, 223 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Late Tudor and Stuart Drama | |
| 520 | |a Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy | ||
| 546 | |a In English | ||
| 650 | 4 | |a Drama | |
| 650 | 4 | |a Gender | |
| 650 | 4 | |a Herrschaft | |
| 650 | 4 | |a Politik | |
| 650 | 4 | |a Theater | |
| 650 | 4 | |a Thomas Middleton | |
| 650 | 7 | |a LITERARY CRITICISM / Renaissance |2 bisacsh | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-5015-1819-5 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781501513763 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-23-DKU | ||
| 940 | 1 | |q ZDB-23-DKU21 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032712747 | ||
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781501513763 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182497780563968 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Kaethler, Mark |
| author_GND | (DE-588)1151672157 |
| author_facet | Kaethler, Mark |
| author_role | aut |
| author_sort | Kaethler, Mark |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV047309764 |
| collection | ZDB-23-DGG ZDB-23-DKU |
| ctrlnum | (ZDB-23-DGG)9781501513763 (ZDB-23-DKU)9781501513763 (OCoLC)1256411369 (DE-599)BVBBV047309764 |
| dewey-full | 822.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3 |
| dewey-search | 822.3 |
| dewey-sort | 3822.3 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781501513763 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03524nmm a2200589 c 4500</leader><controlfield tag="001">BV047309764</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231213 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210604s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501513763</subfield><subfield code="c">PDF</subfield><subfield code="9">978-1-5015-1376-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501513992</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-5015-1399-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781501513763</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781501513763</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9781501513763</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1256411369</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047309764</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822.3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kaethler, Mark</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1151672157</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Thomas Middleton and the plural politics of Jacobean drama</subfield><subfield code="c">Mark Kaethler</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ; Boston</subfield><subfield code="b">De Gruyter</subfield><subfield code="c">2021</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XIII, 223 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Late Tudor and Stuart Drama</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Drama</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gender</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Herrschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Politik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Thomas Middleton</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Renaissance</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-5015-1819-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU21</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032712747</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781501513763</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047309764 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T17:25:44Z |
| indexdate | 2024-07-10T09:08:30Z |
| institution | BVB |
| isbn | 9781501513763 9781501513992 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032712747 |
| oclc_num | 1256411369 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-11 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-11 |
| physical | 1 Online-Ressource (XIII, 223 Seiten) |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU21 ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | De Gruyter |
| record_format | marc |
| series2 | Late Tudor and Stuart Drama |
| spelling | Kaethler, Mark Verfasser (DE-588)1151672157 aut Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler Berlin ; Boston De Gruyter 2021 © 2021 1 Online-Ressource (XIII, 223 Seiten) txt rdacontent c rdamedia cr rdacarrier Late Tudor and Stuart Drama Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy In English Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh Erscheint auch als Druck-Ausgabe 978-1-5015-1819-5 https://doi.org/10.1515/9781501513763 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kaethler, Mark Thomas Middleton and the plural politics of Jacobean drama Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh |
| title | Thomas Middleton and the plural politics of Jacobean drama |
| title_auth | Thomas Middleton and the plural politics of Jacobean drama |
| title_exact_search | Thomas Middleton and the plural politics of Jacobean drama |
| title_exact_search_txtP | Thomas Middleton and the plural politics of Jacobean drama |
| title_full | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_fullStr | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_full_unstemmed | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_short | Thomas Middleton and the plural politics of Jacobean drama |
| title_sort | thomas middleton and the plural politics of jacobean drama |
| topic | Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh |
| topic_facet | Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance |
| url | https://doi.org/10.1515/9781501513763 |
| work_keys_str_mv | AT kaethlermark thomasmiddletonandthepluralpoliticsofjacobeandrama |