Blind Joe Death's America: John Fahey, the blues, and writing white discontent
"For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with Africa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
University of North Carolina Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"-- |
| Beschreibung: | xi, 222 Seiten Illustrationen |
| ISBN: | 9781469660783 9781469660776 |
Internformat
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| 505 | 8 | |a Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling | |
| 520 | 3 | |a "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"-- | |
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| 653 | 1 | |a Fahey, John / 1939-2001 / Criticism and interpretation | |
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Datensatz im Suchindex
| _version_ | 1804182471096401920 |
|---|---|
| adam_text | Contents Acknowledgments ix Introduction i New Possibilities part i I Where Did You Go, John Fahey? Introduction 29 Listening Session One 36 x Manufacturing Discontent 41 2 The Suburbs, or Communism 53 part и I Delta Haze Introduction 71 Listening Session Two 77 3 The Politics of the Songster 85 4 The Great Liner Note Breakdown 108 part iii I Festivals ofDemocracy (Variations) Introduction 127 Listening Session Three 134 5 Performance as War 143 6 Some Music. Some Dancing. Some Unusual Intermingling. 162 Coda 194 The Unintended Story
Notes 199 References 207 Index 2x9
|
| adam_txt |
Contents Acknowledgments ix Introduction i New Possibilities part i I Where Did You Go, John Fahey? Introduction 29 Listening Session One 36 x Manufacturing Discontent 41 2 The Suburbs, or Communism 53 part и I Delta Haze Introduction 71 Listening Session Two 77 3 The Politics of the Songster 85 4 The Great Liner Note Breakdown 108 part iii I Festivals ofDemocracy (Variations) Introduction 127 Listening Session Three 134 5 Performance as War 143 6 Some Music. Some Dancing. Some Unusual Intermingling. 162 Coda 194 The Unintended Story
Notes 199 References 207 Index 2x9 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Henderson, George L. 1958- |
| author_GND | (DE-588)136344011 |
| author_facet | Henderson, George L. 1958- |
| author_role | aut |
| author_sort | Henderson, George L. 1958- |
| author_variant | g l h gl glh |
| building | Verbundindex |
| bvnumber | BV047295229 |
| classification_rvk | LS 48040 |
| contents | Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling |
| ctrlnum | (OCoLC)1260143579 (DE-599)BVBBV047295229 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T17:21:37Z |
| indexdate | 2024-07-10T09:08:04Z |
| institution | BVB |
| isbn | 9781469660783 9781469660776 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032698496 |
| oclc_num | 1260143579 |
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| physical | xi, 222 Seiten Illustrationen |
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| publishDate | 2021 |
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| publisher | University of North Carolina Press |
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| spelling | Henderson, George L. 1958- Verfasser (DE-588)136344011 aut Blind Joe Death's America John Fahey, the blues, and writing white discontent George Henderson Chapel Hill University of North Carolina Press [2021] ©2021 xi, 222 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"-- Fahey, John 1939-2001 (DE-588)130584967 gnd rswk-swf Fahey, John / 1939-2001 / Criticism and interpretation Guitarists / United States Musicologists / United States Music / Social aspects / United States Music / Political aspects / United States Fahey, John / 1939-2001 Guitarists Music / Political aspects Music / Social aspects Musicologists United States Criticism, interpretation, etc Fahey, John 1939-2001 (DE-588)130584967 p DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-4696-6079-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032698496&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Henderson, George L. 1958- Blind Joe Death's America John Fahey, the blues, and writing white discontent Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling Fahey, John 1939-2001 (DE-588)130584967 gnd |
| subject_GND | (DE-588)130584967 |
| title | Blind Joe Death's America John Fahey, the blues, and writing white discontent |
| title_auth | Blind Joe Death's America John Fahey, the blues, and writing white discontent |
| title_exact_search | Blind Joe Death's America John Fahey, the blues, and writing white discontent |
| title_exact_search_txtP | Blind Joe Death's America John Fahey, the blues, and writing white discontent |
| title_full | Blind Joe Death's America John Fahey, the blues, and writing white discontent George Henderson |
| title_fullStr | Blind Joe Death's America John Fahey, the blues, and writing white discontent George Henderson |
| title_full_unstemmed | Blind Joe Death's America John Fahey, the blues, and writing white discontent George Henderson |
| title_short | Blind Joe Death's America |
| title_sort | blind joe death s america john fahey the blues and writing white discontent |
| title_sub | John Fahey, the blues, and writing white discontent |
| topic | Fahey, John 1939-2001 (DE-588)130584967 gnd |
| topic_facet | Fahey, John 1939-2001 |
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