Canis Modernis: Human/Dog Coevolution in Modernist Literature
Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce's Ulysses to the highbred canine subject of Virginia Woolf's Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and ear...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
|
Schriftenreihe: | Animalibus: Of Animals and Cultures
19 |
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce's Ulysses to the highbred canine subject of Virginia Woolf's Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition-facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs' status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) |
Beschreibung: | 1 Online-Ressource (216 Seiten) 2 illustrations |
ISBN: | 9780271088402 |
DOI: | 10.1515/9780271088402 |
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520 | |a Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce's Ulysses to the highbred canine subject of Virginia Woolf's Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition-facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs' status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies | ||
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Datensatz im Suchindex
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author | Kendall-Morwick, Karalyn |
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doi_str_mv | 10.1515/9780271088402 |
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illustrated | Illustrated |
index_date | 2024-07-03T17:25:42Z |
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institution | BVB |
isbn | 9780271088402 |
language | English |
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oclc_num | 1256434117 |
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spelling | Kendall-Morwick, Karalyn Verfasser aut Canis Modernis Human/Dog Coevolution in Modernist Literature Karalyn Kendall-Morwick University Park, PA Penn State University Press [2021] © 2020 1 Online-Ressource (216 Seiten) 2 illustrations txt rdacontent c rdamedia cr rdacarrier Animalibus: Of Animals and Cultures 19 Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce's Ulysses to the highbred canine subject of Virginia Woolf's Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition-facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs' status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies In English LITERARY CRITICISM / Modern / General bisacsh Dogs in literature Human-animal relationships in literature Modernism (Literature) https://doi.org/10.1515/9780271088402 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kendall-Morwick, Karalyn Canis Modernis Human/Dog Coevolution in Modernist Literature LITERARY CRITICISM / Modern / General bisacsh Dogs in literature Human-animal relationships in literature Modernism (Literature) |
title | Canis Modernis Human/Dog Coevolution in Modernist Literature |
title_auth | Canis Modernis Human/Dog Coevolution in Modernist Literature |
title_exact_search | Canis Modernis Human/Dog Coevolution in Modernist Literature |
title_exact_search_txtP | Canis Modernis Human/Dog Coevolution in Modernist Literature |
title_full | Canis Modernis Human/Dog Coevolution in Modernist Literature Karalyn Kendall-Morwick |
title_fullStr | Canis Modernis Human/Dog Coevolution in Modernist Literature Karalyn Kendall-Morwick |
title_full_unstemmed | Canis Modernis Human/Dog Coevolution in Modernist Literature Karalyn Kendall-Morwick |
title_short | Canis Modernis |
title_sort | canis modernis human dog coevolution in modernist literature |
title_sub | Human/Dog Coevolution in Modernist Literature |
topic | LITERARY CRITICISM / Modern / General bisacsh Dogs in literature Human-animal relationships in literature Modernism (Literature) |
topic_facet | LITERARY CRITICISM / Modern / General Dogs in literature Human-animal relationships in literature Modernism (Literature) |
url | https://doi.org/10.1515/9780271088402 |
work_keys_str_mv | AT kendallmorwickkaralyn canismodernishumandogcoevolutioninmodernistliterature |