East German film and the Holocaust:
"East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish sufferin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
2021
|
| Schriftenreihe: | Film Europa
German cinema in an international context ; volume 22 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- |
| Beschreibung: | "Berghahn on film" - front cover |
| Beschreibung: | xiii, 245 Seiten Illustrationen 24 cm |
| ISBN: | 9781789207477 |
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| 505 | 8 | 0 | |t Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- |t The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- |t Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- |t Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- |t 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- |t New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- |t Returning to the past : Frank Beyer's "Jakob der Lügner" -- |t Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- |t Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- |
| 520 | 3 | |a "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations vii Acknowledgements x List of Abbreviations and Acronyms Introduction xii 1 Parti. 1945-49 15 Chapter 1. Picking up the Pieces: Kurt Maetzig s Ehe im Schatten 23 Partii. 1949-61 47 Chapter 2. The German Democratic Republic s Ambassador of Good Will: Konrad Wolf s Sterne 53 Chapter 3. Refraining Victimhood: Konrad Wolf s Professor Mamlock 75 Part III. 1961-71 89 Chapter 4. Crimes of the Past and Politics of the Present: Wolfgang Luderer s Lebende Ware 97 Chapter 5. In Babelsberg, Nothing New : Gottfried Kolditz s Das Tal der sieben Monde 114 Part IV. 1971-80 131 Chapter 6. New Encounters on Well-Worn Paths: Kurt Jung-Alsen s Die Bilder des Zeugen Schattmann 137
vi Contents Chapter 7. Returning to the Past: Frank Beyer s Jakob der Lügner 153 Part V. 1980-89 173 Chapter 8. Shifting Identities: Michael Karin s Stielke, Heinz, fünfzehn 179 Chapter 9. Calendar-Based Shame? Siegfried Kiihn s Oie Schauspielerin 194 Conclusion 216 Filmography 222 Bibliography 225 Index 239
|
| adam_txt |
Contents List of Illustrations vii Acknowledgements x List of Abbreviations and Acronyms Introduction xii 1 Parti. 1945-49 15 Chapter 1. Picking up the Pieces: Kurt Maetzig's Ehe im Schatten 23 Partii. 1949-61 47 Chapter 2. The German Democratic Republic's Ambassador of Good Will: Konrad Wolf's Sterne 53 Chapter 3. Refraining Victimhood: Konrad Wolf's Professor Mamlock 75 Part III. 1961-71 89 Chapter 4. Crimes of the Past and Politics of the Present: Wolfgang Luderer's Lebende Ware 97 Chapter 5. 'In Babelsberg, Nothing New': Gottfried Kolditz's Das Tal der sieben Monde 114 Part IV. 1971-80 131 Chapter 6. New Encounters on Well-Worn Paths: Kurt Jung-Alsen's Die Bilder des Zeugen Schattmann 137
vi Contents Chapter 7. Returning to the Past: Frank Beyer's Jakob der Lügner 153 Part V. 1980-89 173 Chapter 8. Shifting Identities: Michael Karin's Stielke, Heinz, fünfzehn 179 Chapter 9. Calendar-Based Shame? Siegfried Kiihn's Oie Schauspielerin 194 Conclusion 216 Filmography 222 Bibliography 225 Index 239 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| contents | Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- Returning to the past : Frank Beyer's "Jakob der Lügner" -- Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- |
| ctrlnum | (OCoLC)1192526947 (DE-599)BVBBV047296366 |
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| index_date | 2024-07-03T17:22:03Z |
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| spelling | Ward, Elizabeth Verfasser (DE-588)1162968087 aut East German film and the Holocaust Elizabeth Ward New York ; Oxford Berghahn Books 2021 xiii, 245 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Film Europa : German cinema in an international context volume 22 "Berghahn on film" - front cover Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- Returning to the past : Frank Beyer's "Jakob der Lügner" -- Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- Judenvernichtung Motiv (DE-588)4122228-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Deutschland DDR (DE-588)4011890-3 gnd rswk-swf Motion pictures / Germany (East) / History Holocaust, Jewish (1939-1945), in motion pictures Holocaust, Jewish (1939-1945) in motion pictures Motion pictures Germany (East) History Deutschland DDR (DE-588)4011890-3 g Film (DE-588)4017102-4 s Judenvernichtung Motiv (DE-588)4122228-3 s DE-604 Erscheint auch als Online-Ausgabe 978-1-78920-748-4 Film Europa German cinema in an international context ; volume 22 (DE-604)BV022527114 22 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032699615&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ward, Elizabeth East German film and the Holocaust Film Europa Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- Returning to the past : Frank Beyer's "Jakob der Lügner" -- Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- Judenvernichtung Motiv (DE-588)4122228-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4122228-3 (DE-588)4017102-4 (DE-588)4011890-3 |
| title | East German film and the Holocaust |
| title_alt | Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- Returning to the past : Frank Beyer's "Jakob der Lügner" -- Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- |
| title_auth | East German film and the Holocaust |
| title_exact_search | East German film and the Holocaust |
| title_exact_search_txtP | East German film and the Holocaust |
| title_full | East German film and the Holocaust Elizabeth Ward |
| title_fullStr | East German film and the Holocaust Elizabeth Ward |
| title_full_unstemmed | East German film and the Holocaust Elizabeth Ward |
| title_short | East German film and the Holocaust |
| title_sort | east german film and the holocaust |
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| topic_facet | Judenvernichtung Motiv Film Deutschland DDR |
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