Biofiction: an introduction
"Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergradu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: When did biofiction come into being? What forces gave birth to it? How does it uniquely function and signify? Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Toibin, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs"-- |
| Beschreibung: | viii, 185 Seiten |
| ISBN: | 9780367747633 9780367747657 |
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| 505 | 8 | |a The nineteenth century origins. The art of agential living -- Portraits of whom? -- Literature, cultural critique, and political liberation. Biofiction as social critique -- The Irish, the unslave trade, and the decolonization of the mind -- The 1930s and the first surge in biofiction -- Literary debates. The assault on biofiction -- The William Styron controversy -- Postmodernism's historiographic metafiction or biofiction's "truth" proposals? -- John Edgar Wideman on the ethics of fictionalizing a life in biofiction -- The uncanny power of biofiction. Biofiction as cultural intervention : the case of Sally Hemings -- The 1990s : the decade of biofiction's official legitimization and dominance -- The transformative powers of biofiction for students : a case study of David Ebershoff's The Danish girl | |
| 520 | 3 | |a "Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: When did biofiction come into being? What forces gave birth to it? How does it uniquely function and signify? Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Toibin, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List offigures Acknowledgments List of Abbreviations Introduction ix x xi 1 PARTI The Nineteenth-CenturyOrigins 1 The Art of Agential Living 2 Portraits of Whom? 7 9 19 PART II Literature, Cultural Critique,and Political Liberation 33 3 Biofiction as Social Critique 35 4 The Irish, the Unslave Trade, and the Decolonization of the Mind 46 5 The 1930s and the First Surgein Biofiction 60 PART III Literary Debates 77 6 The Assault on Biofiction 79 7 The William Styron Controversy 87 8 Postmodernism’s Historiographic Metafiction or Biofiction’s “Truth” Proposals 98
viii Contents 9 John Edgar Wideman on the Ethics of Fictionalizing a Life in Biofiction 111 PART IV The Uncanny Power of Biofiction 127 10 Biofiction as Cultural Intervention: The Case of SallyHernings 129 11 The 1990s: The Decade of Biofiction’s Official Legitimization and Dominance 139 12 The Transformative Power of Biofiction forStudents: A Case Study of David Ebershoffs The Danish Girl 146 Bibliography Index 174 180
Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization or biofiction, suggesting potential lines of inquiry, exploring criticisms or the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporan· and lively debates within the subject. The volume aims to confront and illuminate the following questions: • • • • When did biofiction come into being? What forces gave birth to it? How does it uniquel}· function and signify? W hv has it become such a dominant aesthetic form in recent years? Tltis introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Garter, Joyce Garol Oates, and Goim Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spannine; nineteenth֊ century origins to contemporary debates and adaptations, this book not onlv equips the reader with a firm grounding in the fundamentals of biofiction but also pros ides a valuableguide to the uncannv power of the biographical novel to transform cultural attitudes, perspectives, and beliefs.
|
| adam_txt |
Contents List offigures Acknowledgments List of Abbreviations Introduction ix x xi 1 PARTI The Nineteenth-CenturyOrigins 1 The Art of Agential Living 2 Portraits of Whom? 7 9 19 PART II Literature, Cultural Critique,and Political Liberation 33 3 Biofiction as Social Critique 35 4 The Irish, the Unslave Trade, and the Decolonization of the Mind 46 5 The 1930s and the First Surgein Biofiction 60 PART III Literary Debates 77 6 The Assault on Biofiction 79 7 The William Styron Controversy 87 8 Postmodernism’s Historiographic Metafiction or Biofiction’s “Truth” Proposals 98
viii Contents 9 John Edgar Wideman on the Ethics of Fictionalizing a Life in Biofiction 111 PART IV The Uncanny Power of Biofiction 127 10 Biofiction as Cultural Intervention: The Case of SallyHernings 129 11 The 1990s: The Decade of Biofiction’s Official Legitimization and Dominance 139 12 The Transformative Power of Biofiction forStudents: A Case Study of David Ebershoffs The Danish Girl 146 Bibliography Index 174 180
Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization or biofiction, suggesting potential lines of inquiry, exploring criticisms or the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporan· and lively debates within the subject. The volume aims to confront and illuminate the following questions: • • • • When did biofiction come into being? What forces gave birth to it? How does it uniquel}· function and signify? W'hv has it become such a dominant aesthetic form in recent years? Tltis introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Garter, Joyce Garol Oates, and Goim Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spannine; nineteenth֊ century origins to contemporary debates and adaptations, this book not onlv equips the reader with a firm grounding in the fundamentals of biofiction but also pros ides a valuableguide to the uncannv power of the biographical novel to transform cultural attitudes, perspectives, and beliefs. |
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| author | Lackey, Michael 1962- |
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| contents | The nineteenth century origins. The art of agential living -- Portraits of whom? -- Literature, cultural critique, and political liberation. Biofiction as social critique -- The Irish, the unslave trade, and the decolonization of the mind -- The 1930s and the first surge in biofiction -- Literary debates. The assault on biofiction -- The William Styron controversy -- Postmodernism's historiographic metafiction or biofiction's "truth" proposals? -- John Edgar Wideman on the ethics of fictionalizing a life in biofiction -- The uncanny power of biofiction. Biofiction as cultural intervention : the case of Sally Hemings -- The 1990s : the decade of biofiction's official legitimization and dominance -- The transformative powers of biofiction for students : a case study of David Ebershoff's The Danish girl |
| ctrlnum | (OCoLC)1261745003 (DE-599)BVBBV047297260 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
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| index_date | 2024-07-03T17:22:18Z |
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| isbn | 9780367747633 9780367747657 |
| language | English |
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| spelling | Lackey, Michael 1962- Verfasser (DE-588)1050737644 aut Biofiction an introduction Michael Lackey New York ; London Routledge 2022 viii, 185 Seiten txt rdacontent n rdamedia nc rdacarrier The nineteenth century origins. The art of agential living -- Portraits of whom? -- Literature, cultural critique, and political liberation. Biofiction as social critique -- The Irish, the unslave trade, and the decolonization of the mind -- The 1930s and the first surge in biofiction -- Literary debates. The assault on biofiction -- The William Styron controversy -- Postmodernism's historiographic metafiction or biofiction's "truth" proposals? -- John Edgar Wideman on the ethics of fictionalizing a life in biofiction -- The uncanny power of biofiction. Biofiction as cultural intervention : the case of Sally Hemings -- The 1990s : the decade of biofiction's official legitimization and dominance -- The transformative powers of biofiction for students : a case study of David Ebershoff's The Danish girl "Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: When did biofiction come into being? What forces gave birth to it? How does it uniquely function and signify? Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Toibin, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs"-- Biografischer Roman (DE-588)4201750-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Biographical fiction / History and criticism Characters and characteristics in literature Literary criticism Englisch (DE-588)4014777-0 s Biografischer Roman (DE-588)4201750-6 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-15941-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032700494&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032700494&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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