Farewell to Visual Studies:

Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative iss...

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Weitere Verfasser: Alloa, Emmanuel (MitwirkendeR), Andrew, Nell (MitwirkendeR), Berger, Martin A. (MitwirkendeR), Christensen, Hans Dam (MitwirkendeR), Decobecq, Isabelle (MitwirkendeR), Dotzler, Bernhard J. (MitwirkendeR), Drucker, Johanna (MitwirkendeR), Elkins, James (MitwirkendeR, HerausgeberIn), Emmer, Michele (MitwirkendeR), Escande, Yolaine (MitwirkendeR), Frank, Gustav (MitwirkendeR, HerausgeberIn), Gracyk, Theodore (MitwirkendeR), Grønstad, Asbjørn (MitwirkendeR), Günzel, Stephan (MitwirkendeR), Haxthausen, Charles W. (MitwirkendeR), Hernández-Navarro, Miguel Á. (MitwirkendeR), Holert, Tom (MitwirkendeR), Klonk, Charlotte (MitwirkendeR), Kılınç, Kıvanç (MitwirkendeR)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: University Park, PA Penn State University Press [2021]
Schriftenreihe:The Stone Art Theory Institutes 5
Schlagworte:
Online-Zugang:DE-1043
DE-1046
DE-858
DE-859
DE-860
DE-739
DE-473
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Zusammenfassung:Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways.The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
Beschreibung:1 Online-Ressource (288 Seiten) 1 illustration
ISBN:9780271075747

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