Parapolitics: cultural freedom and the Cold War
"During the Cold War, modernist art became a flagship of freedom and democracy in the West, and took on the role of a symbolic overcoming of fascism. Parapolitics: Cultural Freedom and the Cold War examines the cultural diplomacy of this period, particularly the activities and magazines of the...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Haus der Kulturen der Welt
[2021]
Berlin Sternberg Press |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "During the Cold War, modernist art became a flagship of freedom and democracy in the West, and took on the role of a symbolic overcoming of fascism. Parapolitics: Cultural Freedom and the Cold War examines the cultural diplomacy of this period, particularly the activities and magazines of the Congress for Cultural Freedom, an organization funded by the Central Intelligence Agency that was tasked with steering the left away from Soviet Communism and toward a new world order established under the aegis of the United States. This book analyzes how the organization’s activities in the non-European world were a major force behind the culturalization of economic liberalism on an international scale. With extensive archival documentation and recent responses by artists and writers, this book is a rich reference for readers interested in challenging the structural conditions of contemporary art and the prevailing canons of modernism." |
| Beschreibung: | Impressum: Published in the context of the exhibition "Parapolitics: Cultural Freedom and the Cold War", November 3, 2017 - January 8, 2018 at Haus der Kulturen der Welt (HKW), Berlin |
| Beschreibung: | 615 Seiten Illustrationen |
| ISBN: | 9783956795084 |
Internformat
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| 245 | 1 | 0 | |a Parapolitics |b cultural freedom and the Cold War |c edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca |
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| 500 | |a Impressum: Published in the context of the exhibition "Parapolitics: Cultural Freedom and the Cold War", November 3, 2017 - January 8, 2018 at Haus der Kulturen der Welt (HKW), Berlin | ||
| 520 | 3 | |a "During the Cold War, modernist art became a flagship of freedom and democracy in the West, and took on the role of a symbolic overcoming of fascism. Parapolitics: Cultural Freedom and the Cold War examines the cultural diplomacy of this period, particularly the activities and magazines of the Congress for Cultural Freedom, an organization funded by the Central Intelligence Agency that was tasked with steering the left away from Soviet Communism and toward a new world order established under the aegis of the United States. This book analyzes how the organization’s activities in the non-European world were a major force behind the culturalization of economic liberalism on an international scale. With extensive archival documentation and recent responses by artists and writers, this book is a rich reference for readers interested in challenging the structural conditions of contemporary art and the prevailing canons of modernism." | |
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Datensatz im Suchindex
| _version_ | 1812445217736884224 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
157
DER
MONAT
MICHAEL HOCHGESCHWENDER
167
QUEST
CHINMAY SHARMA
170
J.
S.
SAXENA
,
"THE COFFEE-BROWN BOY
LOOKS AT THE BLACK
BOY
,"
QUEST,
NO. 65
~~SL~
(APRIL/JUNE 1970), PP.
60-67
~~
~~
.
'
213
SASANGGE
AND THE PARADOX
OF
THE
FREEDOM
\/
)
DISCOURSE
IN
THE KOREAN PENINSULA
-~
HYUNJINKIM
{)JJJJ
.
F9~
225
NEUTRALITY
,
A BATTLEFIELD
OF
MINDS:
THE
CONGRESS FOR CULTURAL FREEDOM
IN
SCANDINAVIA
7
FOREWOR
D
RHEADALL
BERND SCHERER
239
DWIGHT MACDONALD,
'
'AMERICA! AMERICA!,"
13
INTRODUC
T
ION
DISSENT
(1958)
,
PP.
313-23
ANSELM FRANKE,
N
IDA
GHOUS
E,
R
THE
POWER
OF
INTERPRETATION:
PAZ GUEVARA,
AN
TO
NIA
MA
J
A
CA
259
HOW
MOMA
EXPLAINED
GUERNICA
TO
22
A CHRONOLOG
I
CA
L
L
I
S
T O
F
THE ACTIVITIES
ITS AUDIENCE
OF
THE CCF AND IACF
ANDREA GIUNTA
29
A WORLD FRO
Z
EN
IN
ART
273
MUCH ADO ABOUT A DRAWING
ANSELM FRANKE
LENEBERG
47
GENTLEMEN
&
A
RS
EHOLES
279
THE
(RE)INVENTION
OF
POSTWAR MODERNISM
LENEBERG
PORTER MCCRAY
57
CHARGED O
B
JEC
TS O
F F
O
R
ME
R
R
E
VERENCE 285
YUGOSLAV FANONISM
AND
A FAILED EXIT FROM
NIDA
GH
O
U
S
E
THE
(CULTURAL) COLD
WAR
IVANABAGO
75 ABSTRACTION
IMANISSA
295 EXHIBITION
AS
MEDIUM FOR GEOPOLITICAL
OPERATIONS: DIGGING
UP THE EXHIBITIONS
OF
85
TWO CONCEPTS
OF
WH
ITE SOVER
E
IGNTY
THE
CONGRESS FOR CULTURAL FREEDOM
BARNOR
HESSE
PAZGUEVARA
99
ROUND HEAVE
N
, SQUA
R
E
E
ART
H
339
FOUR SAINTS IN THREE
ACTS-A
CASE STUDY
MICHAEL BAER
S JENIJER EVANS
115
EDWARD SHILS, "
T
HE
END O
F
IDEOLOGY?,
"
347
THE
LIVING ARTS
OF
ANCIENT TV:
ENCOUNTER,
VOL.
4
,
NO
.
2
(
1955)
,
PP.
52-58
INDIA AND THE IDIOT BOX, 1955
ALEXANDER KEEFE
123
O
DYSSEUS
OF
THE
NI
MBLE WITS:
THE SPIRITS O
F TOT
A
LITARIANISM AND
THE
357 FSMR:
CULT
UR
AL C
O
LD WAR
'S
ENTSCHEIDUNGSPROBLEM
NEW
TEMPLES
OF
NEW SOUND
AN
TO
NIA
MAJA
C
A
YASHAS SHETTY
153
M
. R
. M
AS
A
NI
, "
THE
MILAN CONFERENCE -
361 CLEMENT GREENBERG
IN
INDIA:
A
R
EP
ORT
,"
F
REEDOM FIRST
,
NO. 42
A RECURSIVE HISTORY
(
NO
V
EMBER 1955
),
PP.
5-7
KARIN ZITZEWITZ
377
THE
MAN
IN
THE BACKGROUND
LENEBERG
389
THE SYMBOLIC FORM
OF
THE FILE:
AN INTENSE UNDERCOVER ACTIVITY INTENDED
TO CHANGE THE COURSE
OF
HISTORY
VOLUSPA JARPA
397
NEOLIBERAL ECONOMICS AND THE DOUBLE
DISFIGUREMENT
OF
THE THIRD WORLD
QUINN SLOBODIAN
407
THE
SOUND OF
THE
CLOSING DOOR
ERHARD SCHILTTPELZ TALKS TO NIDA GHOUSE
435
PURITY
OF
ART
AND THE RACIAL POLITICS
OF
MODERNISM
CHRISTIAN KRAVAGNA
457
PARALLEL LINES AND CROSSHATCHINGS:
THE SOUZA-ESQUE
ART
OF
DELINEATING
DUPLICITY
SAVITAAPTE
467
THE STORY
OF
HIWAR:
COLD WAR IMBROGLIO AND THE
STRUGGLE FOR AUTONOMY
RASHASALTI
481 THE TRANSITIONAL COALITION:
RECIPROCAL READINGS
OF
TRANSITION
AND
THE CONGRESS FOR CULTURAL FREEDOM
BETWEEN 1962 AND 1967
KODWOESHUN
499
A REFUSAL
TO
BE
TRANSCRIBED:
"
AFRICA WILL BE
FREE BEFORE
WE
HAVE EVEN MANAGED
TO
GET
OURSELVES A LOUSY CUP
OF
COFFEE."
STACYHARDY
508
WOLE SOYINKA,
"
TELEPHONE CONVERSATION,"
THE NEW AFRICAN,
AUGUST 1962, P.
10
509
LETTER
TO
THE
EDITOR: HOW TO ADDRESS THE
SCOPE
OF
LIBERAL POSITIONS
WITH
AND
WITHIN
THE SOUTH AFRICAN MAGAZINES?
ANNETT
BUSCH
516 AYI KWEI ARMAH,
"
CONTACT,"
THE NEW
AFRICAN,
VOL. 4, NO. 10 (1965), PP.
244-48
521 UNTOGETHER TOGETHER:
BESSIE HEAD'S WRITING IN
THE NEW AFRICAN
GABINGCOBO
531
541
558
560
WHAT
WOULD TUTUOLA DO?
EMMANUELLDUMA
ULLI BEIER, CULTURAL BROKERAGE,
AND COLD WAR PARAPOLITICS
SYLVESTER OKWUNODU
OGBECHIE
EZEKIEL MPHAHLELE,
"MBARI-FIRST
ANNIVERSARY,"
THE NEW AFRICAN,
VOL.
1,
NO. 8 (1962), P. 7
ULLI BEIER,
"IBRAHIM SALAHI,"
BLACK ORPHEUS
NO. 10 (N. D.), PP.
48-50
569
SIGNIFYING DECEIT:
RICHARD WRIGHT'S ANTI-COLONIAL-ANTI
CAPITALIST-ANTI-COMMUNISM
KODWOESHUN
585 JAMES BALDWIN
;
"PRINCES AND POWERS,"
ENCOUNTER
,
VOL. 8, NO. 1 (1957), PP.
52-60
APPENDIX
600
REFERENCES
604
ARTWORKS IN THE EXHIBITION
608
IMAGE CREDITS
612 ACKNOWLEDGMENTS
614 COLOPHON |
| adam_txt |
TABLE
OF
CONTENTS
157
DER
MONAT
MICHAEL HOCHGESCHWENDER
167
QUEST
CHINMAY SHARMA
170
J.
S.
SAXENA
,
"THE COFFEE-BROWN BOY
LOOKS AT THE BLACK
BOY
,"
QUEST,
NO. 65
~~SL~
(APRIL/JUNE 1970), PP.
60-67
~~
~~
.
'
213
SASANGGE
AND THE PARADOX
OF
THE
FREEDOM
\/
)
DISCOURSE
IN
THE KOREAN PENINSULA
-~
HYUNJINKIM
{)JJJJ
.
F9~
225
NEUTRALITY
,
A BATTLEFIELD
OF
MINDS:
THE
CONGRESS FOR CULTURAL FREEDOM
IN
SCANDINAVIA
7
FOREWOR
D
RHEADALL
BERND SCHERER
239
DWIGHT MACDONALD,
'
'AMERICA! AMERICA!,"
13
INTRODUC
T
ION
DISSENT
(1958)
,
PP.
313-23
ANSELM FRANKE,
N
IDA
GHOUS
E,
R
THE
POWER
OF
INTERPRETATION:
PAZ GUEVARA,
AN
TO
NIA
MA
J
A
CA
259
HOW
MOMA
EXPLAINED
GUERNICA
TO
22
A CHRONOLOG
I
CA
L
L
I
S
T O
F
THE ACTIVITIES
ITS AUDIENCE
OF
THE CCF AND IACF
ANDREA GIUNTA
29
A WORLD FRO
Z
EN
IN
ART
273
MUCH ADO ABOUT A DRAWING
ANSELM FRANKE
LENEBERG
47
GENTLEMEN
&
A
RS
EHOLES
279
THE
(RE)INVENTION
OF
POSTWAR MODERNISM
LENEBERG
PORTER MCCRAY
57
CHARGED O
B
JEC
TS O
F F
O
R
ME
R
R
E
VERENCE 285
YUGOSLAV FANONISM
AND
A FAILED EXIT FROM
NIDA
GH
O
U
S
E
THE
(CULTURAL) COLD
WAR
IVANABAGO
75 ABSTRACTION
IMANISSA
295 EXHIBITION
AS
MEDIUM FOR GEOPOLITICAL
OPERATIONS: DIGGING
UP THE EXHIBITIONS
OF
85
TWO CONCEPTS
OF
WH
ITE SOVER
E
IGNTY
THE
CONGRESS FOR CULTURAL FREEDOM
BARNOR
HESSE
PAZGUEVARA
99
ROUND HEAVE
N
, SQUA
R
E
E
ART
H
339
FOUR SAINTS IN THREE
ACTS-A
CASE STUDY
MICHAEL BAER
S JENIJER EVANS
115
EDWARD SHILS, "
T
HE
END O
F
IDEOLOGY?,
"
347
THE
LIVING ARTS
OF
ANCIENT TV:
ENCOUNTER,
VOL.
4
,
NO
.
2
(
1955)
,
PP.
52-58
INDIA AND THE IDIOT BOX, 1955
ALEXANDER KEEFE
123
O
DYSSEUS
OF
THE
NI
MBLE WITS:
THE SPIRITS O
F TOT
A
LITARIANISM AND
THE
357 FSMR:
CULT
UR
AL C
O
LD WAR
'S
ENTSCHEIDUNGSPROBLEM
NEW
TEMPLES
OF
NEW SOUND
AN
TO
NIA
MAJA
C
A
YASHAS SHETTY
153
M
. R
. M
AS
A
NI
, "
THE
MILAN CONFERENCE -
361 CLEMENT GREENBERG
IN
INDIA:
A
R
EP
ORT
,"
F
REEDOM FIRST
,
NO. 42
A RECURSIVE HISTORY
(
NO
V
EMBER 1955
),
PP.
5-7
KARIN ZITZEWITZ
377
THE
MAN
IN
THE BACKGROUND
LENEBERG
389
THE SYMBOLIC FORM
OF
THE FILE:
AN INTENSE UNDERCOVER ACTIVITY INTENDED
TO CHANGE THE COURSE
OF
HISTORY
VOLUSPA JARPA
397
NEOLIBERAL ECONOMICS AND THE DOUBLE
DISFIGUREMENT
OF
THE THIRD WORLD
QUINN SLOBODIAN
407
THE
SOUND OF
THE
CLOSING DOOR
ERHARD SCHILTTPELZ TALKS TO NIDA GHOUSE
435
PURITY
OF
ART
AND THE RACIAL POLITICS
OF
MODERNISM
CHRISTIAN KRAVAGNA
457
PARALLEL LINES AND CROSSHATCHINGS:
THE SOUZA-ESQUE
ART
OF
DELINEATING
DUPLICITY
SAVITAAPTE
467
THE STORY
OF
HIWAR:
COLD WAR IMBROGLIO AND THE
STRUGGLE FOR AUTONOMY
RASHASALTI
481 THE TRANSITIONAL COALITION:
RECIPROCAL READINGS
OF
TRANSITION
AND
THE CONGRESS FOR CULTURAL FREEDOM
BETWEEN 1962 AND 1967
KODWOESHUN
499
A REFUSAL
TO
BE
TRANSCRIBED:
"
AFRICA WILL BE
FREE BEFORE
WE
HAVE EVEN MANAGED
TO
GET
OURSELVES A LOUSY CUP
OF
COFFEE."
STACYHARDY
508
WOLE SOYINKA,
"
TELEPHONE CONVERSATION,"
THE NEW AFRICAN,
AUGUST 1962, P.
10
509
LETTER
TO
THE
EDITOR: HOW TO ADDRESS THE
SCOPE
OF
LIBERAL POSITIONS
WITH
AND
WITHIN
THE SOUTH AFRICAN MAGAZINES?
ANNETT
BUSCH
516 AYI KWEI ARMAH,
"
CONTACT,"
THE NEW
AFRICAN,
VOL. 4, NO. 10 (1965), PP.
244-48
521 UNTOGETHER TOGETHER:
BESSIE HEAD'S WRITING IN
THE NEW AFRICAN
GABINGCOBO
531
541
558
560
WHAT
WOULD TUTUOLA DO?
EMMANUELLDUMA
ULLI BEIER, CULTURAL BROKERAGE,
AND COLD WAR PARAPOLITICS
SYLVESTER OKWUNODU
OGBECHIE
EZEKIEL MPHAHLELE,
"MBARI-FIRST
ANNIVERSARY,"
THE NEW AFRICAN,
VOL.
1,
NO. 8 (1962), P. 7
ULLI BEIER,
"IBRAHIM SALAHI,"
BLACK ORPHEUS
NO. 10 (N. D.), PP.
48-50
569
SIGNIFYING DECEIT:
RICHARD WRIGHT'S ANTI-COLONIAL-ANTI
CAPITALIST-ANTI-COMMUNISM
KODWOESHUN
585 JAMES BALDWIN
;
"PRINCES AND POWERS,"
ENCOUNTER
,
VOL. 8, NO. 1 (1957), PP.
52-60
APPENDIX
600
REFERENCES
604
ARTWORKS IN THE EXHIBITION
608
IMAGE CREDITS
612 ACKNOWLEDGMENTS
614 COLOPHON |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Franke, Anselm 1978- Ghouse, Nida Guevara, Paz Majaca, Antonia |
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| author2_variant | a f af n g ng p g pg a m am |
| author_GND | (DE-588)141472839 (DE-588)1298041619 (DE-588)1262575184 |
| author_corporate | Haus der Kulturen der Welt Berlin |
| author_corporate_role | edt |
| author_facet | Franke, Anselm 1978- Ghouse, Nida Guevara, Paz Majaca, Antonia Haus der Kulturen der Welt Berlin |
| building | Verbundindex |
| bvnumber | BV047298008 |
| classification_rvk | LH 30790 PR 2061 |
| ctrlnum | (OCoLC)1253368025 (DE-599)GBV1041386265 |
| discipline | Kunstgeschichte Rechtswissenschaft |
| discipline_str_mv | Kunstgeschichte Rechtswissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV047298008</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241009</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210526s2021 gw a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783956795084</subfield><subfield code="9">978-3-95679-508-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1253368025</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV1041386265</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">XA-DE</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-M507</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-B486</subfield><subfield code="a">DE-2948</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-B496</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 30790</subfield><subfield code="0">(DE-625)92989:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">PR 2061</subfield><subfield code="0">(DE-625)139489:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Parapolitics</subfield><subfield code="b">cultural freedom and the Cold War</subfield><subfield code="c">edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Parapolitik : kulturelle Freiheit und Kalter Krieg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">Haus der Kulturen der Welt</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">Sternberg Press</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">615 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: Published in the context of the exhibition "Parapolitics: Cultural Freedom and the Cold War", November 3, 2017 - January 8, 2018 at Haus der Kulturen der Welt (HKW), Berlin</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"During the Cold War, modernist art became a flagship of freedom and democracy in the West, and took on the role of a symbolic overcoming of fascism. 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| genre | (DE-588)4135467-9 Ausstellungskatalog Haus der Kulturen der Welt Berlin 03.11.2017-08.01.2018 Berlin gnd-content |
| genre_facet | Ausstellungskatalog Haus der Kulturen der Welt Berlin 03.11.2017-08.01.2018 Berlin |
| id | DE-604.BV047298008 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:22:30Z |
| indexdate | 2024-10-09T14:00:53Z |
| institution | BVB |
| institution_GND | (DE-588)2115425-9 |
| isbn | 9783956795084 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032701226 |
| oclc_num | 1253368025 |
| open_access_boolean | |
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| owner_facet | DE-188 DE-M507 DE-Y7 DE-255 DE-B486 DE-2948 DE-Y2 DE-Y3 DE-B496 DE-B170 |
| physical | 615 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Haus der Kulturen der Welt Sternberg Press |
| record_format | marc |
| spelling | Parapolitics cultural freedom and the Cold War edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca Parapolitik : kulturelle Freiheit und Kalter Krieg Berlin Haus der Kulturen der Welt [2021] Berlin Sternberg Press © 2021 615 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: Published in the context of the exhibition "Parapolitics: Cultural Freedom and the Cold War", November 3, 2017 - January 8, 2018 at Haus der Kulturen der Welt (HKW), Berlin "During the Cold War, modernist art became a flagship of freedom and democracy in the West, and took on the role of a symbolic overcoming of fascism. Parapolitics: Cultural Freedom and the Cold War examines the cultural diplomacy of this period, particularly the activities and magazines of the Congress for Cultural Freedom, an organization funded by the Central Intelligence Agency that was tasked with steering the left away from Soviet Communism and toward a new world order established under the aegis of the United States. This book analyzes how the organization’s activities in the non-European world were a major force behind the culturalization of economic liberalism on an international scale. With extensive archival documentation and recent responses by artists and writers, this book is a rich reference for readers interested in challenging the structural conditions of contemporary art and the prevailing canons of modernism." Ost-West-Konflikt (DE-588)4075770-5 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Haus der Kulturen der Welt Berlin 03.11.2017-08.01.2018 Berlin gnd-content Ost-West-Konflikt (DE-588)4075770-5 s Politik (DE-588)4046514-7 s Kunst (DE-588)4114333-4 s Kulturpolitik (DE-588)4033581-1 s DE-604 Franke, Anselm 1978- (DE-588)141472839 edt Ghouse, Nida (DE-588)1298041619 edt Guevara, Paz (DE-588)1262575184 edt Majaca, Antonia edt Haus der Kulturen der Welt Berlin (DE-588)2115425-9 his edt V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032701226&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Parapolitics cultural freedom and the Cold War Ost-West-Konflikt (DE-588)4075770-5 gnd Politik (DE-588)4046514-7 gnd Kulturpolitik (DE-588)4033581-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4075770-5 (DE-588)4046514-7 (DE-588)4033581-1 (DE-588)4114333-4 (DE-588)4135467-9 |
| title | Parapolitics cultural freedom and the Cold War |
| title_alt | Parapolitik : kulturelle Freiheit und Kalter Krieg |
| title_auth | Parapolitics cultural freedom and the Cold War |
| title_exact_search | Parapolitics cultural freedom and the Cold War |
| title_exact_search_txtP | Parapolitics cultural freedom and the Cold War |
| title_full | Parapolitics cultural freedom and the Cold War edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca |
| title_fullStr | Parapolitics cultural freedom and the Cold War edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca |
| title_full_unstemmed | Parapolitics cultural freedom and the Cold War edited by Anselm Franke, Nida Ghouse, Paz Guevara, and Antonia Majaca |
| title_short | Parapolitics |
| title_sort | parapolitics cultural freedom and the cold war |
| title_sub | cultural freedom and the Cold War |
| topic | Ost-West-Konflikt (DE-588)4075770-5 gnd Politik (DE-588)4046514-7 gnd Kulturpolitik (DE-588)4033581-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Ost-West-Konflikt Politik Kulturpolitik Kunst Ausstellungskatalog Haus der Kulturen der Welt Berlin 03.11.2017-08.01.2018 Berlin |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032701226&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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