Portraiture and Politics in Revolutionary France:
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addres...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) |
| Beschreibung: | 1 Online-Ressource (312 Seiten) 43 color/58 b&w illustrations |
| ISBN: | 9780271065694 |
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| 520 | |a Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent | ||
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Datensatz im Suchindex
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:25:42Z |
| indexdate | 2024-07-10T09:08:28Z |
| institution | BVB |
| isbn | 9780271065694 |
| language | English |
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| physical | 1 Online-Ressource (312 Seiten) 43 color/58 b&w illustrations |
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| publisher | Penn State University Press |
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| spelling | Freund, Amy Verfasser aut Portraiture and Politics in Revolutionary France Amy Freund University Park, PA Penn State University Press [2021] © 2014 1 Online-Ressource (312 Seiten) 43 color/58 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent In English ART / Subjects & Themes / Portraits bisacsh Portraits Political aspects History 18th century France Portraits Political aspects France History 18th century Portraits, French 18th century https://www.degruyter.com/isbn/9780271065694 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Freund, Amy Portraiture and Politics in Revolutionary France ART / Subjects & Themes / Portraits bisacsh Portraits Political aspects History 18th century France Portraits Political aspects France History 18th century Portraits, French 18th century |
| title | Portraiture and Politics in Revolutionary France |
| title_auth | Portraiture and Politics in Revolutionary France |
| title_exact_search | Portraiture and Politics in Revolutionary France |
| title_exact_search_txtP | Portraiture and Politics in Revolutionary France |
| title_full | Portraiture and Politics in Revolutionary France Amy Freund |
| title_fullStr | Portraiture and Politics in Revolutionary France Amy Freund |
| title_full_unstemmed | Portraiture and Politics in Revolutionary France Amy Freund |
| title_short | Portraiture and Politics in Revolutionary France |
| title_sort | portraiture and politics in revolutionary france |
| topic | ART / Subjects & Themes / Portraits bisacsh Portraits Political aspects History 18th century France Portraits Political aspects France History 18th century Portraits, French 18th century |
| topic_facet | ART / Subjects & Themes / Portraits Portraits Political aspects History 18th century France Portraits Political aspects France History 18th century Portraits, French 18th century |
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