Color riot!: how color changed Navajo textiles
Navajo weavers' individualism and flair for experimentation is vividly expressed in textiles from the last quarter of the 19th century. The textiles are rooted in ideas and events the weavers experienced between 1863 and 1868, the hard years of their imprisonment in the Bosque Redondo, and thei...
Gespeichert in:
| Weitere Verfasser: | , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Phoenix, AZ
Heard Museum
[2020]
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| Schlagworte: | |
| Zusammenfassung: | Navajo weavers' individualism and flair for experimentation is vividly expressed in textiles from the last quarter of the 19th century. The textiles are rooted in ideas and events the weavers experienced between 1863 and 1868, the hard years of their imprisonment in the Bosque Redondo, and their subsequent return to a reservation. During this time, weavers saw examples of the design system of Hispanic textiles and acquired new materials such as aniline dyes and Germantown yarns that touched off their experiments with color and design. Commercial products at trading posts sparked additional design ideas for weavers. This was a time when outside market influences were at a low point. The old indigenous trading networks had been disrupted, woven garments were being replaced with commercial cloth and traders had not yet developed design constraints of the rug market that developed in the early 1900s. During this time of great change, as the Navajo rebuilt their flocks and repaired the devastation of Bosque Redondo, weavers had an unprecedented freedom to experiment. Change has always been a hallmark of Navajo textile design, with the weavers' individualism to a greater or lesser degree a continuing theme. Today, Navajo textiles are viewed as art with the singular vision of the weaver appreciated and applauded just as the vision of an artist working in the Euro-American artistic tradition has always been recognized. Exhibition: Heard Museum, Phoenix, USA (05.04-29.09.2019) / Museum of Fine Arts, St. Petersburg, USA (04.09-22.11.2020) / Birmingham Museum of Art, Birmingham, USA (10.04-08.08.2021) / Montclair Art Museum, Montclair, USA (11.09.2021-02.01.2022) |
| Beschreibung: | Rückseite Titelblatt: This publication is based on the exhibition "Color Riot: How Color Changed Navajo Textiles", which was presented at the Heard Museum from April 5 - September 29, 2019. "Color Riot!" will travel to the following venues: Museum of Fine Arts St. Petersburg, September 4, 2020 - November 22, 2020; Birmingham Museum of Art, April 10, 2021 - August 8, 2021; Montclair Art Museum, September 11, 2021 - January 2, 2022 |
| Beschreibung: | 111 Seiten |
| ISBN: | 9780934351959 0934351953 |
Internformat
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| 520 | 3 | |a Navajo weavers' individualism and flair for experimentation is vividly expressed in textiles from the last quarter of the 19th century. The textiles are rooted in ideas and events the weavers experienced between 1863 and 1868, the hard years of their imprisonment in the Bosque Redondo, and their subsequent return to a reservation. During this time, weavers saw examples of the design system of Hispanic textiles and acquired new materials such as aniline dyes and Germantown yarns that touched off their experiments with color and design. Commercial products at trading posts sparked additional design ideas for weavers. This was a time when outside market influences were at a low point. The old indigenous trading networks had been disrupted, woven garments were being replaced with commercial cloth and traders had not yet developed design constraints of the rug market that developed in the early 1900s. During this time of great change, as the Navajo rebuilt their flocks and repaired the devastation of Bosque Redondo, weavers had an unprecedented freedom to experiment. Change has always been a hallmark of Navajo textile design, with the weavers' individualism to a greater or lesser degree a continuing theme. Today, Navajo textiles are viewed as art with the singular vision of the weaver appreciated and applauded just as the vision of an artist working in the Euro-American artistic tradition has always been recognized. Exhibition: Heard Museum, Phoenix, USA (05.04-29.09.2019) / Museum of Fine Arts, St. Petersburg, USA (04.09-22.11.2020) / Birmingham Museum of Art, Birmingham, USA (10.04-08.08.2021) / Montclair Art Museum, Montclair, USA (11.09.2021-02.01.2022) | |
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Datensatz im Suchindex
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| index_date | 2024-07-03T17:20:43Z |
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| spelling | Color riot! how color changed Navajo textiles Heard Museum ; Craig, Mackay, Marshall, Miles, Winton colour Phoenix, AZ Heard Museum [2020] © 2020 111 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: This publication is based on the exhibition "Color Riot: How Color Changed Navajo Textiles", which was presented at the Heard Museum from April 5 - September 29, 2019. "Color Riot!" will travel to the following venues: Museum of Fine Arts St. Petersburg, September 4, 2020 - November 22, 2020; Birmingham Museum of Art, April 10, 2021 - August 8, 2021; Montclair Art Museum, September 11, 2021 - January 2, 2022 Navajo weavers' individualism and flair for experimentation is vividly expressed in textiles from the last quarter of the 19th century. The textiles are rooted in ideas and events the weavers experienced between 1863 and 1868, the hard years of their imprisonment in the Bosque Redondo, and their subsequent return to a reservation. During this time, weavers saw examples of the design system of Hispanic textiles and acquired new materials such as aniline dyes and Germantown yarns that touched off their experiments with color and design. Commercial products at trading posts sparked additional design ideas for weavers. This was a time when outside market influences were at a low point. The old indigenous trading networks had been disrupted, woven garments were being replaced with commercial cloth and traders had not yet developed design constraints of the rug market that developed in the early 1900s. During this time of great change, as the Navajo rebuilt their flocks and repaired the devastation of Bosque Redondo, weavers had an unprecedented freedom to experiment. Change has always been a hallmark of Navajo textile design, with the weavers' individualism to a greater or lesser degree a continuing theme. Today, Navajo textiles are viewed as art with the singular vision of the weaver appreciated and applauded just as the vision of an artist working in the Euro-American artistic tradition has always been recognized. Exhibition: Heard Museum, Phoenix, USA (05.04-29.09.2019) / Museum of Fine Arts, St. Petersburg, USA (04.09-22.11.2020) / Birmingham Museum of Art, Birmingham, USA (10.04-08.08.2021) / Montclair Art Museum, Montclair, USA (11.09.2021-02.01.2022) Geschichte 1865- gnd rswk-swf Navajo (DE-588)4041452-8 gnd rswk-swf Textilien (DE-588)4059615-1 gnd rswk-swf Webarbeit (DE-588)4139378-8 gnd rswk-swf Navajo textile fabrics / Exhibitions Navajo textile fabrics / Themes, motives / Exhibitions Color in art / Exhibitions Heard Museum / Exhibitions Heard Museum Color in art Navajo textile fabrics Navajo textile fabrics / Themes, motives Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Heard Museum 05.04.2019-29.09.2019 Phoenix, Ariz. gnd-content (DE-588)4135467-9 Ausstellungskatalog Museum of Fine Arts 04.09.2020-22.11.2020 Saint Petersburg, Fla. gnd-content (DE-588)4135467-9 Ausstellungskatalog Birmingham Museum of Art 10.04.2021-08.08.2021 Birmingham, Ala. gnd-content (DE-588)4135467-9 Ausstellungskatalog Montclair Art Museum 11.09.2021-02.01.2022 Montclair, NJ gnd-content (DE-588)4145395-5 Bildband gnd-content Navajo (DE-588)4041452-8 s Textilien (DE-588)4059615-1 s Webarbeit (DE-588)4139378-8 s Geschichte 1865- z DE-604 Craig, Velma Kee com wst Mackay, Carol Ann com wst Marshall, Ann com wst Miles, Natalia com wst Winton, Ninabah com wst Heard Museum (DE-588)1029816-2 his isb Museum of Fine Arts (Saint Petersburg, Fla.) (DE-588)3011941-8 his Birmingham Museum of Art (DE-588)1090631-9 his Montclair Art Museum (DE-588)5028123-9 his |
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| title | Color riot! how color changed Navajo textiles |
| title_alt | colour |
| title_auth | Color riot! how color changed Navajo textiles |
| title_exact_search | Color riot! how color changed Navajo textiles |
| title_exact_search_txtP | Color riot! how color changed Navajo textiles |
| title_full | Color riot! how color changed Navajo textiles Heard Museum ; Craig, Mackay, Marshall, Miles, Winton |
| title_fullStr | Color riot! how color changed Navajo textiles Heard Museum ; Craig, Mackay, Marshall, Miles, Winton |
| title_full_unstemmed | Color riot! how color changed Navajo textiles Heard Museum ; Craig, Mackay, Marshall, Miles, Winton |
| title_short | Color riot! |
| title_sort | color riot how color changed navajo textiles |
| title_sub | how color changed Navajo textiles |
| topic | Navajo (DE-588)4041452-8 gnd Textilien (DE-588)4059615-1 gnd Webarbeit (DE-588)4139378-8 gnd |
| topic_facet | Navajo Textilien Webarbeit Ausstellungskatalog Heard Museum 05.04.2019-29.09.2019 Phoenix, Ariz. Ausstellungskatalog Museum of Fine Arts 04.09.2020-22.11.2020 Saint Petersburg, Fla. Ausstellungskatalog Birmingham Museum of Art 10.04.2021-08.08.2021 Birmingham, Ala. Ausstellungskatalog Montclair Art Museum 11.09.2021-02.01.2022 Montclair, NJ Bildband |
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